Sarah Jeffery, connue dans le monde de la flûte à bec notamment grâce à sa chaîne YouTube Team Recorder , présente dans ce volume ses morceaux préférés pour flûte à bec soprano (ténor) et piano. Des variations sur The Wellerman aux adaptations romantiques et aux compositions modernes, en passant par l'estampie médiévale, les danses de la Renaissance et les mouvements baroques, 14 ?uvres originales et des arrangements de difficulté moyenne garantissent un pur plaisir de jouer. Avec des pistes audio à écouter et à accompagner ainsi que des vidéos avec des informations et des conseils. Photo de couverture par Claudia Hansen.Anon. (Irish Traditional): Dear Irish BoyAnon. (Sea Shanty from New Zealand): The Wellerman (Variations)Anon. (14th Century): EstampieJacob van Eyck (ca. 1590 ? 1657): Doen Daphne (Variations)John Dowland (1563?1623): The Earl of Essex GaillardHenry Purcell (1659?1695): Rondeau (No. 2 from Abdelazar)Michel Blavet (1700?1768): Sonata seconda, 1st and 3rd movements - George Frideric Handel (1685?1759): Voli per l?aria chi può volareJoseph Bologne, Chevalier de Saint-Georges (1745?1799): Rondo (from: Harpsichord Quartet)Samuel Dushkin (1891?1976) / Maria Theresia von Paradis (1759?1824): SicilienneClara Schumann (1819?1896): Ich stand in dunklen TräumenVittorio Monti (1868?1922) CzárdásBarbara Heller (*1936) Water Lily (from: Musical Flowers)Victor Alcantára (*1975): Invisible Poem (extracts) / Flûte à bec / Schott

'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / Flûte à Bec

Bancalari-Medieval and Renaissance Music for Recorder is a unique assortment of 40 short pieces written for soprano/Descant recorder with suggested guitar chords. Selection include: Trouvere (Or la Truix); Estampie; LaRotta; Saltarello; Der Neve Villancico; Basse Dance (La Volunte'); Hoboeckentanz; Der Heiligen Drei Konige Aufzug; Polnischer Tanz; and more. A glossary and brief performance notes are provided.

32 Pieces for Soprano (Descant) Recorder and Piano-Author of the Baroque Recorder Anthology series Peter Bowman presents the first in a series of four volumes dedicated to Recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for Recorder and Keyboard accompaniment this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers. Suitable for students of ca. 2-3 years? of playing experience this book includes composer biographies and teaching notes on each piece together with a CD recording of all works performed by Kathryn Bennetts.