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Fred Sokolow: Better Lead Guitar Through Chords: Guitar: Instrumental Tutor
22.95
Fred Sokolow: Better Lead Guitar Through Chords: Guitar: Instrumental Tutor
Guitare
[DVD]
Grossman's Guitar Workshop
If you're trying to improve your lead guitar playing by studying scales that's ...
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If you're trying to improve your lead guitar playing by studying scales that's only half the picture. The best lead guitarists in rock jazz country bluegrass and R and B base much of their improvisation and soloing on chords -even when they're playing single-note solos. In this one and a half hour lesson Fred Sokolow shows you several chord-based approaches to soloing and backup. Covering several musical genres Fred teaches you to:Play arpeggios country licks and fast flatpicking solos in country/bluegrass tunes like Jambalaya and Wreck of the Old 97. Solo and backup RandB songs like People Get Ready and Just My Imagination in the colorful styleJimi Hendrix used on Little Wing. Play Steve Cropper-style licks on Dock of the Bay and Under the Boardwalk. Improvise Django-style solos on swing tunes like Avalon. You'll also learn some music theory and get abetter understanding of the guitar as Fred shows you ways to instantly find chords up and down the fretboard and connect them in chord families. Lots of Fred's solos are written out in the accompanying tab/music booklet and ifyou put the DVD in your computer you can access a PDF file and print it all out in a larger size. Fred's relaxed style of teaching makes it easy for you to add new licks new color and new strategies to your lead guitarplaying.
22.95 GBP - vendu par Musicroom GB
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Guitar Apprentice - Rock Roots: Guitar Solo: Instrumental Tutor
20.40
Guitar Apprentice - Rock Roots: Guitar Solo: Instrumental Tutor
Guitare
Guitar Apprentice teaches you real hit songs in a rhythm game format by breaking...
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Guitar Apprentice teaches you real hit songs in a rhythm game format by breaking them down into easy portions on multiple levels showing you exactly what and when to play. By watching the scrolling fret boards and playing as they drop in to place you'll never be lost or overwhelmed. On the first level you play only a chord or two. By the time you reach the highest level you're playing the entire song like the original recorded version. Grab any real guitar pop in a DVD and you're ready to rock even if it's the first time you've picked up a guitar! Every Guitar Apprentice DVD includes: 15 levels of play per song â?¢ easy colour-coded finger diagrams â?¢moving guitar necks show what's coming â?¢ strings light up to show you what and when to play â?¢ instruction on the fundamentals of playing guitar.
20.40 GBP - vendu par Musicroom GB
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Preludio
28.90
Preludio
Guitare
Guitare classique
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Schott
Preludio contains 130 easy attractive performance pieces from six centuries, thu...
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Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers.The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance - Baroque - Classical period - Romanticism and early 20th century - modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method.Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter.The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much. / Guitare
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8.00
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Guitare
Guitare classique
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.
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Bert Jansch: Guitar Artistry Conundrum In Concert 1980: Guitar: Recorded
19.95
Bert Jansch: Guitar Artistry Conundrum In Concert 1980: Guitar: Recorded
Guitare
[DVD]
Grossman's Guitar Workshop
After Pentangle split in 1973 Bert Jansch returned to his prolific solo career ...
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After Pentangle split in 1973 Bert Jansch returned to his prolific solo career but missed playing in a group context. The Bert Jansch Conundrum came into existence as the 1970s waned. Jansch recorded a solo album called A Rare Conundrum in 1977 with mandolinist Rod Clements and fiddler Mike Piggott as supporting players. When Piggott was unable to go out on a Scandinavian tour Martin Jerkins hired on to play violin on the dates. They hit it off and Nigel Portman-Smith came aboard to play bass. They toured Europe and America. Bert recalled: ?I got to know Martin in that period between the original Pentangle splitting up and the beginning of the eighties. I knew him prettywell and we did a lot of gigs together. At one point we were playing with Rod Clements who used to be in Lindisfarne and Pick Withers on drums - I seem to remember Mike Piggott was involved as well; I?ve been in so many different line-ups I just can?t honestly remember!?The first part of this DVD collection presents Bert Jansch Conundrum in concert recorded in Athens Ohio. This is followed by three tunes by Bert and Martin recorded in 1978 in Stockholm Sweden. The DVD concludes with a documentary that Bert recorded in 1985 that combines interviews solo concert performances and rehearsals.
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Acoustic Guitar Exam Pieces 2020-2023 Initial - 2: Acoustic Guitar: Instrumental
17.95
Acoustic Guitar Exam Pieces 2020-2023 Initial - 2: Acoustic Guitar: Instrumental
Guitare
Guitare acoustique
-
Facile
Trinity College London
Initial to Grade 2. Trinity's new Acoustic Guitar syllabus reinvents the popular...
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Initial to Grade 2. Trinity's new Acoustic Guitar syllabus reinvents the popular Plectrum Guitar syllabus, keeping it vital and relevant to today's guitarist by giving teachers and learners the flexibility to develop fingerstyle and plectrum playing. A selection of the best-loved pieces from the previous syllabus has been retained at every grade for continuity. This book contains all the exam pieces for Initial to Grade 2, covering a wide range of styles at each grade ' folk, acoustic, rock and pop styles, jazz, blues, country ' allowing candidates to follow distinct stylistic pathways as they progress. All pieces are printed in both tablature and standard notation so are accessible for any learner.
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Stefan Grossman: The Guitar Artistry Of Stefan Grossman: Guitar: Recorded
19.95
Stefan Grossman: The Guitar Artistry Of Stefan Grossman: Guitar: Recorded
Guitar
Grossman's Guitar Workshop
Guitarist educator and historian Stefan Grossman was a student of acoustic blue...
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Guitarist educator and historian Stefan Grossman was a student of acoustic blues and gospel singer/guitarist Rev. Gary Davis. Beginning when he was 15 Stefan studied with Davis on weekends spending eight to ten hours at his house in Harlem absorbing all he could. While studying with Rev. Davis he met and studied with other country blues guitarists: Mississippi John Hurt Son House Skip James Mance Lipscomb and Fred McDowell.In the early 1960s Stefan formed the Even Dozen Jug Band (which also included such future luminaries as John Sebastian Steve Katz Maria Muldaur and David Grisman). In 1966 he worked with the alternate rock band the Fugs beforemoving to Great Britain in 1967. In 1969 he co-founded Kicking Mule Records with Ed Denson a label that showcased acoustic fingerstyle guitar. Many of these albums that Stefan produced during this period are finally being re-released on CD on his own label.From 1967 to 1987 Stefan Grossman lived in Great Britain and Italy and toured worldwide. He performed and recorded with John Renbourn for 15 years and they produced four albums together.Stefan's solo discography goes all the way back to 1966 when he recorded How to Play Blues Guitar with Rory Block (now released as Country Blues Guitar SGGW103). Since that time he has recorded over 30 solo albums and has written numerous books highlighting the playing of legendary bluesmen from the 1920s and 1930s.Nowadays Stefan divides his time between the USA and England. He continues to do concerts and workshops worldwide and remains one of the world's foremost authorities on acoustic blues guitar. The Guitar Artistry of Stefan Grossman brings together performances from 1965 to today. He performs solo with the Even Dozen Jog Band with John Renbourn as well as Duck Baker. In between the music Stefan weaves together the story behind his playing.An 87 page PDF booklet is included on the DVD. This details
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Sonate (BARTOK BELA)
23.25
Sonate (BARTOK BELA)
Guitare
Guitare classique
Universal Edition
Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Sol...
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Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Solo Violin was said, by its commissioner, Yehudi Menuhin, at first sight, to be unplayable! Of course, Menuhin soon changed his opinion, later describing the work as the most important composition for solo violin since Bach. The original work used the full array of violin techniques such as stopped harmonics, left-hand pizzicato and quarter tones. These demands gave arranger, Christophe Dejour, much pause for thought when preparing this arrangement, not least in how to produce quarter tones on the guitar! Fortunately, both Bartók and Menuhin came to his rescue here. Menuhin had had problems playing these at speed and Bartók agreed that they were only for “colour” and accepted an alternative version Menuhin presented to him. The Sonata also contains several compositional techniques that are highly appropriate for the guitar such as chord progressions, contrapuntal motion and rhythmic sharpness, allowing Dejour to produce an arrangement that requires great skill to play, just as the original violin version demanded of Yehudi Menuhin./ Répertoire / Guitare
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Mastering The Fretboard: Guitar: Instrumental Tutor
Guitare
[Partition + CD]
Schott
Harmonics Fretboard-Knowledge Scales and Chords For Guitarists-Mastering The F...
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Harmonics Fretboard-Knowledge Scales and Chords For Guitarists-Mastering The Fretboard is the ideal new path to confident navigation freedom and absolute control on the guitar fretboard. Professional guitarist and experienced educator Frank Doll explains the basics of rock and jazz music in a practical and easily-to-follow way.Exercises at progressive levels of difficulty train a general view of strings frets and interdependencies and will also provide advanced players with a new approach to the instrument. It's about time a system like this came along to help guitar players develop the knowledgeof the fretboard. Put in such a simple and visual way I can see it taking any player to the next level quickly.Phil X (Bon Jovi)Harmonics and the understanding of how to use the fretboard is an important skill when you want to bring your guitar playing to another level. This book explores these concepts to help you to improve your knowledge about the fundamentals of guitar playing to help you become a master of the fretboard. Devin Townsend This book will for sure put you on the path to become the best player you can be....and more! Phil Campbell (Motörhead) Frank Doll is a name all global guitar players hear about when it comes to needing someone in the know about fretboard theory and harmonics. Special players need special cats like Frank if they wanna stay special. Stevie Salas (u. a. Rod Stewart Bootsy Collins Justin Timberlake)
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Essential Jazz Lines : In The Style Of John Coltrane (CHRISTIANSEN COREY)
23.32
Essential Jazz Lines : In The Style Of John Coltrane (CHRISTIANSEN COREY)
Guitare
[Partition + Accès audio]
-
Intermédiaire
Mel Bay
Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative...
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Par CHRISTIANSEN COREY. Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow. This book will focus on the first period of Coltrane's career, when he was with Miles Davis, and the jazz vocabulary he used. First, to help the student better understand Coltrane's bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques. Then the text presents numerous one-, two-, and three-measure jazz lines in Coltrane's style in notation and tablature grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of John Coltrane. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Guitare
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Roy Book Binder: Guitar Artistry Of Roy Book Binder: Guitar: Instrumental Tutor
19.95
Roy Book Binder: Guitar Artistry Of Roy Book Binder: Guitar: Instrumental Tutor
Guitare
[DVD]
Grossman's Guitar Workshop
Pickin? With The Book-A DVD of the artistry of Roy Book Binder. No book included...
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Pickin? With The Book-A DVD of the artistry of Roy Book Binder. No book included. It was 40 years ago that I first recorded for Stefan Grossman’s Kicking Mule record label! Much has changed over the years and much has pretty much stayed the same. I still love the music that caught my attention back in the old days and I still play it. Many of my old pals are gone but they are still a part of my life and they come alive every time I take the stage to tell my story. After 40 years ‘in the game’ I consider myself to be a very lucky man. When your heroes end up becoming your pals life is sweet.you can’t really ask for more than that!†- Roy Book Binder
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Guitar Music Of The 16Th Century With Online Audio
27.99
Guitar Music Of The 16Th Century With Online Audio
Guitare
[Partition + Accès audio]
Mel Bay
This book consists of music written for the guitar. When modern guitarists play ...
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This book consists of music written for the guitar. When modern guitarists play music from the Renaissance they usually play transcriptions from the vihuela or lute repertoire. As a consequence many guitarists are unaware ofthe early music written for the guitar. Guitar Music of the 16th Century presents an amazing collection of 133 solos actually scored for early guitar by Alonso Mudarra Miguel De Fuenllana Adrian Le Roy GregoireBrayssing Guillaume Morlaye and Simon Gorlier. Includes access to online audio and is a valuable addition to any guitarist's library!
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Flamenco Improvisation Volume 1 (VARGAS ENRIQUE)
53.19
Flamenco Improvisation Volume 1 (VARGAS ENRIQUE)
Guitare
[Partition]
Sher Music Company
Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmon...
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Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. Before delving into the more complex, polytonal, tetrachordal modal structures of flamenco, Volume 1 explores the melodic and harmonic aspects of the seven basic Greek modes (Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian), even if they are not bona fide flamenco modalities. In addition, the general rules of left-hand guitar fingerings are established here, to avoid possible confusion when interpreting the wealth of material offered in the second and third volumes. In this first volume, the concept of symmetrical permutations is analysed and explained and three types of symmetrical permutations, with their corresponding guitar fingerings, are presented for the basic modes. These permutations are perfectly valid for musical instruments other than the guitar — one can play them and just ignore the guitar fingering symbols. Every harmonic aspect of the seven basic modes are explained — triads, seventh, ninth and add chords, etc. One appendix gives a compendium of 72 licks, or melodic examples/ideas for improvisation, written in each of the basic modes. / Methods & Tutors / Etude / Guitare
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Guitar Basics Sight - Reading (WALKER N)
11.34
Guitar Basics Sight - Reading (WALKER N)
Guitare
[Partition]
Faber Music Limited
Par WALKER N. / LONGWORTH J.. Guitar Basics Sight-reading offers bite-sized exer...
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Par WALKER N. / LONGWORTH J.. Guitar Basics Sight-reading offers bite-sized exercises and specimen pieces to help young players improve their sight-reading and general musicianship skills in a fun and unintimidating manner. Carefully devised by established authors Nick Walker and James Longworth, this step-by-step approach will get players cruising through their sightreading before they know what's happened! - Short and approachable exercises, ideal for use in individual and group lessons when time is of the essence - Unintimidating approach develops players' skills gradually over time - Bespoke advice and practical tips that will help prepare students for the Grade 1 sight-reading tests (ABRSM and Trinity)/ Recueil / Guitare
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Andrew Green: Jazz Guitar Comping: Guitar: Instrumental Work
22.99
Andrew Green: Jazz Guitar Comping: Guitar: Instrumental Work
Guitare
[Partition + Accès audio]
Mel Bay
For most of the recorded history of Jazz the Piano has been the main and usual...
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For most of the recorded history of Jazz the Piano has been the main and usually the only comping instrument. This text will help Guitarists get a handle on the most important job they have when playing in a small group:comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book they are isolated for study in particular sections. Thebook and accompanying audio cover voice leading multi-use voicings voicing variations passing chords harmonized scales intervallic comping rhythm and studies (blues standard modern and modal). Includes access to onlineaudio.
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Alfreds Guitar Practice Planner
8.82
Alfreds Guitar Practice Planner
Guitare
Alfred Publishing
Make your practice time efficient and organized! Every guitarist has their own p...
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Make your practice time efficient and organized! Every guitarist has their own personal practice needs and goals, so it's important to have flexibility and options when you're trying to get better as a player. This customizable planner lets guitarists and guitar teachers decide what topics they should focus on. Use it to stay organized and make practice purposeful and fun. Helpful tips on the art of practicing are included to help you optimize your time to improve quickly. Also included are blank guitar TAB and standard music notation for new licks and musical ideas, as well as blank diagrams for writing chords and scales. This book is a must-have for every guitarist and guitar teacher. / Guitare
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Triads for the Improvising Guitarist (MILLER JANE)
31.06
Triads for the Improvising Guitarist (MILLER JANE)
Guitare
Hal Leonard
Par MILLER JANE. Learn how triads are key to understanding harmony, soloing, and...
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Par MILLER JANE. Learn how triads are key to understanding harmony, soloing, and comping. Triads are the basis of all harmony. By understanding how they relate to larger chord structures, you will improve your command over harmony generally and be able to use triads more effectively in all your playing. Through visualizing and using common triads on the first three strings, you will create smooth lines that make sense of the chords even when the song changes keys or modes./ Etude / Guitare
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Absolute Beginners : Guitar Scales
16.75
Absolute Beginners : Guitar Scales
Guitare
-
Facile
Amsco Wise Publications
The easiest way to learn new scales! This companion to the best-selling Absolute...
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The easiest way to learn new scales! This companion to the best-selling Absolute Beginners tutor series goes beyond just listing scale shapes, it shows you how they are formed, and how to use scales in solos and when playing lead guitar. / Guitare
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