For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Description Berklee Basic Guitar: Phase 1 William Leavitt. Berklee Press. Two, three and four part arrangements. Material for class instruments, guitar clubs and student recitals. Berklee Press.. Songlist Accidentally [Leavitt, William] America, The Beautiful An Ancient Rock [Leavitt, William] Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph] Another Waltz [Leavitt, William] Big Ben [Leavitt, William] Duet For Dot [Leavitt, William] Duet For Two [Leavitt, William] Frere Jacques Giant Steps [Leavitt, William] Home On The Range Long, Long Ago Lullaby [Brahms, Johannes] Merrily We Roll Along My Old Kentucky Home [Foster, Stephen] Old Macdonald Had A Farm Rock Candy [Leavitt, William] The Cobra [Leavitt, William] The Pebble [Leavitt, William] The Waltz [Leavitt, William] Two-part Invention (No.13) [Bach, Johann Sebastian] White Coral Bells

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers