Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Le Petit Guitarama est un répertoire de morceaux tous styles, connus, pour guitaristes débutants, permettant de jouer aussi bien du classique (Vivaldi, Bach...), des légendes de la pop (Beat It, Love Me Tender...), des musiques de films (Le parrain, La panthère rose...), du répertoire francophone (Goldman, Brassens...), ou des airs traditionnels de différents horizons (Orient, Irlande, Italie...). Chaque morceau est le fruit d'un travail d'arrangement, précis, adapté à l'instrument et au niveau de l'élève. Ce volume, progressif, couvre l'apprentissage de la guitare du tout début, à deux ans de pratique. En plus des nombreuses pièces en solo, l'ouvrage propose des duos, trios, et quatuors. La mise en page assure une grande lisibilité, en couleur. Richement illustré, ce recueil s'adresse à tous. Et, toujours dans l'esprit de la collection ...RAMA : originalité, qualité des arrangements, progressivité, variété des styles. 66 morceaux pour guitare, dont : ' La campanella (Paganini) ' Mon frère (M. Le Forestier) ' What i'd say (Ray Chales) ' Jules et Jim (thème du film) ' Le magicien d'Oz (thème du film) ' Je l'aime à mourir (F. Cabrel) ' La panthère rose (thème du film) et bien d'autres...

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Par FIEDLER WOLFGANG. Le cercle des cinquièmes est un diagramme schématique du système tonal bien tempéré. Les 12 touches principales et leurs mineurs parallèles sont disposés autour du cercle comme les chiffres désignant les 12 heures sur une horloge. Les notes de racine de clés voisines sont séparées par l'intervalle d'un cinquième, dans le sens horaire une cinquième place et dans le sens antihoraire un cinquième vers le bas. Le cercle de l'AMA des quintes met l'accent sur les interrelations harmoniques importantes qui peuvent être facilement reconnues à l'aide de la roue. / Niveau : Tous Niveaux / All Styles - Reference / Recueil / Guitare

Avec cette méthode, vous allez enfin apprendre et surtout comprendre comment utiliser la gamme majeure à la guitare, mais aussi découvrir tout son potentiel mélodique pour l'exploiter au mieux. Après quelques pages indispensables dédiées à la théorie, vous aborderez ces 12 gammes majeures - que tout guitariste se doit de maîtriser -, de la façon la plus cohérente et efficace qui soit. Ainsi, pour chacune d'elles, vous découvrirez en page de gauche le nom et l'emplacement des notes sur le manche de la guitare (22 cases), ainsi que les accords sur lesquels la gamme en question peut être jouée en toute sécurité. Sur la page de droite, en guise d'illustration, vous découvrirez une longue improvisation qui utilise cette seule et unique gamme, accompagnée de deux enregistrements (à télécharger), le premier pour la démonstration et le second pour la mise en application (support playback). Vous pourrez alors jouer à votre tour sur cette bande-son non seulement l'exemple proposé, mais aussi tout autre solo, mélodie ou improvisation de votre conception... issu de la gamme majeure en question bien sûr ! Tous les enregistrements de cette méthode (exemples et playbacks) peuvent être téléchargés gratuitement et très facilement en suivant les indications fournies dans le livre.

Ce DVD inclut un réglage conseils supplémentaires de segment - diagrammes d'accords et onglet - sur empêchant - à l'aide d'une pièce de capo - chords mobiliers - le long des diagrammes d'accords imprimable de pistes - discographie-- et examine les produit supplémentaire. Avec une pleine sonore vocale fraîche d'harmonies luxuriantes, The Mamas et The Papas apparemment pendant la nuit s'établissent comme l'une des bandes haut de leur temps. / Guitare / Dvd

Maintenant, à jour et révisés, c'est deuxième partie du cours de guitare amusant et facile qui vous permet de jouer à droite de la première leçon. Ne basée sur les chansons populaires bien connus, il suppose qu'aucune connaissance préalable de la guitare ou de la musique. Dans ce livre, démarrer avec un riff fingerpicking et certains accords plus nouveau et passer à inversions de corde, Arpèges, riffs de la triade, lecture et jouant de l'onglet et l'apprentissage des grandes chansons. Une méthode complète pour jouer de la guitare électrique dès le début à jouer à advaced. Idéal pour la salle de classe et à usage privé. / Guitare / 40 pages / niveau : Intermédiaire / Partition + Cd

The Ultimate Guitar Lesson. Par BONAMASSA JOE. Study the trademark songs, licks, tones, and techniques of blues juggernaut Joe Bonamassa. This comprehensive book and audio teaching method provides detailed analysis of his guitars, techniques, styles, songs, licks, riffs, and much more. You'll learn everything you need to know about his renowned guitar playing, from the settings he uses with his enormous guitar and amp collection, the Bona-seum, to his virtuosic blues licks and beyond. Learn to play like Joe Bonamassa today! Includes five full songs: Driving Towards the Daylight · Dust Bowl · Oh Beautiful! · Redemption · The River · and excerpts from ten other signature tunes. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-06-08/ Recueil / Guitare

The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare

With Lick Library: Jam With Andy James you'll study, jam and have fun at the same time with the help of well-respected guitarist and teacher Andy James.This DVD contains three top quality backing tracks and can be approached in two ways. First you can 'jam' with the tracks flying solo, experimenting with different ideas, licks and solos. Alternatively you can trade solos with Andy, drawing inspiration from the ideas and techniques used in his solos.Each track has three performances from Andy James working across three levels of difficulty. Although the solos are improvised he has taken care to go for a basic intermediate and advanced level for each track. All the solos are transcribed and are available in PDF format along with the lessons. On screen graphics with chords and scales are provided when it's your turn to jam.This tutorial is an exciting way to interact with Andy while learning new licks and phrases performed in a real musical environment. This DVD is designed to be an enjoyable musical experience for everyone - whatever your style you will find this tutorial fun and inspiring.Andy James is a renowned Guitar tutor whose influences include Greg Howe, Paul Gilbert, Tony Macalpine and Zakk Wylde. He is a regular contributor to iGuitar digital magazine and his blistering technique has been applauded by guitar legends such as Vinnie Moore and John Petrucci. / Guitare