The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

More than just a collection of folk songs Harry Tuft and Dick Weissman have created an album designed to aid the beginning guitarist in everything from holding the guitar properly to illustrating a large selection of strums and chords along with each song. A complete method for the beginner illustrated with finger positions and fret diagrams as well as notation for each song. Songs include: He'd Got the Whole World in His Hands Down in the Valley The Cuckoo 500 Miles Greensleeves Man of Constant Sorrow Walking Bass This Train and more. Performed by Harry Tuft guitar Accompaniment: Dick Weissman guitar Judy Roderick vocals

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

Want to be a classical guitarist but never had a lesson' No problem ? this hands-on guide teaches you all the fundamental techniques you need to play scales melodies and full-length pieces in the classical style.  You get plenty of practice exercises to stretch your skills selections from the classical repertoire and a bonus audio CD that helps you play along with the music pieces from the book!   Get acquainted with your guitar ? familiarize yourself with the unique make-up and parts of a classical guitar Start making some music ? play melodies on individual strings move on to arpeggios and getyour fingers in shape with scales Ramp up your technique ? play barres slurs and trills; handle harmonics; master right-hand tremolo; and venture up the neck to play in the higher positions Build yourclassical repertoire ? from Renaissance and Baroque to Classical Romantic and Modern play pieces from the major eras in classical music Practice makes perfect ? improve your performance with expert guidancethrough each exercise and piece in the book Open the book and find: Tips and techniques for playing beautiful pieces How to read music notation andtablature Basic finger and thumb strokes Right- and left-hand techniques Musical examples charts and photos Music pieces from the guitar greats The best ways to care for yourguitar A step-by-step tutorial on changing your strings Bonus CD Includes More than 140 recorded performances of the exercises and pieces featured in thebook Pieces performed using a count-off allowing you to play along in time with the music Tuning notes to help you tune up your guitar

Par BOUCHARD JOE. Written by a former member of legendary rock band, Blue Oyster Cult, this book will make getting started on rock guitar easy and fun for anyone. You will begin playing right away, without having to get through pages and pages of theoretical material first. Learn the basic chords, power chords and basic lead guitar techniques- exercises for both the right and left hands- as well as basic music reading and guitar TAB. Loaded with fun, original rock songs written by a real rock musician and committed educator! / Niveau : Débutant / Méthode en anglais / Méthode / Guitare

A Modern Method For Guitar, by William Leavitt, is one of the world's most popular Guitar methods and is the basic text for Berklee College of Music's Guitar program. It has stood the test of time and earned a vast and loyal following of dedicated Guitar students and instructors for over 40 years.Now this renowned method is available with online video access to fourteen hours of instruction from Larry Baione, chair of Berklee's Guitar department. Instruction includes on-screen demonstrations, with camera close-ups of both hands, as well as interactive duets and play-along segments so you can 'sit in? with your instructor. It's like a year's worth of private Guitar lessons at Berklee College of Music. / Guitare

Transform Your Leaden Licks into Improvisational Gold 2-DVD Set-As anyone who squeaked through 10th grade history knows the alchemists were a semi-scientific posse of medieval individuals utterly hung up on the notion of transforming lead into gold. Of course their efforts did not lead to economic good times but Blues Alchemy addresses a much more useful and likely kind of transformation: turning those leaden everyday blues licks and chord progressions into tasty and intriguing improvisational gold.Blues Alchemy are about learning to play the changes but not in the sense that jazz musicians do - it isn't about learning every arpeggio and mode under the sun. Instead on ten diverse chord progressions master blues alchemistDavid Hamburger will teach you how to transform your blues bag into gold by learning how to target tones and 'play the changes.'This hands-on playing course guides the student through 10 distinct blues rhythm patterns and variations 10 distinct solos and variations plus dozens of extra blues licks and tricks of the trade.

Scarlatti's (1660-1725) 'Veinte Sonatas' transcribed for guitar. Scarlatti demonstrated virtuoso technique in these sonatas employing numerous ornaments rapidly repeated notes hands crossing over one another and wide jumps across the keyboard. Scarlatti's sonatas can be either bright and exuberant or introspective in styles that translate well for solo guitar.

To Gospel Fingerstyle Guitar-Gospel Music is such a familiar part of our cultural and musical landscape that it offers the fingerstyle guitarist a vast repertoire of melodic and lyrical compositions. In this lesson Duck Baker explores and explains how thismusic can be arranged for fingerstyle guitar. Duck teaches arrangements of six well-known Gospel songs which he plays in standard and dropped-D tunings. A practical informative and very useful lesson to expanding yourfingerstyle technique to incorporate playing Gospel music in the styles of Mississippi John Hurt or Elizabeth Cotton. Duck gives a historical background on each tune as well as phrase by phrase and step by step explanationsof the arrangements. The DVD comes with a 24 page tab/music PDF booklet and each tune is illustrated in a split screen section making it easy to see what the right and left hands are playing.

The ultimate guide to beginning the Classical Guitar - this easy to follow DVD will teach you everything you need to know and much more! Get ahead with clear demonstrations and jargon-free explanations that will make learningthe Guitar easier and more fun than you ever thought possible! You will discover:Correct posture and hand positionHow to find your way around the fretboardBasic music notation and readingHow to learn notenamesHow different rhythms workThe P.I.M.A. finger system...and much moreThe disc contains many special features that include:On-screen notation that is synchronised with the video of both handsplayingExclusive interviews with top performers and teachers from the Royal Academy and The Royal College Of MusicProfessional backing tracks to give you the best accompaniment to practice and perform toA bookletcontaining all of the musical examples featured during the lessonsNTSC format.

(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air

Second Edition Includes: * All of the original content * Three new performance pieces * Giuliani's Left-Hand Etudes, Op. 1 * New lessons and exercises * Improved music engravings Upon its first publication in 1995, Pumping Nylon became an instant classic and must-have technique handbook for all classical guitarists, and many players of other styles as well. Scott Tennant's encouraging style, sense of humor, and unique approach to technical training have garnered Pumping Nylon devotees throughout the world. At the heart of it all is the famous 'Daily Warm-Up Routine,' which includes 11 clever, helpful exercises to get both hands in shape and ready to play while improving your technical skills. The invaluable lessons in technique are supplemented by Giuliani's 120 Right-Hand Studies, Tarrega arpeggio studies, and examples from music by Bach, Turina, and Rodrigo. In addition, original compositions by guitar luminaries Brian Head and Andrew York reinforce the material while also providing concert-worthy repertoire. This new, improved second edition of Pumping Nylon incorporates even more great material with new pieces by Evan Hirschelman, Guiliani's Left Hand Etudes, Op. 1, and new technical exercises in tremolo and balancing chord voicings. The music engravings have been improved for easier reading, and all of the media is available online! If Pumping Nylon is already part of your library, it's time for an upgrade! Pumping Nylon (Second Edition) is even better than the original. If you're just now finding Scott Tennant's masterpiece, this is a great opportunity to jump on board and start enjoying this classic book. Your practice routine and technical prowess will improve, and you'll have fun as you learn. / Guitare

For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintessential American music. It arrived at the turn of the last century with many transitions, notably the discovery of the means to record sound, and the determination of Afro-Americans of genius to be appreciated as artists. The music we call ragtime represents not only a moment of great anticipation (as the advent of jazz was on hand) but also of fulfillment. There are perhaps, 200 classic ragtime pieces that represent a corpus of extraordinary beauty - some of the most straightforward, melodious, and out and out joyful music that there ever was. In the early 1960?s guitar players started to tackle arranging this music. David Laibman and Dave Van Ronk were in the vanguard of this movement. Van Ronk?s arrangement of St. Louis Tickle became a rite of passage for fingerstyle guitarists. Laibman?s arrangements of Scott Joplin?s classic rags amazed and challenged the fingerpickers from coast to coast and across the Atlantic Ocean to Europe. By the 1970s other guitarists tried their skills playing ragtime. In the last fifty years this pursuit has carried on. This collection presents eight outstanding guitarists and their approaches to arranging and playing cake walks and classic rags. Tackling the material in this collection will greatly help your development and mastery of the fretboard and what Rev. Gary Davis called your six-string piano. Both your hands will get a complete aerobic workout! An audio download link is included with performances of each title. / Date parution : 2022-01-14/ Recueil / Guitare