Hall vous emmène sur une visite guidée divertissante de son atelier avec 10 chansons de Hall et explorations approfondies de chaque chanson et de la technique de jeu. / Guitare

Ce document, unique par son ISBN 8436028690114 a pour titre Dvd Hall Jim A Life In Progress Documentary. Il fait partie de la catégorie Livres, Revues, DVD, Logiciels Et Accessoires. / Guitare / Dvd

Par . This one-of-a-kind collection features accessible, must-know Gospel songs presented in a combination of standard notation, chords, and lyrics. Perfect for beginning guitarists anxious to build up their repertoire! Songs include: Because He Lives · Church in the Wildwood · Give Me That Old Time Religion · He's Got the Whole World in His Hands · His Eye Is on the Sparrow · His Name Is Wonderful · How Great Thou Art · I Saw the Light · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · The Old Rugged Cross · Precious Lord, Take My Hand (Take My Hand, Precious Lord) · Shall We Gather at the River' · Soon and Very Soon · Sweet by and By · Swing Low, Sweet Chariot · There's Something About That Name · Turn Your Radio On · When the Saints Go Marching In · Wings of a Dove · and more! / Date parution : 2023-03-11/ Recueil / Guitare

Maîtriser les compétences techniques et stylistiques de la guitare de jazz jouant dans cette fonction remplie de lécher paquet. Vous apprenez les bases de la guitare jazz, y compris lèche jazz-blues, comment appliquer les modes sur différents types d'accords, le style de guitare bossa nova, la façon de jouer des accords et la mélodie ensemble, les tons d'accords chromatiques, accords et notes de passage, le jazz valse, et comment se déplacer dans et hors de la gamme pentatonique en solo. De plus, les leçons couvrent un large éventail de techniques, y compris Django Reinhardt jazz de style gitan séries, Wes octaves grattés Mongromery de style, Al Di Meola style shred, et beaucoup, beaucoup plus! Apprenez à jouer dans le style de: Al Di Meola, Wes Montgomery, Les Paul, Django Reinhardt, Jim Hall, John Scofield et Pat Metheny. / Guitare

Niedt Douglas (Performed). Par NIEDT DOUGLAS. Douglas Niedt commence son étude de la guitare à l'âge de 7 ans et polie son jeu à la brillance de gem ressemblant à travers ses études à la Julliard School, les Classes de maître de Ségovie en Espagne et avec Narcisco Yepes, Christopher Parkening, Jorge Morel et Oscar Ghiglia. À l'âge de 17 ans, reconnaissance internationale a suivi son 1er balayage de prix du premier Chet Atkins guitare Concours International dans lequel les 300 guitaristes ont été entrés. À l'âge de 21 ans, Douglas a fait ses débuts de New York au Carnegie Recital Hall. Après ses débuts, le New York Times a déclaré, ' il n'Y n'avait aucun doute qu'il était un artiste doué. Son jeu était très coloré, sa hauteur exacte, son phrasé précis. ' / Classic - Concert/Documentary / Accessoire / Guitare Classique

Par JIM NICHOLS. Jim Nichols est une partie de la scène de la guitare jazz depuis plus de quatre décennies. Il a joué avec des artistes tels que Joe Pass, Toots Thielemans, Buddy Montgomery, Chet Atkins, Art Pepper, Julio Iglesias, Hubert Laws, Della Reese, Martin Taylor, Kenny Rankin et beaucoup d'autres. La musique de Jim a amené aux étapes du Carnegie Hall, le Tonight Show et le théâtre Olympia à Paris. En juin 1997, Jim était un artiste vedette à la 18e Festival annuel de Django Reinhardt. Dans cette 94-minute DVD Jim partage ses réflexions sur la guitare Jazz de Fingerstyle. Il est un maître de ce style. Une brochure disponible pour téléchargement contient la notation et tablature pour exercices 26-45 plus le solo ' Blues de John '. / Niveau : Intermédiaire / Jazz - Solos / Accessoire / Guitare

Par GRIEG EDVARD. La Peer Gynt Suite peut être une composition plus célèbre de Edvard Grieg. Ses mélodies ont insinué eux-mêmes dans notre culture afin qu'ils connaissent aujourd'hui universellement. Les mouvements sont : Morning Song, de Asa la mort, du Anitra danse et In the Hall of the Mountain King. Cette édition présente, pour la première fois, toute la suite dans une version pour les solos de guitare. Il s'agit d'un travail considérable pour le guitariste qui, tout en exigeant la technique solide, est très gratifiant pour le joueur et l'auditoire. Egalement inclus est une transcription de la chanson de Solveig belle de Grieg. ' / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare Classique

Cette méthode est idéale pour vous initier ou vous perfectionner au jazz. Elle vous permettra d'apprendre : les rythmiques et accords utilisés en jazz, les différentes techniques: sweeping, jeu en octaves, ghost notes, phrasés ternaires, triolets... Un large chapitre est également consacré aux phrases du jazz avant de s'entraîner à jouer des morceaux à la manière de grands guitaristes 'jazzy' : Charlie Christian, Django Reinhardt, Jim Hall, George Benson, Pat Metheny... Tous les exercices et morceaux sont enregistrés sur le CD joint à cette méthode. Pour vous faciliter l'apprentissage des morceaux, deux versions sont enregistrées: une à tempo normal et une plus lente. De plus, vous pouvez vous entraîner à jouer sur une bande play-back. / Guitare

Tirés de spectacles ' live '. J'obtiens Sentimental sur vous, My Funny Valentine, Valse chaud (Jim Hall), Medley : Manha De Carnaval and Samba De Orfeu (Barney Kessel), fascinante rythmique (Tal Farlow), Oh Lady être communautaires, Flintstones thème (Barney Kessel and Herb Ellis), vous avez un nom (Pat Martino), Medley : Nuages, Goin'g de mon domicile Head and Flying (Barney Kessel/Herb Ellis/Charlie Byrd). 63 minutes. En Anglais. / Guitare

Par KOSHKIN NIKITA. Filmed live at Texas Tech University's Hemmie Recital Hall on Thursday, January 27, 2000, this DVD reveals the full spectrum of Nikita Koshkin's composition and performance skills. Born in Moscow in 1956, Koshkin developed dual passions for composing and playing the guitar at the age of 14 when his grandfather gave him a guitar and a Segovia recording. Since then, his life's ambition has been twofold: to expand the traditional vocabulary of effect on the guitar and to incorporate them into fresh musical expressions. His programmatic explorations of the guitar are now performed by leading concert artists worldwide. / Classic - Concert/Documentary / Accessoire / Guitare Classique

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

30 top holiday songs are presented in solo Guitar arrangements perfect for the Classical Guitar in this collection which does not include tab.Songs include: 'Away in a Manger' 'Deck the Hall' 'Go Tell It on the Mountain' 'Hallelujah Chorus' 'I Saw Three Ships' 'Jingle Bells' 'O Little Town of Bethlehem' 'Silent Night' 'The Twelve Days of Christmas' 'Up on the Housetop' 'We Wish You a Merry Christmas' 'What Child Is This'' and more.