versione originale per arpa. Milan, 1990 I was writing a series of piano pieces. I had a goal: to remove, and leave space. The title refers to the poetic stanzas but also to invisible spaces to be inhabited with the mind. One day my friend Cecilia Chailly calls me and asks me if I have a harp piece for her to play. I give her Vega to try. Two days later I go to her house to listen and, with mutual enthusiasm, I give her all the pieces that we will soon be recording. Cecilia will perform them in concert on various and memorable occasions. Here, I would like to express my profound thanks for her heartfelt help in correcting this new harp edition. (L. Einaudi)

Stanley Chaloupka was the principal harpist with the Los Angeles Philharmonic for 40 years. He wrote this book for composers and arrangers to ?assist them in achieving their desired harp scoring objectives and also encouragea profusion of creative logical harp scoring. The enigma of harp pedals and their function is explained in detail. Glissandos are also extensively discussed as well as chords arpeggios scales harmonics and various specialeffects. 'Rules of thumb' as well as certain basic standards are set and some 'do nots' are specifically listed.? 47 pages paperbound.