Idéale pour les musiciens pratiquant Mandoline et ayant un niveau proche de Cycle 2, cette pièce se classe dans la catégorie Classique sous la référence PICC02322.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Seconde suite pour mandoline seule de Picconi. / Mandoline Et Mandole / niveau : Cycle 2 / Partition

Par WARDE ANTHONY. Un DVD pédagogique idéal pour toute personne voulant jouer de la musique irlandaise. Comprend les turluttes, bobines, hornpipes, ainsi que les techniques de prélèvement. Anthony Warde spectacles vous étape par étape comment jouer la musique traditionnelle irlandaise sur la mandoline. Chaque solo est ensuite joué live sur scène accompagnée par certains des plus grands musiciens de l\'Irlande. Complet avec des spectacles vivants mettant en vedette... Vinnie Kilduff - whistle, Steve Cooney - guitare, Gerry o \' Connor - fiddle, Peter Browne - accordéon. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Methods / Méthode / Mandoline

Medieval Mandolin Voume 2 by Allan Alexander. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer. Medieval Mandolin Voume 2 by Allan Alexander. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer./ Recueil / Mandoline

Par WAYNE ERBSEN. WAYNE de l\'amical et approche FUN pour l\'apprentissage a enseigné à des dizaines de milliers de débutants totales de jouer la musique bluegrass. Rejoignez le club ! En cela, son livre 26e, Wayne traverse le désordre et la confusion d\'apprendre à jouer avec son approche SIMPLE à jouer la mélodie. Il dirige ensuite le débutant sur la voie de pouvoir IMPROVISER sur la mélodie en ajoutant plusieurs rythmes simples. Avec l\'aide de Wayne, vous allez bientôt être brouillage jusqu\'à une tempête. Garantie. / Niveau : Débutant / Bluegrass - Methods / Méthode / Mandoline

In this collection Robert Bancalari has made 26 pieces by J. S. Bach accessible to the mandolinist. Adapted from various suites sonatas and partitas the pieces in this collection include 'BoureeAngloise' from Partita in A Minor for Solo Flute 'Marche' from The Anna Magdalena Bach Notebook 'Fantasie' from Partita No. 3 in A Minor and more.  J. S. Bach For Mandolin iswritten in standard notation and tablature. The price of the book includes access to online audio tracks featuring recordings of 13 of the 26 solos.  

Media Type : Book/CD Set Level : Advanced Musical Genre : Acoustic Music Number of pages : 128 The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in many musical styles, including; * Blues * Country * American folk * Latin-American * World music including South American, Eastern European and Asian * Odd meters (playing in a variety of time signatures) * New Age * Classical * Folk-Rock In short, the books are an encyclopedia of virtually every musical style, excluding jazz.

Edition : Paris, l'Auteur, Roussel, Foucault, 1704La préface comprend une chronologie du prélude non mesuré, et une étude détaillée de l'agrémentation.Présentation de :Philippe Lescat : Chronologie du prélude non mesuréJean Saint-Arroman : L'agrémentation de Clérambault / Clavecin / 52 pages / niveau : 1 / Fac-Similés - Format: 24 X 32