| Per Nørgård: Symphony
No. 6 'At The End Of
Day': Orchestra: Score Orchestre Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...(+)
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
129.99 GBP - vendu par Musicroom GB |
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| Ed Hughes: Le Voyage Dans
La Lune: Orchestra: Score Orchestre [Partition] University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...(+)
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
20.95 GBP - vendu par Musicroom GB |
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| Ed Hughes: Le Voyage Dans
La Lune: Orchestra: Study
Score Orchestre [Partition] University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...(+)
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
19.95 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
F Major No. 2:
Orchestra: Score and
Parts Orchestre Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
34.80 GBP - vendu par Musicroom GB |
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| Erich Wolfgang Korngold:
Die Tote Stadt Op. 12:
Orchestra: Miniature
Score Orchestre Schott
Oper In Drei Bildern-This masterpiece composed by Erich Wolfgang Korngold when ...(+)
Oper In Drei Bildern-This masterpiece composed by Erich Wolfgang Korngold when he was only 23 was one of the great stage successes of the 1920s and 30s before being removed from theatre schedules by the National Socialists. Rediscovered in the 1970s it has enjoyed continuing popularity ever since. The libretto was compiled by the composer?s father the music critic Julius Korngold writing under the pseudonym ?Paul Schott? a combination of the name of the protagonist and the publishing house. A vivacious theatre group comes to liven up the gloomy city of Bruges (here a symbol of death) and the widower Paul is forced to decide between the past and the present.Korngold was fascinated by this symbolic plot and created an iridescent orchestral score washed in vivid colours. A variety of operatic devices are intermingled as if viewed through a kaleidoscope: opulent melodic arias advanced harmonies psychoanalytic profundity and cinematic transitions oscillating between reality and dream worlds guarantee the continuing modernity of this work up to the present day.
72.50 GBP - vendu par Musicroom GB |
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| Otto M. Schwarz: Roller
Coaster: Orchestra: Score
& Parts Orchestre [Conducteur et Parties séparées] Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...(+)
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
96.99 GBP - vendu par Musicroom GB |
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| Otto M. Schwarz: Roller
Coaster: Orchestra: Score Orchestre Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...(+)
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
15.99 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
F Major No. 1:
Orchestra: Score and
Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
34.80 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
D Major: Orchestra: Score
and Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
34.80 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
B-flat Major: Orchestra:
Score and Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted from lute tablature tomodern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
34.80 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
F Major No. 1:
Orchestra: Score and
Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto).
18.30 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
D Major: Orchestra: Score
and Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in D Major is in three movements: Allegro Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).
15.70 GBP - vendu par Musicroom GB |
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| Karl Kohaut: Concerto in
B-flat Major: Orchestra:
Score and Parts Orchestre [Conducteur et Parties séparées] Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...(+)
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime. This Concerto in B-flat Major is in three movements: Allegretto Largo and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) andguitar (capotasto).
15.70 GBP - vendu par Musicroom GB |
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| Paul Creston: Invocation
and Dance Op. 58:
Orchestra: Score Orchestre Schirmer
Score-Paul Creston (1906-1985) was an American composer of Italian descent. He t...(+)
Score-Paul Creston (1906-1985) was an American composer of Italian descent. He taught himself composition and music theory while working full-time to support his family meaning his style was independent of any outsideinfluence. His work is noted for its complex and shifting rhythms while retaining a distinctly modern American tonal sound. Invocation And Dance (Op. 58) was composed in 1953 and came roughly half-waythrough his compositional career. Scored for full orchestra it is available here as a study score.
25.99 GBP - vendu par Musicroom GB |
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