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Complete Serenades In Full Score - Series II
29.30
Complete Serenades In Full Score - Series II
Orchestre
Dover Publications
Certains de la musique la plus durable et populaire de Mozart a été composée ...
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Certains de la musique la plus durable et populaire de Mozart a été composée pour des occasions relativement mineurs - fêtes, mariages, et bien plus encore - y compris ces mouvements multi-pièces instrumentales. 'Eine kleine Nachtmusik', K.525, 'Posthorn' Serenade, K.320, la Sérénade en mi bémol majeur, K.375, la Sérénade en si bémol, K.361/370a, Sérénade en ré majeur, K.203 / 189 B, et plus encore.Réimpression de sélections de la série 9, 10, et 13 de Wolfgang Amadeus Mozart, Werke, Breitkopf and Härtel, Leipzig, 1880-1881. / Orchestre
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Complete Serenades In Full Score - Series I
29.30
Complete Serenades In Full Score - Series I
Orchestre
Dover Publications
Deux volumes trésor de charme, pièces effervescents composés par Mozart dans ...
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Deux volumes trésor de charme, pièces effervescents composés par Mozart dans les années 1770 et 1780. Inclus sont les favoris tels que Eine kleine Nachtmusik, K.525, 'Une Plaisanterie musicale,' K.522, la 'Haffner' Serenade, K.250/248b, Serenata Notturna, K.329, et le 'Posthorn' Serenade, K 0.320.Réimpression de sélection à partir de Wolfgang Amadeus Mozart Werke, Breitkopf and Härtel, 1880-1881. / Orchestre
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Study Score): Cello: Study
15.00
Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Study Score): Cello: Study
Orchestre
[Conducteur]
Barenreiter
This study score is based on the score and complete performance material of Dvor...
(+)
This study score is based on the score and complete performance material of Dvorák?s famous Cello Concerto In B Minor (BA 9045) edited by Jonathan Del Mar and published in 2011. In addition the study score contains a Foreword by Dvorák scholar Jan Smaczny.Like every other major 19th-century Cello concerto Dvorák?s concerto resulted from a collaboration between the composer and a virtuoso musician. Several passages in Dvorák?s autograph were written by the cellist Hanus Wihan but Bärenreiter?s edition now reveals that some details in the orchestral parts are also in his writing showing just how closely the twomusicians were working together.The editor Jonathan Del Mar has conscientiously examined every available source including two that have hitherto been either ignored or crucially undervalued. His research has led to a benchmark edition that reconstructs for the first time since its initial publication in 1896 Dvorák?s definitive version of the solo part. It differs from previous editions in practically every bar and hundreds of corrections have also been made to the orchestral parts.Includes Dvorák?s final and definitive version of the solo Cello part.Incorporates new discoveries regarding the collaboration between Dvorák and Wihan.With Feuermann?s and Casals?s alternative versions of a passage in the first movement.Detailed Foreword (Eng/Cz/Ger)
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Antonín Dvo?ák: Symphony No. 7 In D Minor Op.70 (Study Score): Orchestra: Study
22.50
Antonín Dvo?ák: Symphony No. 7 In D Minor Op.70 (Study Score): Orchestra: Study
Orchestre
Barenreiter
Bärenreiter Urtext Paperback-Dvo ák's Symphony No. 7 In D Minor Op.70. Forewo...
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Bärenreiter Urtext Paperback-Dvo ák's Symphony No. 7 In D Minor Op.70. Foreword by Dvo ák scholar Smaczny (Cz/Eng/Ger)Dvo ák?s Seventh Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on 22 April 1885 conducted by the composer himself. Two months later Dvo ák shortened the second movement by about 40 bars. The work was published by Simrock in this form in 1885.In 2013 Bärenreiter published the score and orchestral parts in a first scholarly-critical edition of Dvo ák?s Seventh Symphony (BA 10417). It is now being issued as a study score. The editor Jonathan Del Mar hasalready won international acclaim for his editions of the Dvo ák Cello Concerto (BA 9045) as well as of works by Beethoven and Elgar. He has taken every source into account including the extant correspondence.Like the score and parts this study score presents the original version of the second movement in the appendix. A new foreword has been added by Dvo ák scholar Jan Smaczny.
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
20.25
Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestre
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Antonín Dvo?ák: Slavonic Rhapsody In G Minor Op.45/2 (Full Score): Orchestra:
34.50
Antonín Dvo?ák: Slavonic Rhapsody In G Minor Op.45/2 (Full Score): Orchestra:
Orchestre
[Partition]
Barenreiter
Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and iss...
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Op. 45 Nr. 2-Dvorák?s ?Slavonic Rhapsodies? Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.Now the ?Slavonic Rhapsodies? are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák?s authorised first edition as his principal source.A work that initiated Dvorák?s so-called ?Slavonic period?New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng) bythe editorFull score & parts (BA10402) available for sale
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Antonín Dvo?ák: Slawische Rhapsodie As-dur: Orchestra: Score
Orchestre
[Conducteur]
Barenreiter
Op. 45 Nr. 3-Dvorák composed his ?Slavonic Rhapsodies? Op.45 in 1878 initiatin...
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Op. 45 Nr. 3-Dvorák composed his ?Slavonic Rhapsodies? Op.45 in 1878 initiating his so-called ?Slavonic period?. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major G minor and A-flat major) appearing under the same opus number.Now the ?Slavonic Rhapsodies? are being issued separately in scholarly-critical editions. The editor Robert Simon has taken Dvorák?s authorised first edition as his principal source.A work that initiated Dvorák?s so-called ?Slavonic period?New Urtext edition incorporating every known sourceForeword (Eng/Cz/Ger) and Critical Commentary (Eng) by theeditorFull score and parts (BA10403) available for sale
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Cello): Orchestra: Part
7.00
Antonín Dvo?ák: Symphony No.8 In G Op.88 (Cello): Orchestra: Part
Orchestre
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
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In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Antonín Dvo?ák: Symphony No.8 In G Op.88 (Full Score): Orchestra: Score
72.00
Antonín Dvo?ák: Symphony No.8 In G Op.88 (Full Score): Orchestra: Score
Orchestre
[Conducteur]
Barenreiter
In G Major-The performance material available up till now for Dvorák?s sun-fill...
(+)
In G Major-The performance material available up till now for Dvorák?s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. He has taken into account the engraver?s copy which was actually discovered in a rubbish bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions were simply slips of the copyist?s pen.This new edition with score and orchestral parts in an enlarged format is accompanied bya detailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages
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Antonín Dvo?ák: String Quartet No. 2 In B-Flat B17 (Study Score): Orchestra:
20.00
Antonín Dvo?ák: String Quartet No. 2 In B-Flat B17 (Study Score): Orchestra:
Orchestre
Barenreiter
Study score format 22 5 x 16 5cm.Like Dvorákâ??s third and fourth quartets (...
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Study score format 22 5 x 16 5cm.Like Dvorákâ??s third and fourth quartets (in D major and E minor respectively) String Quartet No.2 In B-Flat Major was probably composed between 1868 and 1870 when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost; it was even said that Dvorák destroyed them. But copies of the parts resurfaced in the archive of the Prague Conservatory and have served as the principal source for this new publication.This edition presents the musical text fromthe â??Anton n Dvorák Complete Editionâ? together with a new foreword by Hartmut Schick.- Musical text based on the â??Anton n Dvorák Complete Editionâ? volume IV/5.- New foreword by Hartmut Schick (Ger/Cz/Eng).- Parts available BA9540.
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Antonín Dvo?ák: Symphony No. 2 In B-Flat Op.4 (Study Score): Orchestra: Study
Orchestre
Barenreiter
The Dvorák symphonies represent a milestone in symphonic literature and encompa...
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The Dvorák symphonies represent a milestone in symphonic literature and encompass the composer's creative period from 1865 to 1893. They reflect the impact of Czech and with the 9th Symphony the impact of American folk music on Dvorák. Each study score contains a short history of the Dvorák Edition as well as valuable information on each of the works by the Dvorák scholar Jarmila Gabrielová.
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Viola): Orchestra: Part
7.00
Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Viola): Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
Viola-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1...
(+)
Viola-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Cello): Orchestra: Part
7.00
Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Cello): Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
Cello-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1...
(+)
Cello-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Violin I): Orchestra:
10.50
Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Violin I): Orchestra:
Orchestre
[Partie séparée]
Barenreiter
Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed i...
(+)
Violin 1-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Wind Set): Orchestra:
55.50
Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Wind Set): Orchestra:
Orchestre
[Set de Parties séparées]
Barenreiter
Wind Instruments-Dvorák’s “Slavonic Rhapsodies” Op.45 were co...
(+)
Wind Instruments-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Part
10.50
Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
Violin 2-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed i...
(+)
Violin 2-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Score
34.50
Antonín Dvo?ák: Slavonic Rhapsody in D maj op. 45/1: Orchestra: Score
Orchestre
Barenreiter
Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 an...
(+)
Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Bass): Orchestra: Part
3.50
Antonín Dvo?ák: Slavonic Rhapsody No.1 in D major Op.45 (Bass): Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
Double Bass-Dvorák’s “Slavonic Rhapsodies” Op.45 were compose...
(+)
Double Bass-Dvorák’s “Slavonic Rhapsodies” Op.45 were composed in 1878 and issued by the publisher Simrock Berlin the following year. These three independent orchestral works (in D major G minor and A-flat major) were published with the same opus number and mark the beginning of his so-called Slavonic period.The “Slavonic Rhapsody” Op.45/1 in D major now appears in an Urtext edition. The editor Robert Simon has made use of the first edition authorised by the composer as the principal source of his new scholarly-critical edition.- A work marking the beginning ofDvorák’s so-called Slavonic period- Urtext edition incorporating every known source- Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor- Full score & parts (BA10401) available for sale
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Wolfgang Amadeus Mozart: Serenade In B-Flat Major K.361 - Gran Partita:
13.50
Wolfgang Amadeus Mozart: Serenade In B-Flat Major K.361 - Gran Partita:
Orchestre
Barenreiter
Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concer...
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Serenade für 13 Instrumente-An announcement in the Wiener-Zeitung read: ?Concert. Today [23 March 1784] Herr [Anton] Stadler Sr. presently in the service of His Majesty the Emperor will hold a concert for his own benefit at the Royal Imperial National Court Theatre in which among other select pieces he will present a grand work for wind-band of a quite special character composed by Herr Mozart.? That this was almost certainly four movements from the present Serenade in B-flat major K.361 is suggested by an account of the occasion published some months later which states ?Today I heard a composition by Herr Mozart in 4 movements for wind ensemble . . . comprising 13 instruments: 4 horns 2oboes 2 bassoons 2 clarinetts 2 basset horns and a contrabass viol. . . .?Much music of the serenade-divertimento-cassation-Nachtmusik type was written in a light style and intended for social occasions rather than formal concerts. In such a context K.361 is striking for its seriousness of artistic content its length (seven movements lasting nearly an hour) and its extended instrumentation (most wind-band music of the period calls for five to eight or nine players not thirteen). If the work was not conceived in the first instance as a concert work its potential as such must have been recognized early on by Mozart or Stadler.- Urtext of the New Mozart Edition- Parts (BA5331-22) and study score format 22.5 x 16.5cm (TP312) available for sale
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Score
102.00
Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Score
Orchestre
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
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Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
8.00
Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestre
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
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Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestre
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
8.00
Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestre
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
8.00 GBP - vendu par Musicroom GB
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Wolfgang Amadeus Mozart: Requiem K.626: Ensemble: Study Score
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Wolfgang Amadeus Mozart: Requiem K.626: Ensemble: Study Score
Orchestre
[Conducteur d'étude / Miniature]
Barenreiter
Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditiona...
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Requiem K.626 The Requiem completed by Franz Xaver Süssmayr in its traditional form.Mozart’s final work the Requiem K.626 was left incomplete and it is fraught with questions and emotions: the expressive depth of its music sorrow at the great composer’s early death truth and legend fragments and attempts to complete the work.The completion of the fragmentary score by his assistant Franz Xaver Süssmayr who helped him with The Magic Flute has the character of a historical source with utmost closeness to Mozart’s thoughts.- Urtext of the New MozartEdition- Full score (BA4538-01) performance material (BA4538) vocal score (BA4538-90) and study score format 22.5 x 16.5cm (TP152) available for sale- Facsimile edition BVK2346
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Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
8.00
Antonín Dvo?ák: Symphony No. 7 D Minor Op. 70: Orchestra: Parts
Orchestre
Barenreiter
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in...
(+)
Dvorák?s Symphony No. 7 was commissioned by the ?Royal Philharmonic Society? in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák?s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
Orchestre
Boosey and Hawkes
Bartók’s Concerto for Orchestra one of the most performed 20th century w...
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Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.
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Wolfgang Amadeus Mozart: Bassoon Concerto B Flat Major K 191: Orchestra:
11.50
Wolfgang Amadeus Mozart: Bassoon Concerto B Flat Major K 191: Orchestra:
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Eulenburg
Bassoon Concerto B Flat Major K 191
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Wolfgang Amadeus Mozart: Symphony No.36 In C K.425 Linz: String Ensemble: Score
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Wolfgang Amadeus Mozart: Symphony No.36 In C K.425 Linz: String Ensemble: Score
Orchestre
[Partition]
Barenreiter
Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz ...
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Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz Symphony? within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. ?On Tuesday the fourth of November? wrote Mozart to his father on 31 October (the day after his arrival in Linz) ?I will be giving a concert in the theatre and since I have no symphony with me I am writing one as fast as I can for it must be ready by then?. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale
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Wolfgang Amadeus Mozart: Symphony No.26 In E-Flat K.184: Orchestra: Study Score
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Wolfgang Amadeus Mozart: Symphony No.26 In E-Flat K.184: Orchestra: Study Score
Orchestre
Barenreiter
Study Score format 22.5cm x 16.5cm. The Symphony No.26 In E-Flat K.184 (166a) w...
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Study Score format 22.5cm x 16.5cm. The Symphony No.26 In E-Flat K.184 (166a) was probably written in Salzburg in March 1773. Scored for Flute (2) Oboe (2) Bassoon (2) Horn (2) Trumpet (2) Strings. Available for sale full score & performance material (BA4744) and study score (TP72). The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding aswell as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices.
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Wolfgang Amadeus Mozart: Symphony No 34 In C Major K 338/409: Orchestra:
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Wolfgang Amadeus Mozart: Symphony No 34 In C Major K 338/409: Orchestra:
Orchestre
Eulenburg
Symphony No 34 In C Major K 338/409
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