SKU: SU.27170070
Full size score (11x17)The piece is in the form of a perpetual increasing of intensity from beginning to end (the image of a sunrise), The music begins dark, violet, and glittering, and eventually builds to a spinning, red-golden vision that is both beautiful and terrifying. Thick, roaring microtonal harmonies augment brassy chorales inspired by fantasy film score in this powerful spiritual vision. Recording available upon request from the composer.2(1) 222; 4331; timp, 3perc, hp, cel; stgs Duration: 5'30 Composed: 2019 Published by: Nauticus Publishing Performance materials available on rental:.
SKU: HL.50499031
SKU: RM.RAUB01004-CO
SKU: CL.016-0374-00
SKU: HL.50496015
PARTITURA.
SKU: HL.49013868
ISBN 9790001029070.
SKU: AP.47443S
ISBN 9781470653118. UPC: 038081547336. English.
This chart-topping hit from the group Portugal. The Man won the GRAMMY Award for Best Pop Duo/Group Performance in 2018. Utilizing parts of the 1961 hit song Please Mr. Postman by the Marvelettes, the song has a unique, catchy groove that will be a hit with your students and audience alike. Although arranged by Michael Story to be completely playable by string orchestra alone, there are also easy optional parts included for piano and percussion.
SKU: BR.SON-625
ISBN 9790004803271. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: RM.VINE07554-PK
SKU: TM.05476SET
2 of the bassoons = ad lib. Religious Meditation (SATTBB chs), The Death of Ophelia (SA chs), Funeral March for the last scene of Hamlet (SATB chs).
SKU: RM.BACH00839-BA
ISBN 9790231008395.
SKU: BT.HU1534
SKU: RM.VINE07554-BA
ISBN 9790231075540.
SKU: RM.AUBI02518-CO
SKU: RM.DAGO02800-BA
ISBN 9790231028003.
SKU: HL.49029116
ISBN 9790001029520.
SKU: AP.49215
ISBN 9781470648589. UPC: 038081569383. English.
This version of At the Feast of Stephen by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. This novel setting of the traditional carol Good King Wenceslas will musically transport you and your students to the royal Christmas banquet hall of a medieval king! The old carol tells the story of a legendary 10th-century monarch, Duke Wenceslas of Bohemia, who went out in the severe cold to give charity to the poor on December 26, also known as St. Stephen's Day. The well-known 13th-century tune, as well as additional original material in period style, vividly conjures a lively celebration of Christmas in the high Middle Ages. Come now ye lords and ladies to the Feast of Stephen and upon your instruments faire make most merry this Yuletide! Percussion Accompaniment Track Downloads: with click without click. (2:30).
SKU: RM.BACH00839-CO
SKU: BR.PB-5307-07
For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
ISBN 9790004212318. 6.5 x 9 inches.
Urtext virgin territory: the Fidelio OvertureTo this day, the two major Fidelio overtures are still performed from music texts that go back to the imprecise and corrupted first editions of the parts. In the meantime, however, the state of the sources for both works has significantly improved through many new findings.For the new Fidelio Overture, which was written at lightning speed in 1814 for the reprise of the opera (and was performed with a slight delay), there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition. This manuscript, in which one finds countless indications of corrections and completions in Beethoven's hand, is the only extant source that was examined by the composer himself.For the new Fidelio Overture, which was written at lightning speed in 1814, there is a copy of the score in the Austrian National Library which offers a reliable basis for a new, text-critical edition.
SKU: TM.05554SET
A.k.a. Minuette des Follets, Minuet of the Will-o'-the-wisps.
SKU: RM.RAQU00981
ISBN 9790231009811.
