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Piano Quintette: piano, violon, alto, violoncelle,… (54)
3 Cornets (53)
2 Altos (duo) (53)
Accordéon, Corde(s) (53)
Flûte Traversière, Clarinette, Violoncelle et 2 … (52)
Choeur SATB, (4 Instruments, Contrebasse, et Orgue (52)
Hautbois, Basson (duo) (52)
Trompette ou Cornet, Euphonium et Piano (52)
Scores (52)
A Cappella (52)
Flûte, Hautbois, Clarinette, Basson (51)
Solistes SATB, Choeur SSATTB, 2 Flûtes Traversiè… (50)
Soli et Orchestre (50)
2 Trompettes ou Cornets et Cor (50)
Fanfare Band (50)
Solistes SATB, Choeur SATB, 2 Clarines, Timbales, (50)
Clarinette, Orchestre (49)
1 Piano, 6 mains (49)
3 Clarinettes (trio) (49)
Cor, 4 Trompettes, 4 Trombones et Tuba (48)
Flûte et Quatuor à Cordes (48)
Chorale, Orchestre (48)
Guitare Pedal Steel (48)
Clarinette Basse (47)
Petit Ensemble Contemporain (47)
Chant et Guitare (47)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett (46)
Cajon (46)
2 Cornets, Cor en Mib et Tuba (45)
Solistes SATB, Choeur SATB, 2 Clarinettes, Timbale (45)
Flûte traversière, Basse continue (45)
Quintette à vent (45)
2 Violons, Alto, Violoncelle et Basse Continue (44)
Orchestre de Chambre (Flûte à Bec f1, Flûte Tra… (44)
2 Trompettes Sib 1 Cor en Fa 1 Trombone 1 Tuba en (44)
Hautbois 1 Clarinette en Sib 1 Cor en Fa 1 Basson (44)
2 Trompettes, Clavier (piano ou orgue) (44)
Orgue, Trompette (duo) (44)
Flûte à bec Alto, Basse continue (44)
Ensemble de saxophones (44)
Soprano (44)
Violon, Basse continue (44)
Solistes SSATTB, Choeur SATB, 2 Hautbois, 2 Clarin (43)
Orchestre Symphonique (43)
Batterie et Percussions (43)
Trompette et Quatuor à Cordes (42)
Trio (42)
Musique De Chambre (42)
Trompette, Trombone (duo) (42)
Clarinette, Violoncelle, Piano (trio) (42)
Voix, Quatuor à cordes (41)
Flûte et Trio à cordes (41)
2 Violoncelles, Piano (41)
3 Flûtes Traversières et Piano ou Orgue ou Clavi… (41)
4 Instruments à Cordes (4 Bois) (40)
Ensemble Instrumental et Petit Orchestre (40)
Orgue, 2 Flûtes Traversières, 2 Hautbois, 2 Bass… (40)
Clarinette et Quatuor à Cordes (40)
Clavecin et Cordes (40)
Saxophone Soprano (40)
Solistes SATB, Choeur SATB, Flûte Traversière, 2… (39)
Trio A Cordes (39)
Cloches (39)
Xylophone ou Marimba ou Vibraphone (39)
2 Cornets et Piano ou Orgue (38)
Choeur SSATB, 2 Flûtes Traversières, 2 Hautbois,… (37)
Ensemble A 4 Parties (Clavier, Guitare et Percussi (37)
2 Hautbois et Cor anglais (37)
Flûte, Violoncelle, Piano (trio) (37)
Trompette ou Bugle ou Cornet ou Clarinette (37)
Matériel D'Orchestre (37)
Trombone basse et Piano (37)
Livres (36)
Trompette, Hautbois D'Amour, Violon Solo, 2 Violon (36)
3 Euphoniums et Piano ou Clavier (36)
Saxhorn en Sib Basse Continue (36)
4 Violoncelles (36)
Djembe (36)
Clarinette, Violoncelle et Piano (36)
Quintette de Saxophone: 5 saxophones (36)
Autoharp (36)
4 Euphoniums (35)
2 Hautbois, Cor Anglais et Basson (35)
Violon, Violoncelle et Alto (35)
Violon, Clarinette, Piano (trio) (35)
Solistes SATB, Choeur SATB, Flûte Traversière, 2… (35)
Alto et orchestre (35)
Quintette avec Piano (35)
Saxophone Soprano et Piano (35)
Concert Band ou Harmonie et Baryton ou Tuba (35)
3 Trombones (trio) (35)
Quatuor de cuivres: 2 trompettes, 2 trombones (34)
Choeur SATTB et Basse Continue (34)
2 Hautbois, 2 Violons, Alto, Violoncelle ou Contre (33)
Voix Moyenne (33)
Choeur SATTB (33)
Solistes ST, Choeur SATB, Flûte Traversière, 2 H… (32)
2 Hautbois, 2 Clarinettes, Timbales, 2 Violons, Vi (32)
2 Flûtes Traversières ou 2 Flûtes à Bec F1, 2 … (32)
Flûte Traversièreou Piccolo, Hautbois (Cor Angla… (32)
Clarinette et Cordes (32)
Clarinette, Violon, Violoncelle, Piano (32)
Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Ha… (32)
2 Clarinettes, Piano (32)
Ensemble de Cors (32)
Choeur d'Enfants (32)
Choeur SS (B) ou SA (B), 2 Violons, (Alto) et Bass (31)
Guitare Tablatures Flatpick et Plectre (31)
Tuba Solo (30)
Saxophone Soprano, Saxophone Alto, Saxophone Téno… (30)
2 Violons, 2 Altos et 2 Violoncelles (30)
2 Euphoniums et Piano ou Orgue (30)
Cor Anglais (30)
Luth (30)
2 Saxophones, Piano (30)
Voix, Orgue (30)
Orchestre Scolaire (29)
Solistes SST, Choeur SSAATB, 2 Flûtes Traversièr… (29)
Quintette (29)
Solistes SBar, Choeur SATB, 2 Flûtes Traversière… (29)
Cor, Orchestre (29)
Clavier Electronique et Ligne Mélodique (29)
Choeur Mixte et Orchestre (29)
Saxhorn ou Euphonium (29)
3 Clarinettes en Sib et Clarinette Basse (29)
Guitare Flatpick et Plectre (28)
Flûte à Bec F1, C1, 2 Violons, Alto et Violoncel… (28)
Solo Flûte à Bec F1, 2 Violons, Alto et Basse Co… (28)
Flûte 1 Hautbois 1 Clarinette en Sib 1 Cor en Fa … (28)
Orgue, 2 Hautbois, 2 Violons, Alto, Violoncelle et (28)
2 Hautbois, 2 Clarinettes, 2 Bassons, 2 Cors, 2 Tr (28)
Paroles Seulement (28)
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) A… (27)
Choeur SATB et Basse Continue (27)
Solistes STTBB, Choeur SATB, 2 Flûtes Traversièr… (27)
Solistes SATB, Choeur SATB, 2 Trompettes, Timbales (27)
Ocarina (27)
Basse electrique, Batterie (27)
Violon, Cordes Et Basse Continue (27)
Cornemuse (27)
Trompette, Orchestre (27)
Percussions Diverses (27)
Accordéon - Piano, Voix, Guitare (27)
Chanson (27)
Solistes SST, Choeur SATB, 2 Flûtes Traversières… (26)
Solistes STBar, Choeur SATB, 2 Flûtes Traversièr… (26)
Piccolo, Piano (26)
Cor en Mib (26)
Ensemble à Cordes (26)
Trombone en Sib (26)
Cornet (26)
Solistes SATB, Choeur SATB/SATB, 2 Flûtes Travers… (25)
Guitar (25)
Ukulele Baryton (25)
Percussion, Piano (duo) (25)
Trombone en Sib Basse Continue (25)
2 Trombones, Piano (25)
Accordéon et Orchestre (25)
Violoncelle , Guitare (duo) (25)
Soprano, Piano (25)
Hautbois et Quatuor à Cordes (24)
2 Clarinettes, 2 Violons, Orgue et Basse Continue (24)
Hautbois, Flûte à Bec F1 ou Flûte Traversière)… (24)
Hautbois 3 Clarinettes Sib 1 Clarinette Basse (24)
2 Hautbois, 3 Trompettes, Timbales, 2 Violons, Alt (24)
Trompette 2 Violons 1 Alto 1 Violoncelle (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinettes Sib 1 Clarinette… (24)
Quartette Pour Flûtes à Bec (Quartette à Cordes… (24)
Flûte Traversière, Hautbois, Alto et Violoncelle (24)
Hautbois 2 Violons 1 Alto 1 Violoncelle (24)
Trompette 3 Clarinettes Sib 1 Clarinette Basse (24)
Violon, Alto, Violoncelle et Contrebasse (24)
Flûte à Bec F2, 2 Violons et Basse Continue (24)
2 Violons, 2 Altos, Violon ou Violoncelle et Basse (24)
Clarinette ou Trompette ou Violon), 2 Violons, Alt (24)
2 Violons, Alto, Violoncelle et Contrebasse ou 2 H (24)
3 Tubas (24)
Solistes SATBB, Choeur SATB, 2 Flûtes Traversièr… (24)
Clarinette 2 Violons 1 Alto 1 Violoncelle (24)
Flûte Traversière 2 Violons 1 Alto 1 Violoncelle (24)
Solistes SATTB, Choeur SSATTBB, 2 Hautbois, 2 Clar (24)
Guitare (Fingerpick) (24)
Flûte à Bec F1, Violon et Basse Continue (24)
Flûte à Bec, Guitare et Musique de Chambre (24)
Quatuor à vent (24)
Guitare Tab, Voix, Basse, Batterie (24)
Flûte, Trio Piano (basse, batterie, clavier) (24)
Quatuor de cuivres: 4 trompettes (24)
2 Hautbois, Piano (24)
Hautbois et Orchestre (24)
Choeur SAT (23)
2 Cornets et 2 Tubas (23)
Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois (23)
Hautbois, 2 Flûtes Traversières, 2 Hautbois, 2 C… (23)
Oeuvres Théâtrales/Oratorios et Ballets (23)
Choeur SATB/SATB, (8 Instruments, Contrebasse et O (23)
Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 … (23)
Alto, Violoncelle (duo) (23)
Ensemble Moyen Contemporain (23)
Bongos (23)
Choeur SSATTB et Basse Continue (23)
Solistes SATB, Choeur SATB, HautboiSBasson, Instru (22)
Orchestre: Choeur TTBB, 2 Flûtes Traversières, 2… (22)
Solistes SAT, Choeur SATB, 2 Flûtes Traversières… (22)
Ensemble de Violoncelles (22)
Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett (22)
Livre Musical (22)
Quatuor De Cuivres Et Orgue (22)
Clavecin Et Instruments A Cordes (21)
Saxhorn en Sib (21)
Violon, Ensembles de Cordes et Basse Continue (21)
Solistes SATB, Choeur SATB/SATB, Flûte Traversiè… (21)
2 Violons et Basse continue (21)
Libretto (21)
2 Bassons (duo) (21)
Ukulélé Soprano (21)
Carte Postale (21)
Orgue, Piano (duo) (21)
Voix et CD Playback (21)
Film musical (21)
Violoncelle, Basse continue (21)
Flûte Traversière ou Violon), 1 A 2 Violons et O… (20)
Solistes STB (SB/TB/SATB), Choeur SATB, 3 Trompett (20)
Choeur d'Enfants à 1 à 3 Parties, Piano ou Clavi… (20)
2 Violons, Alto et Basse Continue ou Flûte Traver… (20)
4 Bassons (20)
Clarinette, Violon, Alto et Contrebasse (20)
2 Cors Anglais Et Pianoforte (20)
2 Violons, Alto et Violoncelle ou Contrebasse (20)
2 Violons ou 2 Hautbois, Alto, Violoncelle ou Cont (20)
Violon, Orgue (20)
Pop music (20)
Ensembles de Cordes et Piano (20)
Variétés françaises (20)
Choeur De Femmes (SS) Et Piano (20)
Choeur SSATB et Basse Continue (20)
Clavier ou Orgue Electronique (20)
Quintette à Vent (20)
Piano Trio: Violon, Alto, Piano (20)
Choeur d'Enfants SSA, Récitant, Flûte Traversiè… (20)
Flûte à bec Soprano, Basse continue (20)
Choeur Mixte a Cappella (20)
Trio ou Quatuor à Cordes (20)
Xylophone (20)
2 Cors, Piano (20)
Choeur de Femmes (SSA) et Piano (20)
Batterie et Piano (20)
Documentaire (20)
Chorale, Orgue (20)
Instruments Acoustiques (20)
Guitare et Basse Tablatures, Accords (20)
Choeur SATB, 2 Violons, Alto et Basse Continue (20)
Petit Choeur SATB, 2 Violons, 3 Trombones, Contreb (19)
Solistes s TB, Choeur SATB, Piccolo, 2 Flûtes Tra… (19)
Violoncelle Solo, 2 Flûtes Traversières, 2 Hautb… (19)
Solistes TB, Choeur SATB, 2 Flûtes Traversières,… (19)
Concert Band ou Harmonie et Clarinette (19)
2 Trompettes, Cordes Et Basse Continue (19)
Saxophone et Orchestre (19)
Solistes SATB, Choeur SATB, 2 Violons et Basse Con (19)
2 Bassons et Piano (19)
Soli (ATB), Choeur Mixte (SATB) Et Orchestre (19)
Trombone Alto et Piano (19)
Chorale Soprano seul, SATB, Clavier (19)
2 Trompettes ou Cornets et Tuba (19)
Choeur SATB, 2 Violons, 2 Altos et Basse Continue (18)
Violoncelle, Orgue (18)
Gemischter Chor (SATB) und Orchester (18)
Orchestre: Choeur SSAA, 2 Flûtes Traversières, 2… (18)
Flûte, Clarinette, Piano (trio) (18)
Hautbois, Quatuor à cordes (18)
3 Trompettes, 3 Trombones et Timbales ou 3 Trompet (18)
Choeur SATB/SATB, (Basse Continue) (18)
Solo S, 2 Violons et Basse Continue (18)
Soli (SAB), Choeur Mixte (SATB) Et Orchestre (18)
Orchestre: Choeur SATB, 2 Hautbois, 2 Clarinettes, (18)
Choeur SATB, 2 Trompettes, 2 Trombones, 2 Violons, (18)
Voix duo (18)
2 Trombones Basse et Piano (18)
Ensemble de cuivres, Orgue (18)
Cornet en Mib et Piano (18)
Clarinette Basse, Piano (18)
Guitare, Orchestre (18)
ENS::Ensemble d'cole (18)
Choeur d'Enfants à 2 Parties et Instruments (Flû… (18)
Basson, Orchestre (18)
2 Saxophones Ténor et Piano (18)
Instrument seul et Orgue (18)
Cornet en Mib (18)
2 Cornets et Piano (18)
Violon, Cor et Piano (18)
Comptines (18)
Piccolo (18)
Choeur Mixte, Soprano et Orchestre (18)
Ensemble de Trompettes (18)
Banjo Tenor (18)
2 Cors en Mib et Piano (18)
Solo S, 2 Flûtes Traversières, 2 Hautbois, 2 Cla… (17)
2 Flûtes Traversières, 2 Clarinettes, 2 Bassons,… (17)
Solistes STB, Choeur SATB, 2 Hautbois, 2 Violons, (17)
Solo S, Choeur SATB, 2 Flûtes Traversières, 2 Co… (17)
Choeur SATB/SATB et Basse Continue (17)
Solistes SSAATB (SATB), Choeur SATB (SSAATB), 2 Ha (17)
Solistes ATB, Choeur SATB, 3 Trompettes, Timbales, (17)
Solistes ST, Choeur SSAATB, 2 Flûtes Traversière… (17)
Solistes SATB, Choeur SATB/SATB, 2 Orchestres: 2 H (17)
Solistes SATB, Choeur SATB, Basson, 2 Violons, 2 A (17)
Solistes STB, Choeur SATB, 2 Hautbois, 2 Clarinett (17)
Piano, Basse, Batterie (trio) (17)
Choeur Mixte (SSATBB) (17)
Flûte à bec, Basse continue (17)
Choeur (SATB) et Brass Band (17)
Set de Cordes (17)
Flûte Traversière Violoncelle et Piano (17)
Flûte Traversière, Alto et Guitare (17)
Balalaika (17)
Harmonie (17)
Solistes SATB, Choeur SATB, 2 HautboiSBasson, 2 Tr (17)
2 Cors (duo) (17)
Viole de Gambe (17)
Voix Mixtes SAB et Piano (17)
Guitare ou Luth (17)
Guitare Country (17)
Voix et Orff-Instruments (17)
Voix d'Enfants, Instruments (17)
2 Cornets (16)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines (16)
Solistes SATB, Choeur SATB, (Cto et 3 Trombones) ( (16)
Solistes STB, Choeur SATB, (2 Trompettes, Timbales (16)
Flûte Traversière Violon, Violoncelle et Piano (16)
Choeur SATBB/SATBB, 4 Trompettes, Timbales, 3 Viol (16)
2 Flûtes Traversières et Violoncelle (16)
Flûte à Bec F1, Hautbois et Basse Continue (16)
Piano Quatuor: piano, 2 violons, violoncelle (16)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 3 (16)
Solistes SATB, Choeur SATB, 2 Violons, Alto, Violo (16)
Quintette à cordes : 2 Violons, Alto, Violoncelle… (16)
Choeur De Femmes (SA) Et Piano (16)
Flûte Traversière, Viole de Gambe ou Alto ou Vio… (16)
Flûte, alto et harpe (16)
3 Trombones et Trombone Basse (16)
Quatuor Variable (16)
Flûte A Bec, Guitare Et Musique De Chambre (16)
Violon 2 (16)
2 Trombones et Clavier ou Piano (16)
Baryton et Orchestre (16)
Flûte à Bec et Piano (16)
Violon, Alto et Orchestre (16)
Choeur de Femmes (SMezA) (16)
Piano, Chant et Guitare Tablatures (16)
Guitare et Voix (16)
Ensemble de Ukulélés (16)
Trombone et Basse Continue (16)
Guitare Tablatures Electrique (16)
Quatuor de Clarinettes: Clarinette, Violon, Alto, … (16)
Solo SATB, Choeur SATB, Hautbois, 2 Violons, 2 Alt (15)
Alto, Violoncelle et Contrebasse (15)
Solo S, Choeur SATB, 2 Hautbois, 2 Cors, 2 Trompet (15)
Choeur SATBB, 2 Hautbois, 2 Clarinettes, 2 Bassons (15)
Choeur SATB, 2 Violons et Basse Continue (15)
Solistes SSATB, Choeur SSATB, 2 Violons, 2 Altos e (15)
Choeur SSATB, 2 Violons et Basse Continue (15)
Concert Band et Solistes (15)
Quatuor à Cordes et Piano (15)
Cor et Quatuor à Cordes (Quintet) (15)
Solistes SATB, Choeur SATB, 4 Trompettes, Timbales (15)
Solistes SATB, Choeur SATB, 2 Cors, Timbales, 3 Ha (15)
Solistes SSATB, Choeur SSATB, 2 Clarines, 3 Trompe (15)
Choeur et Orchestre (15)
Choeur SAATB, 2 Hautbois, Hautbois Da Caccia, 3 Tr (15)
Hautbois, Clarinette, Basson (trio d'anches) (15)
Solo Baryton, Choeur SATB/SATB/SATB, Flûte Traver… (15)
Voix et Piano Réduction (15)
Tout Instrument (15)
Concertina (15)
Cor Anglais ou Hautbois et Piano (15)
Solistes SATB, Choeur SATB, Basson, Instruments à… (15)
Trio De Cuivres (15)
Violon Solo (15)
Piano, Violon, Bandoneon, Guitare, Contrebasse (15)
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orches… (15)
Saxhorn en Sib en Clé de Sol ou en Clé de Fa (15)
Baryton ou Tuba et Brass Band (15)
Guitare Tablatures Flatpick et Fingerpick (15)
2 Trompettes et 3 Trombones (15)
Clarinette, Saxophone, Trompette ou Baryton (TC) (15)
DVD Spectacles (15)
2 Hautbois (15)
Fac-similé (15)
Cornet et Brass Band (15)
Guitare Flatpick et Fingerpick (15)
3 Cors, 2 Violons, Alto, Violoncelle, Contrebasse (14)
Solistes STB, Choeur SATB, 2 Cors, 2 Hautbois Da C (14)
SB, 4 Parties Mixtes et Orchestre (14)
Clarinette Alto (14)
3 Ensembles Instrumentaux A 4 Parties (14)
Flûte Traversière, Violon, Instruments à Cordes… (14)
Choeur d'Enfants et Ensemble (14)
Choeur SSAT/SATB/TTBB, Grand Choeur SSATB/SSATTB e (14)
Solistes et Choeur SATB/SATB, Orgue, 2 Orchestres: (14)
Solistes ATB, Choeur SATB, 2 Hautbois, 2 Cors, Vio (14)
Ensembles de Cordes (14)
2 Pianos, 8 mains (14)
Contrebasse, Orchestre (14)
Choeur SATB/SATB, 2 Violons, 4 Trombones (4 Violes (14)
Solistes ATB, Choeur SSAATTBB, 2 HautboiSBasson, 2 (14)
Solistes ST, Choeur SSATB/SSATB, Basson, 4 Trombon (14)
Musical (14)
Solistes SSA (TTB), Choeur SATB, 2 Flûtes Travers… (14)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (Fas… (14)
Solistes SB, Choeur SSATB, 2 Trompettes, Instrumen (14)
Solo S, Flûte Traversière, 2 Violons, Alto et Ba… (14)
SATB, 4 Parties Mixtes, 2 Violons, 3 VioleSBasson (14)
Solistes SATB, Choeur SATB, (Cto et Trombone), Fl… (14)
Solistes SATB et Choeur SATB (14)
Flûte Traversière ou Flûte Traversière Alto) e… (14)
Instruments A Vent (14)
Voix (14)
Choeur (Unisson), Voix Hautes Et Voix Egales (14)
4 Tubas (14)
Quatuor de Flûtes : Flûte, Violon, Alto, Violonc… (14)
3 Violons, Instruments à Cordes et Basse Continue (14)
Balalaïka Et Piano (14)
Grand Ensemble Contemporain et Orchestre (14)
Ensemble Divers (14)
Bodhran (14)
Mezzo-Soprano et Orchestre (14)
Solistes SATTBB, Choeur SATB/SATB, Choeur d'Enfant (13)
Solistes SAT, Choeur SATB, 2 Violons, Violoncelle/ (13)
Solistes SAB, Choeur SATB, 2 Flûtes à Bec F1, 2 … (13)
Choeur SATB/SATB (2 Hautbois, 2 Cors anglaiSBasson (13)
Petit Choeur SATB, 2 ViolonSBasson, Contrebasse et (13)
Clarinette en Sib et Clarinette Basse (13)
Solo S, (2 Clarinettes, 2 Bassons et 2 Cors), 2 Vi (13)
Petit Choeur SSATB/SATB, (Contrebasse, 5 Violes de (13)
Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons (13)
Trombone basse (13)
Choeur SATB, Flûte Traversière, 2 Trompettes, Tr… (13)
Solo S, Choeur SATB, 2 Hautbois, 2 Trompettes, Tim (13)
Orchestre: Solistes SATB, Choeur SATB, 2 Hautbois, (13)
Solistes (SATB), Choeur Mixte (SATB), Orchestre et (13)
Choeur (Mez/Bar), Narrateurs Et Instruments (13)
Solistes SSTB, Choeur SATB, 2 Flûtes Traversière… (13)
Soliste, Choeur D'Enfants, Choeur De Femmes, Choeu… (13)
Clarinette, Violon, Violoncelle Et Piano (13)
Solo B, Choeur SATB /2 Hautbois, Taille (Cor Angla (13)
Solistes SSAT, Choeur SSATB/SSATB, 2 Violons, 2 Al (13)
Solistes SATB, Choeur SATB, Basson, 2 Trompettes, (13)
Solistes ST, Choeur SSATB, 3 Trombones (2 Altos, V (13)
Guitare Tablatures Classique et Fingerpick (13)
Solistes, Div. Instruments à Cordes, Choeur d'Enf… (13)
2 Cors, 2 Trompettes, Timbales, 2 Violons, Alto, V (13)
Solistes SATBar, Choeur SATB, 2 Flûtes Traversiè… (13)
Sextuor à Cordes (13)
Solistes, Choeur d'Enfants, 3 Flûtes à Bec et/ou… (13)
SATB + Accompagnement (13)
Flûte à Bec et Guitare (13)
Cornet A Pistons (13)
Solistes S (SSAATB), Choeur SATB, 2 Flûtes Traver… (13)
Petit Choeur SSBasson/2 Cornets à Bouquin (2 Viol… (13)
Soli (STB), Choeur Mixte (SATB) Et Orchestre (13)
Opéra Full Score (13)
2 Accordéons (13)
Solistes SATB, Choeur SATB, 2 Violons, Alto, Basse (13)
Choeur SSATBB (13)
5 Parties Mixtes (13)
Choeur SATB, 3 Trompettes, Timbales, 2 Hautbois, 2 (13)
Alto Solo (13)
Flûte Traversière, Clarinette et Piano (13)
Hautbois et Cordes (13)
Flûte Traversière, Alto et Harpe (13)
Guitare (Flatpick) Et Plectre (13)
2 Altos, Piano (13)
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Solistes SATB, Choeur SATB, 2 Bassons, 2 Clarines, (12)
Ensemble de Violons (12)
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Hautbois I/II, Cor Anglais I/II, Heckelphone (12)
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Maître de Chapelle et Choeur SATB (Paroisse, Orgu… (12)
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Guitare, Flûte, Clarinette (12)
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Solistes, Choeur d'Enfants, Flûte Traversière, C… (12)
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Hautbois 1 Clarinette en Sib 1 Basson (12)
Saxophone Alto et Concert Band ou Harmonie (12)
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Consort de Violes de gambe (12)
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Solistes AT (ATBBB), Choeur SATB (SATBBB), 2 Hautb (12)
Solistes SATB, Choeur SATB, 4 (2) Hautbois, 2 Bass (12)
Clavecin, 2 Violons, Alto et Violoncelle ou Contre (12)
Trompette et Cordes (12)
Petit Choeur SATB/SATB, Orgue et (8 Instruments) (12)
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Tuba en Sib Basse Continue (12)
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Fake Book (12)
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Basse (11)
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2 Clarinettes et Piano ou Orgue (10)
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Flûte à Bec Solo (10)
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Trompette Solo (10)
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Saxophone Alto Solo (10)
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Oud (10)
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Cor en Fa Solo (10)
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Choeur SATB/SATB (8 Instruments et Basse Continue) (10)
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Petit Choeur SSATTB et 6 Instruments, (Choeur SSAT (10)
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Quatuor à Vent : 4 instruments à vents (10)
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Violes de Gambe (10)
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2 Flûtes à bec, Basse continue (trio) (10)
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Orchestre Scolaire (2 Flûtes Traversières (Flût… (10)
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L'Invisible (REIMANN ARIBERT)
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L'Invisible (REIMANN ARIBERT)
Orchestre
Schott
Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three play...
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Par REIMANN ARIBERT. Aribert Reimann?s ?Trilogie lyrique? is based on three plays by Maurice Maeterlinck: In L? Intruse, a family is sitting at the table with their blind grandfather. They are waiting for the doctor to arrive and tend to his daughter who is lying ill in bed after having given birth: her new-born son has not yet made a single sound. The old man senses that something is wrong due to the uneasy atmosphere in the room. ?Who is sitting in our midst'? he asks. He is the only one who can see the presence of death. Intérieur: Once again a family is gathered round the table in the evening, but this time we observe the action from outside, looking through the window with the grandfather and a stranger: no sound can be heard. Outside the house, the stranger reports that the eldest daughter has drowned and that he has pulled her out of the river. Although the corpse is already being carried through the village to the family, the grandfather cannot bring himself to destroy this idyll. La Mort de Tintagiles: The young Tintagiles is told a story about a mysterious castle and the aged queen who has all potential heirs to the throne murdered. His siblings sense that Tintagiles has been summoned to the castle to be murdered, but nobody openly expresses this fact. It is the sinister messengers of death from the interludes, now visible as the queen?s servants, who ful'l her demand and snatch the sleeping boy from his sisters? arms. / Date parution : 2022-07-20/ Répertoire / Orchestre
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Felix Mendelssohn Bartholdy: Konzert Für Violine und Orchestre: Orchestra: Score
57.50
Felix Mendelssohn Bartholdy: Konzert Für Violine und Orchestre: Orchestra: Score
Orchestre
Barenreiter
E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 1...
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E-moll Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the première; the ‘child prodigy’ Joseph Joachim; and Hubert Léonard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to Léonard.The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Léonard.The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for Léonard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestre
[Partition]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
28.99
Peter Maxwell Davies: Peter Maxwell Davies: Orchestra: Miniature Score
Orchestre
[Partition]
Chester
Caroline Mathilde Act I (Concert Suite)-The story centres on the English princes...
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Caroline Mathilde Act I (Concert Suite)-The story centres on the English princess Caroline Mathilde (1751-1775) sister of George III who at the age of 15 was sent to Denmark to marry the 17-year-old eccentric and schizophrenic Danish King Christian VII. The balletportrays her unhappy marriage the King's growing madness and her fatal love-affair with Struensee the King's influential physician which leads to their arrest his execution and her exile at the age of 20 separated from hertwo young children. In keeping with the period and perhaps also with the traditions of Romantic ballet the music is relatively simple in harmony and form and most of the action is conveyed in set-piece dances. The suite which consists essentially of the second half of Act I begins with one of these a bristling interplay of wind and string ensembles in D major portraying in the ballet a curious nuptial game with the king and princess on movablepedestals. The slow music that follows has to do with the king's healing by Dr. Struensee and the new queen's unquiet reverie (oboe and cor anglais solos). Then the suite like the act is capped by a pair of pas-de-deux thefirst savage and bizarre for the royal couple the second rich and passionate for the queen and the miracle-working doctor.Score (miniature). Duration c. 25mins.
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Snehvides Spejl - Operatrailer: Orchestra: Score
Orchestre
[Partition]
Wilhelm Hansen
Composer's Program Note Repertoire operas occationally have orchestral suites: B...
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Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)
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Poul Ruders: Gong: Orchestra: Score
Orchestre
Wilhelm Hansen
The word GONG is saturated with associations: the splendour of the Orient mysti...
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The word GONG is saturated with associations: the splendour of the Orient mysticism drama loud metallic clangour violent impact etc. The present piece draws upon all those connotations but it is primarily a symphonic drama about the life and behaviour of the sun our closest star and prime source of life on Earth. Describing the sun in music is not a new idea of course; during a visit to Greece Carl Nielsen was inspired by the orbit of the sun and its very un-Danish ferocity and thus wrote the 'Helios Overture'. GONG is a 'Helios Overture' too of sorts albeit more abstract. Recent astronomical research shows that the surface of the sun reverberates like a gong infour different simultaneous tempi (not directly depicted in the score though); the sun looks like a GONG - the O in the written work looks like the sun; there is even a solar research group called GONG (Global Oscillation Network Group). Formally the composition follows the life and fate of the sun from the initial explotional birth through the hyper-activity as energy source as we know it today to the final predicted flaring up and collapse into a so-called 'white dwarf'. But - being a musical composition not an astrophysical thesis - GONG is brought to its compositional conclusion by a 'real concert-ending' a chord taken from the middle of the piece and sustained over several bars from virtual nothingness to full force.
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Overtures (SCHUBERT FRANZ)
757.48
Overtures (SCHUBERT FRANZ)
Orchestre
[Partition]
Barenreiter
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his sy...
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New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre
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Edward Elgar: Serenade For Strings Op.20: String Ensemble: Score
16.00
Edward Elgar: Serenade For Strings Op.20: String Ensemble: Score
Orchestre
[Conducteur]
Barenreiter
With Christopher Hogwood’s new edition of Elgar’s much loved Seren...
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With Christopher Hogwood’s new edition of Elgar’s much loved Serenade a scholarly-critical edition of the work is now available for the first time. As with other Elgar works modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepancies drawing on Elgar’s version of the work for Piano four hands (the original version) and the recently discovered autograph manuscript of the first movement. The edition also contains a facsimile showing the original ending of thethird movement as well as an informative foreword (Ger/Eng) and a critical commentary (Eng).The first scholarly-critical Urtext edition of this popular work for string orchestra.Foreword (Ger/Eng) and critical commentary (Eng).With facsimile pages.Full score and performance material (BA9041) available for sale.
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Simon Holt: A Table Of Noises (Full Score): Orchestra: Score
49.99
Simon Holt: A Table Of Noises (Full Score): Orchestra: Score
Orchestre
[Partition]
Chester
Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchest...
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Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008 at Symphony Hall Birmingham by Colin Currie (percussion) and the City ofBirmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top the unpitched solo percussion part in the 9th movement the scoring was initially left open. The present full score showsa suggested instrumentation which was devised by Colin Currie in conjunction with the composer. Soloists should attempt to match the timbres used but should not feel constrained by the exact choice ofinstruments.COMPOSER’S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash’s parlour table that fascinated me as a child. There is even abottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn’t walk too far without his trusty crutch.He kept everything he needed within arm’s length. In the list of instruments for the solo part there’s everything from deep log drum sounds to very high metallic chime sounds. Wood glass metal and a whistle. Mostlysmall-scale things with a large gong behind used sparingly. I think that we managed to keep below 30 instruments in all which I was keen to do. I didn’t want scores of things that are only played once they have to earn theirkeep. I didn’t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon a flamenco instrument which isessentially a wooden box. The player hits the front of the box in various ways rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the
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Howard Shore: The Lord of the Rings: The Return of the King: Orchestra
62.95
Howard Shore: The Lord of the Rings: The Return of the King: Orchestra
Orchestre
Alfred Publishing
Containing Minas Tirith Into the West and The Return of the King this arrangem...
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Containing Minas Tirith Into the West and The Return of the King this arrangement brings back all of the emotion of the Academy Award-winning film. Scored at the intermediate level so that you can perform this beautiful medley with strings alone or with the addition of any number of winds up to a full orchestra this is an ideal choice for your spring program. (4:53)
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Joseph M. Martin: And the Stars Sang from Morning Star: Orchestra: Parts
49.99
Joseph M. Martin: And the Stars Sang from Morning Star: Orchestra: Parts
Orchestre
Shawnee Press
The music of the heavens is given to the young virgin and her newborn son as a b...
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The music of the heavens is given to the young virgin and her newborn son as a beautiful gift from God. The miracle of the manger is expressively presented in this pull-out piece from the best-selling cantata Morning Star.A beautiful solo begins the work and then is answered by expressive choral singing in this tender manger moment. Lovely!
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Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
189.99
Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
Orchestre
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Malaguena: Concert Band: Score
19.99
Malaguena: Concert Band: Score
Orchestre
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Stephen Albert: Riverrun: Orchestra: Score
49.99
Stephen Albert: Riverrun: Orchestra: Score
Orchestre
Schirmer
Score-'RiverRun' was Steven Albert's third work inspired by the writing of James...
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Score-'RiverRun' was Steven Albert's third work inspired by the writing of James Joyce. The opening movement ‘Rain Music’ is meant to convey the origins of a river. After the sharply accented chords of the movement's introduction themusic becomes quieter suggesting an atmosphere of expectancy. The lightly scored second movement ‘Leafy Speafing’ has a languid cadenza-like opening on alto flute followed by a more tightly focused thematic idea from thesolo viola. The two instruments then engage in a quiet dialogue against the softly changing chords.The third movement ‘Beside the Rivering Waters’ is a fragmented march and scherzo. It opens with a children'ssong. The march for the pit band follows and we are engulfed in a boozy wake. The scherzo brings a return of the current then the march returns abruptly followed by the children's tune - which is in turn transformedinto a raucous pub song. Throughout the fourth movement ‘RiversEnd’ musical ideas from the preceding movements are recalled. Night is falling and the river is moving quietly into darkness. As it approaches the open sea itsmomentum builds and it soon becomes a torrent spilling into the ocean. The work ends quietly.
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Joseph M. Martin: The Song Heard 'Round the World: Orchestra: Parts
324.99
Joseph M. Martin: The Song Heard 'Round the World: Orchestra: Parts
Orchestre
Shawnee Press
A Cantata for Christmas-The Song Heard 'Round the World is a journey of internat...
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A Cantata for Christmas-The Song Heard 'Round the World is a journey of international carols and folk songs that incorporate narration and scripture to share Christmas story. With sections for Advent Christmas and Epiphany the anticipation incarnation and proclamation of Christ's birth is presented. Each movement is from a different nation filling the work with a tapestry of musical diversity. The overall theme of unity and peace on earth is timely giving many options for creative presentations. Colorful orchestrations by Brant Adams capture the diversity that is so much a part of this meaningful work. A smaller chamber orchestration is also available as well as a full line of support products.Songs include: A Joyful Journey of Carols Hear the Song Heard 'Round the World An Advent Prayer Prepare the Way of the King Ges¨ Bambino Rejoice! Christ Is Born! A Unity Carol Music of the Morning Star Prayer for Peace. Score and Parts for Full Orchestra (fl 1-2/pic ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba timp perc 1-4 hp kybd vn 1-2 va vc db) and Consort (fl cl tpt 1-2 tbn bls perc kybd) available as a Printed Edition and as a digital download.
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John Adams: Shaker Loops (revised): Orchestra: Score
44.99
John Adams: Shaker Loops (revised): Orchestra: Score
Orchestre
Hal Leonard
Score-Although in its own way an example of 'continuous' music Shaker Loops dif...
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Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another.The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.
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Wine, Women And Song
15.23
Wine, Women And Song
Orchestre
[Conducteur d'étude / Miniature]
Barenreiter
'Prélude à l'aprés-midi d'un faune', souvent désigné comme la première com...
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'Prélude à l'aprés-midi d'un faune', souvent désigné comme la première composition de l'ère 'moderne', est l'un des plus populaires de Debussy et souvent interprété des oeuvres orchestrales. La pièce vient jusqu'à nous dans un réseau de sources, et plusieurs autres importantes sont tirées sur pour la première fois dans la nouvelle Bärenreiter savante critique édition.La plupart des éditions actuellement disponibles sont basées sur la première édition de 1895 qui, cependant, contient des erreurs graveur de nombreux. Lorsque les parties correspondantes d'orchestre sont également pris en considération, les écarts sont révélés innombrables.Bärenreiter Urtext édition incorpore de lectures d'un exemplaire imprimé de la note de c. 1908, qui montre les corrections et corrections par le compositeur. Ces changements importants, qui se trouvent dans aucune autre source, notamment les indications métronomiques, des terrains de différentes et des notes complémentaires, ainsi que le tempo et marques d'articulation ajouté, qui subtilement améliorer le travail finement sculpté de Debussy. Il est même une marque souffle ajouté au passage flûte solo célèbre qui ouvre les travaux.- Edition savante critique avec de nombreuses corrections dans la partition et les parties orchestrales- Présentation claire des parties d'orchestre dans un format agrandi, 25,5 cm x 32,5 / Orchestre
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Musikvermittlung - Wozu?
23.45
Musikvermittlung - Wozu?
Orchestre
Schott
Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur entw...
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Musikvermittlung hat sich zu einem festen Bestandteil unserer Musikkultur entwickelt. In den Aufsätzen dieses Buches werden Umrisse und Aufgaben der künstlerischen Disziplin beschrieben, Arbeitsfelder, Ausbildungsfragen und Adressaten thematisiert, Methoden und neue Medien gesichtet, kritische Aspekte und Qualitätskriterien erörtert sowie historische Prozesse und zukunftsweisende Perspektiven aufgezeigt - Bestandsaufnahme und Neureflexion einer offenen und offensiven Musikvermittlung, die dem Musikleben neue Impulse verleiht. / Orchestre
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Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
19.99
Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
Orchestre
Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...
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Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
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Sicilianischer Jahrgang (TELEMANN GEORG PHILIPP)
433.84
Sicilianischer Jahrgang (TELEMANN GEORG PHILIPP)
Orchestre
[Partition]
Barenreiter
Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. ...
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Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. Par TELEMANN GEORG PHILIPP. Following the principles of the edition, the volume contains a segment of 12 contiguous pieces of church music from a single cycle. They are excerpted from the so-called 'Sicilian Cycle” and consist of the compositions for the 7th - 18th Sundays after Trinity (except the 11th Sunday), the music for which is no longer extant) plus the feast of Michaelmas. The pieces in the cycle reveal elements attributed to the music of southern Italy, which occur in at least one movement of each work. Among these elements are pastoral instrumentation, with oboes and occasionally recorders, and the melodious writing of the arias, all embedded in a translucent texture. The cycle was written for the ducal court in Eisenach, where Telemann was titular chapel-master. It cannot be precisely dated, but the period of composition can be narrowed down between 1717 and 1721. The underlying words, printed as an annual cycle in 1720, stem from the singer, instrumentalist and later Eisenach court secretary Johann Friedrich Helbig. A Foreword and Critical Commentary provide information on the genesis, sources and reception of this very widely disseminated cycle. Also included are facsimiles from the musical and textual sources and an edition of the underlying texts./ Répertoire / Orchestre
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Gaetano Donizetti: La fille du régiment: Orchestra: Score
398.10
Gaetano Donizetti: La fille du régiment: Orchestra: Score
Orchestre
[Conducteur]
Ricordi
Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fil...
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Edizione critica a cura di Claudio Toscani (testi in italiano e inglese). La fille du régiment, always one of Donizetti?s most popular stage works, was first performed at the Théâtre de l?Opéra-Comique in Paris on 11 February 1840. It was composed by Donizetti, to a libretto by Saint-Georges and Bayard, in 1839, for the French debut of soprano Juliette Bourgeois. Later on, Donizetti prepared an Italian version as well, using a libretto adaptation by Calisto Bassi, and making several alterations to the French version of the score (the premiere of the new version, entitled La figlia del reggimento, took place at La Scala Theatre in Milano on 3 October 1840). The opera enjoyed tremendous success ? at the Opéra-Comique alone, more than one thousand performances were given between 1840 and 1917 ?, and was widely staged in the major European and American opera houses. Owing to the lack of available autograph music sources ? only a few score sketches and fragments survive, kept at the Bibliothèque Nationale de France ?, the principal source for this edition is the printed score prepared by the Parisian publisher Georges Schonenberger during the spring of 1840. Together with the full score, Schonenberger also engraved and printed the orchestral parts. Previously, the publishing house had printed the piano vocal score of several selected numbers from La fille du régiment, as well as the complete score reduction of the work. The Schonenberger edition constitutes, however, a problematical source. The engravers had to work under great pressure - the score was assembled in less than a month -, and the final product turned out to be of mediocre quality, abounding in imperfections, errors, and inconsistencies affecting both the literary and the musical texts. This critical edition has therefore been realized, first of all, through a careful reconstruction process: the text handed down by tradition was compared with a number of sources (including the manuscript scores of the Italian version) that have enabled the editor to address the multiple problems posed by the principal source. The spoken dialogues, missing in the printed music sources, are derived from the libretto used for the première. The critical edition of La fille du régiment reinstates Tonio?s romance «Pour me rapprocher de Marie» from Act Two, included in the original libretto and actually sung at the première, but expunged from the Schonenberger edition of the score. Donizetti himself cut the romance soon after the première, possibly because of the tenor?s poor performance - as a result, the omission became customary. The appendices to this critical edition present, additionally, two unpublished variants, handed down in form of complete and autograph score: these pieces, crossed out or modified through the compositional process, add fresh new possibilities to current performance practices. The first one is a duet for Marie and Tonio that Donizetti had originally devised for Act Two, but later deleted from the score. The second one is a preliminary draft of the Act Two Finale, later expunged and replaced, in both music and literary text, by the final version.
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I Wonder As I Wander (full Score): Concert Band: Score
5.50
I Wonder As I Wander (full Score): Concert Band: Score
Orchestre
[Partition]
Schirmer
Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christ...
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Score-John Jacob Niles' I Wonder As I Wander arranged for Orchestra.This Christian folk hymn was inspired by a song heard by Niles at a fundraising meeting for evangelicals which he attendedin Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes wereunbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in her untutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter per performance and left with 'three lines of verse a garbled fragment ofmelodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was first performed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.This melodic arrangement by Michael Brown offers an opportunity for every group of instruments to shine making it an excellent choice for school concerts or showcases.
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Joseph M. Martin: Awake! Sing Gloria: Orchestra: Parts
Orchestre
Shawnee Press
Driving energy and rhythmic excitement as the shepherds rush to the stable runn...
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Driving energy and rhythmic excitement as the shepherds rush to the stable running and dancing all the way! “Awake! Sing Gloria!” from the cantata Canticle of Joy is alive with electricity and an urgency tosee the newborn King. “Sleepers awake! Sing gloria!” What a sight that must have been! Perhaps it is hard for us to visualize that incredible scene but we can certainly hear it in this outstanding choral!
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Arrangements For Chamber Orchestra
220.06
Arrangements For Chamber Orchestra
Orchestre
Schott
Arnold Schönberg est la figure centrale dans le monde musical de ce siècle. So...
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Arnold Schönberg est la figure centrale dans le monde musical de ce siècle. Son sens musical était déjà apparente au cours de sa durée de vie, mais son influence posthume a augmenté énormément. Son travail a ouvert la voie à des changements révolutionnaires dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable à la recherche ainsi que pour la performance. L'édition est publiée en deux séries: la série A en format folio contient tous les travaux terminés, toutes les partitions de piano préparé par le compositeur lui-même et tous les travaux inachevés appropriés pour la performance- également des fragments (grandes partitions) qui sont mieux adaptés à imprimer dans une telle le format. Série B, au format in-quarto, contient premières versions, des croquis, des idées et des fragments ainsi que la genèse et un commentaire critique. / Orchestre
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Renga
Orchestre
Peters
Score (361 dessins de Thoreau parfois superposent) et 78 pièces (pour tout inst...
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Score (361 dessins de Thoreau parfois superposent) et 78 pièces (pour tout instrument et/ou voix): à jouer seul ou (comme une pièce occasionnelle) avec 1776 maison d'habitation ou certains autres musicircus (direct ou enregistré) approprié à une autre occasion que le bicentenaire des Etats-Unis, à l'occasion, par exemple, comme la naissance ou la mort d'une autre nation musicalement productive ou à, ou la naissance d'une société porte sur certains aspects de la création productive du son, par exemple. Oiseaux, animaux marins, changements météorologiques, tremblements de terre ou de plantes (équipés de cartouches et utilisés comme des instruments de percussion, comme dans l'enfant d'arbres et de BRANCHES, ou acoustiquement isolés et au moyen de la technologie appropriée fait audible) permettant des restrictions du droit d'auteur. / Grand Ensemble Contemporain Et Orchestre
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Bryce Dessner: Quilting: Orchestra: Score
27.99
Bryce Dessner: Quilting: Orchestra: Score
Orchestre
Chester
Composer's Note: Quilting co-commissioned by the BBC Symphony Orchestra and th...
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Composer's Note: Quilting co-commissioned by the BBC Symphony Orchestra and the Los Angeles Philharmonic is my first stand alone work fororchestra and is loosely inspired by the American tradition of quilt making. I composed Quilting while living most of last year in Paris. During my time there I thought a lot about what it means to compose symphonic music as ayoung American in the 21st century when so many of the many masterworks which are programmed year in and out by orchestras across the country are European. I considered which artistic traditions defined the American 19th-century.I began to think of the American crafts-tradition of quilting as a foil to the high-art tradition of European orchestral composition. As the score for my new work began to take shape I started thinking about themanuscript itself as an object its vertical and horizontal planes create a kind of patterned geometry of their own. Visually the way a musical score is woven together like patchwork brought to mind quilts and the great Americantradition of quilting. I imagined about how conducting an orchestra can feel like stitching a piece together or sewing together a large number of musical ideas and musicians into a coherent and transcendent whole. Quilting was an integral part of American vernacular in the 18th and 19th centuries the African-American quilting tradition is especially fascinating and the quilts tell the stories of the women and communities who made them.The names of the quilt patterns themselves can have their own sense of narrative: 'jacobs ladder' 'drunkards path' 'solomon's puzzle' and (my favorite for its relevance to this piece) 'the road to California.' -Bryce Dessner
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Enya: May It Be: String Ensemble: Score & Parts
53.50
Enya: May It Be: String Ensemble: Score & Parts
Orchestre
Hal Leonard
From the blockbuster movie The Lord of the Rings: The Fellowship of the Ring com...
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From the blockbuster movie The Lord of the Rings: The Fellowship of the Ring comes this hauntingly beautiful ballad sung by Enya. This easy setting by Larry Moore captures the simple effectiveness of Enya's music and your stringorchestra will want to play this again and again.
53.50 GBP - vendu par Musicroom GB
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Orchanics 1: Orchestra: Score and Parts
55.00
Orchanics 1: Orchestra: Score and Parts
Orchestre
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
55.00 GBP - vendu par Musicroom GB
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John Pierpont: Variations on Jingle Bells: Orchestra: Parts
69.99
John Pierpont: Variations on Jingle Bells: Orchestra: Parts
Orchestre
Shawnee Press
You've not heard Jingle Bells until you've heard this showstopper by arranger Ma...
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You've not heard Jingle Bells until you've heard this showstopper by arranger Mark Hayes. Perfect for school choirs community choruses or church Christmas pageants the energy in this piece never stops. The openingfeatures mixed meters and a driving orchestral track with bells everywhere! Next Hayes sets this favorite holiday tune in waltz style with comical lyrics a big-band jazz chorus and a tongue-in-cheek classical sectioncomplete with an operatic soprano solo fit for the most demanding diva! The final chorus showcases the men on the melody with the women jingle-jangling in the treble register all at a presto tempo. AVAILABLE: SATB; SAB;TTBB; Orchestration; Handbell Part; Accomp/Perf CD.
69.99 GBP - vendu par Musicroom GB
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