Considered to be one of the greatest rock songs of all time Nirvana's alternative rock anthem features a strong riff engaging rhythms and striking dynamic changes. Larry Moore's arrangement also gives a great opportunity to feature a guitar soloist with your group.

A collection of 12 traditional carols for developing string orchestra (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come.Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. May be accompanied by piano or harp and percussion. Songs include: Away in a Manger • We Wish You a Merry Christmas• Deck the Halls • Ding Dong Merrily on High • God Rest Ye Merry Gentlemen • Greensleeves • O Come All Ye Faithful • Chanukah Oy Chanukah • O Holy Night • Pat-A-Pan • Silent Night• Three Holiday Songs (Medley including The Dreydl Song Jingle Bells and Joy to the World).Available for:04490308 Conductor / $19.9504490309 Violin 1 / $5.9504490310 Violin 2 /$5.9504490311 Violin 3 (Viola T.C.) / $5.9504490312 Viola / $5.9504490313 Cello / $5.9504490314 String Bass / $5.9504490315 Piano / $8.9504490316 / Opt. Harp / $8.9504490317Opt. Percussion / $5.95.

I Give You The End Of A Golden String was commissioned in 2013 by the Royal Philharmonic Society/Britten-Pears Foundation to celebrate the centenary of the birth of Benjamin Brittenand the bicentenary of thefoundation of the Royal Philharmonic Society.The piece was first performed on 8th June 2013 by the Britten Sinfonia conducted by Ryan Wigglesworth.'My aim when I began this piece was to create a long length ofstring music out of a single strand of melody.While experimenting at the beginning shaping and extending a melody in many possible directions I cameacross William Blake???s lines???I give you the end of a goldenstring;Only wind it into a ball It will lead you in at Heaven???s gate Built in Jerusalem???s wall???and this became my working method winding a single tune around itself so that it gradually formed itselfinto amuch richer more complex texture. The process happens three times producing the equivalent of acontinuous three-movement concerto.The ???first movement??? is engendered by two solo violas (the melody at the beginning alreadyentwined witha slightly alternative version of itself). The ???slow movement??? (a more extended more decorated developmentof the opening tune) is introduced by a solo cello (soon winding itself into a quartet of celli). The fast???finale??? led by two solo violins focuses on decorations within the melody rolling out ribbons of (Britten-like') thirds.' - Judith WeirSuggested minimum strings: 8.6.4.4.2 players

This blast to the past will motivate, captivate, and elevate your students with old school '60s soul sound, an infectious, danceable rhythm, and a triumphant finish. Written in 12/8, the tune begins with a ballad-like introduction for solo cello and then moves around the sections. Each instrument has a chance to improvise or solo in the written-out solo section. Authentic sounding riffs, complete with grace notes and a shout chorus, add to the fun of compound meter rock. A sure audience pleaser and a terrific end to a concert or first half! (1:10) / Orchestre A Cordes

Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive it's a style that students love to play. A cutting edge number to add fun and balance to your string ensemble repertoire. Dur: 2:20

for Strings Score and Parts. Par . Twelve Days of Christmas, arranged by R. Scott Whittington, is a time-honored holiday favorite, equally popular with young and old. This arrangement for developing orchestra at Level 3, creates a festive mood with a warm introduction presented by solo violin andcello, which leads into several contrasting adaptations of the piece. A minor variation provides a moment of reflection, which pavesthe way for a stirring chorale version of the Twelve Days of Christmas concluding with a sweeping finale. Twelve Days of Christmas is idiomatically written for developing string players, and is scored in the lower positions to allow directors to focus on blend, intonation, and rhythmic accuracy. All sections are given interesting material to play. An optional part for orchestral bells provides a sparkly, flavor to the piece. / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes

Faites partie de la reprise de l'un des spectacles les plus longs sur Broadway avec ces cinq chansons à succès: 'Magic à faire', 'Coin du ciel', 'With You', 'Love Song', et 'un rien de temps '. Solo et la section caractéristiques abondent. Chaque morceau peut être autonome ou être effectuée dans un medley. (15:00) / Orchestre A Cordes

The world continues to pay tribute to Michael Jackson's legacy and his impact on music dance and entertainment. Here's your chance to perform some of his most memorable songs in a superb showcase for string orchestra. Includes:Thriller Rock with You Off the Wall Man in the Mirror and I'll Be There.

Written by classic team of Carole King and Gerry Goffin The Shirelles went straight to the top of the charts with this 1961 hit. Your string group will sound terrific with this nostalgic pop ballad.

Here's a new string version of the evergreen Beatles toe-tapper that is certain to bring a smile to all. Simple swing/shuffle rhythms that will easily fall into place with your young performers.

Here's a fun practical arrangement based on the Arkansas Traveler with some creative arranging from Stephen Bulla. The hoedown fiddling style is always a sure-fire favorite with younger players.

A light clever treatment of this perennial holiday favorite. Larry Moore's version is fun to play and written for success with younger groups.

These arrangements were written for string ensembles in primary and secondary schools music centres prep schools and for various ensembles at Charterhouse. They grew out of a need for playable yet musically challenging arrangements where maximum 'effect' is obtained by using naturally resonant keys and idiomatic bowings - and have been used and honed over many years. These also recognise the fact that in many schools Viola players are scarce; most of the easier arrangements are therefore in three parts with optional Viola (doubling second Violin) and optional Double Bass (Viola still optional) which can be played if necessary by a Cellist (special part provided). Thearrangements ensure that all departments have the tune or thematic material at some stage - not just the first Violins. Written with the development of young players' technique in mind. Arrangements of 'real' music providing worthwhile musical challenges. No independent Viola part (optional Double Bass and Viola parts provided.) All parts get a go at the tune!

Premiered at Festival at Sandpoint Idaho. With YoungNam Kim Sally Chisholm performing.