With one of Beethoven's most recognizable motifs the Scherzo from Symphony No. 9 is symphonic classical literature at its very best. Treat your students to this energetic rhythmic master work in triple meter.

OEuvre contemporaine originalepour 2 violons solos et orchestre à cordes de jeunes. Commande de la Cité de la Musique. Créée le 11 février 2009 à la Salle Pleyel (France), par le London Symphony orchestra et des élèves d'établissemnts scolaires et de conservatoires d'Île-de-France, sous la direction de Christophe Mangou. Durée : 9 mn 50 s / Orchestre / Partition

After performing at many educational conferences like the TMEA and NYSSMA conferences, the creators of BARRAGE had many requests for printed, published versions of their music. Many young string players sent letters and e-mails asking that BARRAGE do something to help bring the 'cool element' to their school string program. In response, SWATH Publishing is pleased to be able to offer an exciting string orchestra arrangement of the BARRAGE favorite 'Mountain Spring'. Composed by Dean Marshall (Artistic Director of BARRAGE) and arranged by Arthur Bachmann (violist - The Calgary Philharmonic Orchestra), this piece is a guaranteed crowd pleaser for any school orchestra concert! Appropriate for the intermediate to advanced string orchestra, the piece comes with a full set of string parts (885555), conductor's score, and piano score. *BARRAGE is an internationally acclaimed violin ensemble that presents the violin in a unique and innovative way. BARRAGE combines diverse musical styles with dazzling choreography to produce a show that is truly spellbinding! / Orchestre A Cordes / 82 pages / niveau : Intermédiaire/Avancé / Partition - Format: 12 X 9

Le 'sextuor à cordes en la majeur' a été composée à l'époque whenAntonín Dvorák commenCait à devenir célèbre. Il a été écrit in1878 au cours de sa période dite slave, alors que le compositeur enrichir wasspecifically sa musique avec des éléments folkloriques.Cette édition est basée sur la copie autographe ainsi que la première édition imprimée de 1879. Seulement sextuor à cordes de Dvorák reproduit dans une édition Bärenreiter Basé sur le 'édition complète des oeuvres d'Antonín Dvorák', volume IV / 9 / 2 Violons, 2 Altos Et 2 Violoncelles

For the six concertos that make up the second part of the Op. 4 Locatelli prescribed eight parts: Violino Primo Secondo Alto è Violoncello Soli. Violino Primo Secondo Alto è Basso Ripieni. The use of such forces immediately reminds one of the Corellian concerto grosso to which Locatelli contributed also in his Op. 1 7 and 9. But though the instrumentation used in this set seems to feature a clear opposition between the concertino (with solo parts) and the ripieno (with parts that can be doubled) we here encounter a group of works that are very varied in form instrumentation and structure. Taken as a whole the concertos of the Op. 4 ideally exemplify thedevelopments of Italian Baroque instrumental music: they reveal the close kinship between the concerto grosso and the sonata (as in Concerto X); they also show the derivation of the solo concerto from the concerto grosso; and there are even hints of thematic development and tripartite structures. Also featured are dynamic markings and other performing indications that were rare for the period and show increasing attention to the precise definition of sonorities.

La matière de ce volume se compose de danses les plus populaires à Vienne au début il du 19ème siècle: Ländler, Ecossaises et danses allemandes. Ils étaient à l'origine des pièces pour piano, mais ont certainement été effectuées sur toutes sortes d'instruments à des rassemblements sociaux et dans les lieux publics de divertissement. Cette transcription de l'orchestre de ces compositions miniatures pour enfants est une suite moderne de la vieille tradition de leur 'transcription'. / Orchestre A Cordes