Op. 14. Par ELGAR EDWARD. With his Vesper Voluntaries, Edward Elgar composed a wealth of organ pieces for performance in church services and concerts. The wonderful miniatures, composed in song form, two to three minutes in length, can be performed individually or as a complete cycle. They are of moderate difficulty and intended for manuals, but they can optionally also be played with pedal. This Urtext edition is based on the first printed edition edited by Elgar himself, which has been carefully checked through. Useful suggestions on performance in the foreword complete the new edition./ Répertoire / Orgue

25 pieces suitable for Christmas Epiphany Lent Passiontide and general use. They can all be played effectively on an organ of two manuals and pedals and most can be played on an instrument of one manual and pedals.

This delightful set of practical miniature arrangements of hymn tunes for organ is useful throughout the church year and is accessible to the average church organist.These short pieces not only enhance church services but also prove invaluable to the church musician looking for something fresh to use during services. The styles of miniatures which last anywhere from 30 seconds to a minute in duration are sufficiently varied to maintain interest: some settings are meditative while others are fanfares and they can be used during various parts of the service.The book includes a preface that discusses practical usage of the miniatures citing some examples from teVelde's own experience. It also includes a liturgical index and an index of first lines for the convenience of the organist.Wade: Adeste FidelisHandel: AntiochWesley: AureliaHughes: Cwm RhonddaElvey: DiademataKocher: DixHatton: Duke StreetEaster HymnLuther: Ein' feste BurgGo tell it on the mountainPritchard: HyfrydolBeethoven: Hymn to JoyLasst uns erfreuenGoss: Lauda animaBarnby: Laudes DominiLeoniWilliams: LlanfairLobe den HerrenNettletonDykes: NicaeaPicardyPersonent HodieSmart: Regent SquareVaughan Williams: Salve festa diesSimple GiftsCroft: St. AnneSullivan: St. KevinVeni veni Emmanuel

For Manuals-This edition includes a diverse selection of music designed for the intermediate standard organist especially designed for wedding thanksgiving and other festival occasions. The volume includes works by composers from Purcell through Bach Handel and Mozart to Beethoven and Elgar. Although the pieces in this book had suggestions for registration on an organ of two (and sometimes three) manuals they can be played effectively on a one manual instrument with appropriate stops. This edition will prove to be a handy companion in all celebratory services.

Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue

This volume contains all 71 of the German composer's works for organ including 25 toccatas 8 fantasias 6 canzonas 18 capriccios and 14 ricercares. The music recalls Froberger's teacher the Italian composer Girolamo Frescobaldi offering grand visions of the late Baroque. Since the scores do not include pedal indications they are also appropriate for the piano or harpsichord.Reprint of works from Denkmäler der Tonkunst in Österreich Artaria Vienna.

Organ Chorales From The Neumeister Collection Yale University Manuscript 'Lm 4708'. Par BACH JOHANN SEBASTIAN. In 1985 Christoph Wolff, working at Yale University, discovered a collection of 82 chorales compiled by Johann Gottfried Neumeister (1756-1840) which contained 38 compositions by Johann Sebastian Bach. They reveal great stylistic variety whose forebears stem from the Northern German organ tradition. Already these early works comprising fantasias, fugues, fughettas and imitative techniques employing motifs from chorale melodies bear witness to Bach' s broad compositional spectrum. This newly published volume is an updated edition of Series IV/9 of the ' New Bach Edition” (NBA), edited by Christoph Wolff and based on this source. In addition to a newly added concordance and corrections to the musical text, it also contains a detailed Foreword by Christoph Wolff with further information on the Neumeister Collection and hymnological details. The source of the complete Neumeister Collection has recently been made available on ' Bach digital”, shedding light on the manuscript for the very first time. Links to major sources have been provided in collaboration with the Bach Leipzig Archive and its database ' Bach digital”. The desired page of the source can be accessed quickly and conveniently via URLs at http://links.baerenreiter.com. The links stored there are examined for their validity on a regular basis. Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter' s new performing editions of Bach' s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ' Bach digital”. - Links to relevant sources in ' Bach digital” - Detailed new Foreword about the Neumeister Collection by Christoph Wolff (Ger/Eng) - Complete new engraving/ Répertoire / Orgue

Par ELGAR EDWARD. Unavailable in its complete form since Elgar's death, this delightful sequence of pieces will provide an invaluable source of performing material for organists of all abilities. The Voluntaries can be played on either manuals alone, as originally conceived, or with the optional pedal part. They are equally suitable for performance as a complete cycle or individually. The text of this edition takes account of Elgar's own proof corrections and compositional sketches, and presents the most authoritative record of the composer's intentions. This edition has been edited by Peter Horton and forwarded by Simon Preston. / Niveau : Assez Facile / Répertoire / Orgue

Lemare’s compositions are uneven in quality but the best are still active in the repertoire. The Andantino also known as ‘Moonlight and Roses’ is the best known of his pieces and was requested by audiences at every concert he performed. The work requires thumbing down so the performing is playing on three manuals at once.Organ virtuoso and composer Edwin Lemare was the world’s highest-paid Organist at the height of his career in the early 1900’s drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relatively short period he began the life of a travelling recitalist beginning with a hundred-recital tour of the USA and Canada in 1900 a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ allowing audiences in those less urban times to hear works played live that they might have heard no other way.

15 Playful parodies for organ.-The Fun Organ Collection contains 15 Playful parodies for Organ.Many organists when they're improvising like to play tricks on their congregation by irreverently hiding a popular melody in the musicand seeing if it gets spotted.Here is a collection of 15 tuneful pieces mostly based on familiar tunes for livening up a service of for concert and recital use.

Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ transcriptions, made by John Rutter, are based directly on the original orchestral versions and willfacilitate church performances without orchestra. / Musique religieuse / Répertoire / Orgue