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Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
38.60
Sämtliche Orgelwerke Band 8 (BACH JOHANN SEBASTIAN)
Orgue
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Breitkopf & Härtel
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Bo...
(+)
Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue
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A Graded Anthology For Organ Book 4: Organ: Instrumental Album
13.50
A Graded Anthology For Organ Book 4: Organ: Instrumental Album
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Cramer Music
The third book of graded pieces by Anne Marsden Thomas. This book offers experie...
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The third book of graded pieces by Anne Marsden Thomas. This book offers experience in combining feet and hands within relatively simple music. The music always lies comfortably under the hands and feet. Several trios are included to develop listening and to promote independence between left hand and pedals. Almost all pedal notes can be played by toes alone heels are introduced only occasionally. Grade 4-5
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Graded Anthology for Organ Bk 3: Organ: Instrumental Album
8.50
Graded Anthology for Organ Bk 3: Organ: Instrumental Album
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Cramer Music
The third book of graded pieces by Anne Marsden Thomas. This collection contains...
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The third book of graded pieces by Anne Marsden Thomas. This collection contains lively three-voice movements simple four-part pieces and some slow moving five-part textures. Registration presents a wider variety of challenges including more manual changes than in Book 2. Inclusion of pedals offers useful confidence-building in location of notes and co-ordination with hands. Demands on pedal technique however are very limited here and heels are not required at all. Grade 3
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Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
36.55
Organ Works, Vol.1 (BACH JOHANN SEBASTIAN)
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[Partition + Accès audio]
Barenreiter
Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / ...
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Little Organ Book / Six Chorales 'Von Verschiedener Art' (Schübler-Chorales) / Chorale-Partitas. Par BACH JOHANN SEBASTIAN. Replaces BA 5171 Volume 1 of Bach' s organ music presents some of the most frequently played organ pieces altogether. Here they appear in a new engraving based on the New Bach Edition (NBA). This updated edition takes into account the latest findings of Bach scholarship: Thus, for example, a newly-discovered copy of the first edition containing inscriptions in Bach' s own hand could be incorporated into the musical text of the Schübler Chorales. For the Orgel-Büchlein, Bach' s autograph manuscript remains the principal source. Yet a glance at its early dissemination among his pupils reveals an abundance of readings that give interested organists insights into how perhaps Bach' s most famous collection was played at that time. Unfortunately no autograph manuscripts survive regarding the early chorale partitas. However the Foreword helps to solve the 'riddle' of how these partitas were handed down. Links to major sources have been provided in collaboration with the Bach Archive Leipzig and its Bach digital database. The relevant page of the source in question can be accessed quickly and conveniently via shortlinks at http://links.baerenreiter.com. These links are checked for their validity on a regular basis. - Complete new engraving - New detailed Foreword by Christine Blanken (Ger/Eng) - Links to relevant sources in Bach digital/ Répertoire / Orgue
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Christopher Tambling: The Church Organist - Volume 2: Organ: Instrumental Album
21.99
Christopher Tambling: The Church Organist - Volume 2: Organ: Instrumental Album
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Kevin Mayhew
Volume 2: Repertoire-Here is a method that will train organists properly for the...
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Volume 2: Repertoire-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.Includes many musicalexamples to illustrate:Using 1 manual and 2 pedal notesUsing 2 manuals and 2 pedal notesInvolving easy manual and coupler changesInvolving slightly more manual and coupler dexterityRequiring easy volume changesUsing the 2 hands on different manualsUsing the swell pedalPieces introducing 3 and 4 pedal notesTwo manuals and three pedalsi) Solo and accompanimentii) ChangingmanualsFour pedalsi) Solo and accompanimentii) Manual and registration changesFour pedals – more advancedFive pedals in two groupsSix pedals in two groupsHymn tunes using two to fourpedals
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Christopher Tambling: The Church Organist - Volume 3: Organ: Instrumental Tutor
21.99
Christopher Tambling: The Church Organist - Volume 3: Organ: Instrumental Tutor
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Kevin Mayhew
Volume 3: Improvisation-Here is a method that will train organists properly for ...
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Volume 3: Improvisation-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playing step-by-step.Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals and pedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist. Christopher Tambling is Organist and Master of the Schola Cantorumof Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter’s College Oxford and is a Fellow of the Royal College of Organists.
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Christopher Tambling: The Church Organist - Volume 1: Organ: Instrumental Tutor
21.99
Christopher Tambling: The Church Organist - Volume 1: Organ: Instrumental Tutor
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Kevin Mayhew
Volume 1: The Technique of Organ Playing-Here is a method that will train organi...
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Volume 1: The Technique of Organ Playing-Here is a method that will train organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the organ - its console manuals and stops - before exploring the pedals good manuals andpedals technique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today?s church organist. Christopher Tambling was Organist andMaster of the Schola Cantorum of Downside Abbey. He was an organ scholar at Canterbury Cathedral and St Peter?s College Oxford and a Fellow of the Royal College of Organists. He died in 2015.
21.99 GBP - vendu par Musicroom GB
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Christopher Tambling: The Church Organist - Volume 4: Organ: Instrumental Album
21.99
Christopher Tambling: The Church Organist - Volume 4: Organ: Instrumental Album
Orgue
Kevin Mayhew
Here is a method that trains organists properly for the traditional role of acco...
(+)
Here is a method that trains organists properly for the traditional role of accompanying hymns and providing suitable service music. It is a comprehensive approach that introduces the techniques of Organ playingstep-by-step. Aimed at pianists of grade 5 standard plus The Church Organist begins by introducing the Organ its console manuals and stops before exploring the pedals good manuals and pedalstechnique coordinating hands with feet proper use of stops the basics of improvisation and many other skills important to today’s church organist.
21.99 GBP - vendu par Musicroom GB
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