für Orgel nach Kantatensätzen von Bach. Par BACH JOHANN SEBASTIAN. Gattungen: choralgebundene Orgelmusik -/ Répertoire / Orgue

arr. Schlenker. Par BACH JOHANN SEBASTIAN. choralgebundene Orgelmusik - Verwendung / Anlässe: Konfirmation, Firmung - Verwendung / Kirchenjahr: Advent, Epiphanias, Fastenzeit und Passion, Ostern und nachösterliche Freudenzeit, Wei cor achten -/ Répertoire / Orgue

Until now there has been a lack of material for the attractive combination of violoncello- organ duet. The present anthology fills that need. It includes a varied palette of works ranging from demanding concert literature via romantic, expressive character pieces to simple miniatures./ Répertoire / Orgue

Par MUFFAT GOTTLIEB. Die 11 kurzen Orgelsätze waren vermutlich als Nachspiele zu Ämtern und Vespern geplant./ Répertoire / Orgue

Par RINCK JOHANN CHRISTIAN HEINRICH. Rinck’s organ works were oriented toward the needs of the church music of this time, when short and relatively simple pieces were required. This genre of music is exemplified by the Chorale Preludes op. 105, most of which occupy only one printed page, and which are reminiscent of Bach’s Orgelbüchlein. With his imaginative pieces Rinck successfully created a transitional style between baroque linear organ artistry and the sensibility of classicism and early romanticism./ Répertoire / Orgue

Aus Der Kunst Der Fuge. Par BACH JOHANN SEBASTIAN. In 1991 an astonishing discovery was published by Zoltán Göncz answering the question with fairly great certainty how Bach planned the appearance of the fourth subject, the main subject of the cycle: One of the striking features of Contrapunctus 14 is that in this movement Bach applied the stretto of whole expositions. In the exposition of the first three subjects he “programmed” the later permutational stretti, then applied the expositions as “programs”, “algorithms”. However paradoxical, it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very firststage of composition because the possibility of overlapping the four subjects [1+2+3+4] is the sine qua non of writing a quadruple fugue. The discovery of the permutational matrix was one of the most essential conditions to achieve that the reconstruction of Contrapunctus XIV could come near to the original form planned by Bach./ Répertoire / Orgue

Par OLEY JOHANN CHRISTOPH. Gattungen: choralgebundene Orgelmusik -/ Répertoire / Orgue