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Choeur D'Hommes (TTBarB) (2)
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Gospel Treasures: Organ: Instrumental Album
7.99
Gospel Treasures: Organ: Instrumental Album
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Hal Leonard
35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Gro...
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35 gospel favorites for Organ: 'Amazing Grace' 'Blessed Assurance' 'Higher Ground' 'I Love to Tell the Story' 'In the Garden' 'Just a Closer Walk with Thee' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Precious Memories' 'Rock of Ages' 'Shall We Gather at the River'' 'Sweet By and By' 'What a Friend We Have in Jesus' 'Whispering Hope' 'Wonderful Peace ' and many more.
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George Dyson: Fantasia And Ground Bass for Organ: Organ: Instrumental Work
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George Dyson: Fantasia And Ground Bass for Organ: Organ: Instrumental Work
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Novello & Co Ltd.
Fantasia And Ground Bass for Organ
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Walter Battison Haynes: Introduction And Variations On A Ground Bass: Organ:
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Walter Battison Haynes: Introduction And Variations On A Ground Bass: Organ:
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Novello & Co Ltd.
Introduction And Variations On A Ground Bass
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Heathcote Statham: Rhapsody On A Ground Organ: Organ: Instrumental Work
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Heathcote Statham: Rhapsody On A Ground Organ: Organ: Instrumental Work
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Novello & Co Ltd.
Heathcote Dicken Statham (1889-1973) was a British organist composer and conduc...
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Heathcote Dicken Statham (1889-1973) was a British organist composer and conductor of international renown. His best-known work is the 1944 magnum opus Rhapsody On A Ground for solo Organ.Statham studied at Gonville and Caius College Cambridge and the Royal College of Music in London. He then become organist at Calcutta Cathedral and later Norwich Cathedral where he stayed for almost 40 years. He also conducted the London Symphony Orchestra throughout the Second World War earning a reputation for musicianship of the highest standard.
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Complete Organ Method (STAINER)
25.50
Complete Organ Method (STAINER)
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[Partition]
Dover Publications
Par STAINER. A classic text on Organ technique. Sir John's book, first published...
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Par STAINER. A classic text on Organ technique. Sir John's book, first published in 1877, quickly became the classic for beginners- so popular that publishers Schirmer, Ditson, and Presser each issued its own 'Americanized' edition in the early twentieth century. In addition to the seven Organ pieces of the original edition, including five of Stainer's own works and two pieces by Guilmant, three additional works round of this Dover edition. This edition is a slightly expanded republication of the edition first published by G. Schirmer, New York in 1909, edited by F. Flaxington Harker. Introduction to this Dover edition by Rollin Smith. / Pédagogie / Méthode / Orgue
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Orgelsinfonie No. 14 (SCHNEIDER ENJOTT)
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Orgelsinfonie No. 14 (SCHNEIDER ENJOTT)
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Schott
Die Romanische. Par SCHNEIDER ENJOTT. As inspiration for his Organ Symphony No. ...
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Die Romanische. Par SCHNEIDER ENJOTT. As inspiration for his Organ Symphony No. 14, Enjott Schneider draws from the atmosphere and the Romanesque style of the Imperial Cathedral of Speyer: the massive walls, the round arches, the western belfry. The work requires a large organ with at least three manuals./ Répertoire / Orgue
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Cecilia McDowall: Celebration: Organ: Instrumental Work
11.95
Cecilia McDowall: Celebration: Organ: Instrumental Work
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Oxford University Press
Composed for performance at degree ceremonies at the University of Portsmouth t...
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Composed for performance at degree ceremonies at the University of Portsmouth this work captures the joy and excitement of such occasions partly through the incorporation of a quote from Thomas Ravenscroft's round 'To Portsmouth'.
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Orgelwerke (HAENDEL GEORG FRIEDRICH)
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Orgelwerke (HAENDEL GEORG FRIEDRICH)
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Barenreiter
Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly...
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Par HAENDEL GEORG FRIEDRICH. In terms of layout and musical text, this scholarly-critical performing edition of George Frideric Handels Complete Organ Works is based on the complete edition volumes of the composers keyboard music edited by Terence Best as part of the HalleHandel Edition (HHA). The HHA Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel works for which it can be solidly argued that they were composedfor the organ. The centre piece is a set of twelve handwritten fugues deriving directly from his immediate surroundings and published here, for the first time, as a unified cycle. Secondly, our edition presents plausible alternative readings fromvarious sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. - A detailed Foreword contains a description of the sources, followed by comments on the individual works. In addition this edition includes contemporary organ dispositions and a Critical Commentary. - Scholarly-critical edition based on the Urtext of the Halle Handel Edition (HHA) - First single-volume edition of Handels organ works - Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA - Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) - With contemporary organ dispositionsContents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611“Fuga in E major” HWV 612“O the pleasure of the plains” in G major HWV 474“Jesu meine Freude” in G minor HWV 480 A scholarly-critical performing edition of George Frideric Handel 's Complete Organ Works based on the Halle Handel Edition (HHA). First single-volume edition of Handel 's Organ works Includes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHA Detailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng) With contemporary Organ dispositions In terms of layout and musical text, this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA. The Halle Handel Edition's Critical Commentary forms the basis of this edition, which however differs from the HHA volumes in two respects. Firstly, it gathers together, for the first time, all of Handel 's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here, for the first time, as a unified cycle. Secondly, this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings, all of which definitely or presumably stem from the composer, are merely listed in the critical commentary. Contents: Fuga I in C minor HWV 610 Fuga II in G minor HWV 605 Fuga III in B-flat major HWV 607 Fuga IV in F minor HWV 433/2 Fuga V in E minor HWV 429/1 Fuga VI in G major HWV 606 Fuga VII in D minor HWV 428/2 Fuga VIII in A minor HWV 609 Fuga IX in B minor HWV 608 Fuga X in F-sharp minor HWV 431/3 Fuga XI in F major HWV 427/4 Fuga XII in F major HWV 611 Fuga in E major HWV 612 O the pleasure of the plains in G major HWV 474 Jesu meine Freude in G minor HWV 480/ Répertoire / Orgue
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9 Pièces Brèves
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9 Pièces Brèves
En Français
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[Partition + CD]
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Delatour France
Les 9 Pièces brèves constituent une petite Suite : Prélude, Pastorale, Interl...
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Les 9 Pièces brèves constituent une petite Suite : Prélude, Pastorale, Interlude, Berceuse, Ground, Petit dialogue chromatique, Mélodie, Méditation, Choral. Assez faciles à jouer, faciles à écouter. / Orgue
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Mass In F Major Missa Romana
15.10
Mass In F Major Missa Romana
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Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Orgue
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Ars Organi Vol. 3 (PEETERS FLOR)
50.90
Ars Organi Vol. 3 (PEETERS FLOR)
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Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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The American Collection: Organ: Instrumental Album
13.99
The American Collection: Organ: Instrumental Album
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Fred Bock Music Company
Organ Music of Diane Bish-The American Collection contains five fabulous hymn ar...
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Organ Music of Diane Bish-The American Collection contains five fabulous hymn arrangements by American organist extraordinaire Diane Bish. Perhaps most exciting is the long-awaited printed version of “Jacob's Ladder.” This concertfavorite is finally available for others to play. Diane has also penned her concert arrangement of “Peace Perfect Peace” and “The Lord's My Shepherd” – wonderful reflective selections. Thecollection rounds out with “A New Name in Glory” and “Come Thou Fount of Every Blessing.”
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Sonate Inglesi per Organo ? Vol. 5 (GRAY ALAN)
25.20
Sonate Inglesi per Organo ? Vol. 5 (GRAY ALAN)
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Ut Orpheus
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of t...
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Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the repertoire of potential concert works. Gray had not studied abroad and his sonatas demonstrate a compelling emergence of a distinctly English style of organ sonata after almost half a century of continental influence. All four sonatas show a strong command of not only writing for the instrument but also the art of registration. Gray?s indications are clear, logical, and practical. He writes for a symphonic organ of at least three manuals but many of the pieces could be played on an instrument of only two manuals. The use of contrasting manual colours between phrases and the incorporation of solo stops is notable for conveying Gray?s views on interpretation and his strong understanding of the instrument. / Date parution : 2022-05-31/ Recueil / Orgue
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Toccata And Lament For Organ (HERCHENRODER MARTIN)
34.00
Toccata And Lament For Organ (HERCHENRODER MARTIN)
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[Partition]
Barenreiter
Par HERCHENRODER MARTIN. 'Toccata and Lament” was composed on commission in 20...
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Par HERCHENRODER MARTIN. 'Toccata and Lament” was composed on commission in 2008 to inaugurate the large new organ in the Christ Church Cathedral, Rochester, NY, USA. This instrument is a detailed reconstruction of a late Baroque organ of 1776 from Vilnius in Lithuania. The point of departure - a clash of contrasting eras and musical cultures on two continents - already bodes excitement. Martin Herchenröder, a composer and professor of music theory, has incorporated these contrasts in his roughly eight-minute composition. The result is a musical idiom of rare distinction, universal in its musical resources and alternating between tonal triads and extremely dissonant clusters. The heart of the piece is a dirge which, using the Baroque doctrine of the affections, relates to Eastern European cultural history in and around Vilnius, a history marked by the predations of 20th-Century war./ Répertoire / Orgue
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Sonate Inglesi per Organo ? Vol. 6 (GRAY ALAN)
29.50
Sonate Inglesi per Organo ? Vol. 6 (GRAY ALAN)
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[Partition]
Ut Orpheus
Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of t...
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Par GRAY ALAN. The four organ sonatas of Alan Gray (1855-1935) stand as one of the largest contributions to the sonata repertoire by an English composer. Published around 1890, they also mark an advancement in the repertoire of potential concert works. Gray had not studied abroad and his sonatas demonstrate a compelling emergence of a distinctly English style of organ sonata after almost half a century of continental influence. All four sonatas show a strong command of not only writing for the instrument but also the art of registration. Gray?s indications are clear, logical, and practical. He writes for a symphonic organ of at least three manuals but many of the pieces could be played on an instrument of only two manuals. The use of contrasting manual colours between phrases and the incorporation of solo stops is notable for conveying Gray?s views on interpretation and his strong understanding of the instrument. / Date parution : 2022-05-31/ Recueil / Orgue
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COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
37.00
COMPLETE ORGAN WORKS - VOLUME 3 (BACH JOHANN SEBASTIAN)
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[Partition + CD-ROM]
Breitkopf & Härtel
Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old...
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Par BACH JOHANN SEBASTIAN. Although the ?fantasia? was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach ? he had since relocated to Köthen ? and theexperienced composer as well.Volume 3, the latest installment in the Complete Organ Works, gathers together all transmitted organ fantasias by Bach, the fragments of the fugues belonging to them and all individual fugues as well.They include, for instance, the Fantasia in C BWV 570, undoubtedly the master?s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2.DidBach actually intend a combination of the two pieces as a joint composition' This and other intriguing questions concerning versions, sources and genre history are examined by editor Pieter Dirksen in the introduction andcomments, which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM. / Date parution : 2021-11-25/ Recueil / Orgue
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England's Glory (OGDEN NIGEL)
10.60
England's Glory (OGDEN NIGEL)
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[Partition]
Stainer and Bell
Par OGDEN NIGEL. Nigel Ogden' s England's Glory for Organ. Pageantry, pomp and c...
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Par OGDEN NIGEL. Nigel Ogden' s England's Glory for Organ. Pageantry, pomp and circumstance are vividly portrayed in this stirring march. Detailed registrations are included in the score, and the strong melodic style of the piece is inevitably based around the vital ingredient of a memorable ‘ big tune'./ Répertoire / Orgue
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Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
27.90
Orgelsinfonie No. 16 (SCHNEIDER ENJOTT)
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Schott
Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Ref...
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Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue
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Latin Solo Series For Organ (GORDON ANDREW D)
33.60
Latin Solo Series For Organ (GORDON ANDREW D)
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-
Intermédiaire
ADG Productions
Par GORDON ANDREW D.. The idea for this book series is to give instrumentalists ...
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Par GORDON ANDREW D.. The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting off point for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible. / Niveau : Intermédiaire / Etude / Orgue
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When the Boys (HEINIO MIKKO)
16.10
When the Boys (HEINIO MIKKO)
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[Partition]
Fennica Gehrman
Seven variations and theme based on a Finnish folk song. Par HEINIO MIKKO. Mikko...
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Seven variations and theme based on a Finnish folk song. Par HEINIO MIKKO. Mikko Heiniö's Kun pojat... (When the Boys...), Seven variations and theme based on a Finnish folk song was composed in 2016. The folk song in question begins with the phrase 'When the boys went singing around the village / the girls believed somebody was playing the organ.' / Date parution : 2022-12-12/ Répertoire / Orgue
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Sunday Solos for Organ: Organ: Instrumental Album
16.99
Sunday Solos for Organ: Organ: Instrumental Album
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[Partition]
Hal Leonard
Contains 30 blended selections perfect for organists to play every Sunday: 'Abid...
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Contains 30 blended selections perfect for organists to play every Sunday: 'Abide with Me' 'El Shaddai' 'He Is Exalted' 'Holy Ground' 'Lamb of Glory' 'A Mighty Fortress Is Our God' 'Rock of Ages' 'Via Dolorosa' 'What a Friend We Have in Jesus' and more.
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John McCabe: Esperanza for Organ: Organ: Instrumental Work
13.99
John McCabe: Esperanza for Organ: Organ: Instrumental Work
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Novello & Co Ltd.
Commissioned for the 26th International Organ Festival at St Albans 2011 and fun...
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Commissioned for the 26th International Organ Festival at St Albans 2011 and funded by the RVW Trust.Duration: 7.45 Performance notes Registration: the performer is free to determine the entire registration scheme except at bar 60 where a solo reed is mandatory.Pitch: manual passages at bars 25 32 38 are written for a solo 4' stop (s). The Pedal is at 16' (ad lib 32') unless otherwise indicated (bars 31 37 where a solo 8' is required).III - Sw.II - Gt.I - Pos/Ch Composer's note Esperanza is named after Camp Esperanza (Camp Hope) the location of the mission to rescue the thirty-three miners trappedunderground for seventy days in 2010 at the San Jose Mine in Chile a rescue that was televised live and was one of the most moving and inspiring things I have ever seen. By the most extraordinary coincidence I had already done a good deal of sketching for this Organ piece before this all happened and had determined on a 'darkness-to-light' kind of piece - so the coincidence as well as my feelings of elation were both too strong to ignore.The piece persues a course from a fairly knotty slow beginning (heralded by a few chords that recur at the very end) full of rising themes (another coincidence - the material had already been sketched before the miners were trapped underground) and reaching a loud climax the quick toccata-like second section bursting vigourously out of the tension which is created at the beginning of the work.
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Johann Sebastian Bach: Complete Organ Works - Volume 3: Organ: Instrumental Work
28.10
Johann Sebastian Bach: Complete Organ Works - Volume 3: Organ: Instrumental Work
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Breitkopf & Härtel
Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia”...
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Fantasien und Fugen/Einzelwerke - mit CD-ROM-Although the “fantasia” was already considered as old-fashioned around 1700 this genre exerted a particular fascination on the very young Bach – he had since relocated to Köthen – and the experienced composer as well.Volume 3 the latest installment in the Complete Organ Works gathers together all transmitted organ fantasias by Bach the fragments of the fugues belonging to them and all individual fugues as well. They include for instance the Fantasia in C BWV 570 undoubtedly the master’s oldest free organ work.The most notable works in this edition are the celebrated Fantasia in g minor BWV 542/1 and the Fuga in g BWV 542/2. DidBach actually intend a combination of the two pieces as a joint composition? This and other intriguing questions concerning versions sources and genre history are examined by editor Pieter Dirksen in the introduction and comments which contain a synopsis and a wealth of transposed and ornamented versions of the works which supplement the edition on the enclosed CD-ROM.
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Songs Of Praise: Organ: Instrumental Work
4.50
Songs Of Praise: Organ: Instrumental Work
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Banks Music Publications
Songs of Praise for Organ by television music composer Herbert Chappell was comm...
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Songs of Praise for Organ by television music composer Herbert Chappell was commissioned by the BBC in 1980 as the signature theme for the long running television programme of the same name and continued to be used until the late 1980s. This piece is lively toccata underpinned by a hymn-like melody and is suitable for organists of moderate abilities and may be used as a thrilling recital piece. 'I decided it should be a lively toccata; this I underpinned with a broad-shouldered hymn-like melody rather than a choral. It was recorded for television by Simon Preston at the organ of Christ Church Oxford and quickly became somethingif a favourite with organists all around the world (possibly because it sounds impressively virtuostic and makes a lot of noise but is not that difficult to play). For example it brought a spirited conclusion to the service that celebrated with a pack congregation the life of Dame Thora Hird for so many years the presenter of the programme on BBC television.' Herbet Chappell 29th September 2010
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Nico Muhly: Patterns: Organ: Instrumental Work
13.99
Nico Muhly: Patterns: Organ: Instrumental Work
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St Rose Music Publishing
Nico Muhly's Patterns is a work in four sections for solo Organ. Patterns was co...
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Nico Muhly's Patterns is a work in four sections for solo Organ. Patterns was commissioned by the American Guild of Organists for the 2014 Biennial National Convention in Boston Massachusetts U.S.A.'Patterns is composed in four sections each of which is sort of a rhythmic étude. The first (?Move Along?) is a perpetual motion machine with staggered and angular rhythms thrown between the pedals and the left hand. The second movement (?Palindromes?) is calmer and is centered around an idée fixe in the left hand while the right hand interjects and ornaments. The pedals here are a clumsy cousin constantly upturning the sense of rhythmic stability. The third movement (?Similar?) is all to do with ways to divide up the bar: seven eight six five four ? it?s all there. Then the finale (?Very Fast Music?) is a perpetual motion machine on its highest setting ? manic and hyper with hiccoughs offsetting the regularity of some of the rhythms.' - Nico MuhlyStephen Farr in the September/October 2015 issue of Choir & Organ writes that this work is 'full of filigree figuration and no little rhythmic complexity.'
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Charles Villiers Stanford: Intermezzo On An Irish Air: Organ: Instrumental Work
8.99
Charles Villiers Stanford: Intermezzo On An Irish Air: Organ: Instrumental Work
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[Partition]
Novello & Co Ltd.
Charles Villiers Stanford was an Irish composer music teacher and conductor. S...
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Charles Villiers Stanford was an Irish composer music teacher and conductor. Stanford composed a substantial number of concert works including seven symphonies but his best-remembered pieces are his choral works for church performance chiefly composed in the Anglican tradition. Admitted to Queens College Cambridge with an Organ scholarship Stanford had written a substantial number of compositions including vocal music both sacred and secular and orchestral works before getting involved with the university’s Musical Society. While still an undergraduate Stanford was appointed organist of Trinity College Cambridge.Part of the‘Four Intermezzi Op. 189’ Intermezzo On An Irish Air for Organ is based on the melody of the well-known ‘Londonderry Air’. The traditional Irish tune was first collected in the mid 19th century by Jane Ross and is recognised all around the world by the Irish Diaspora. Duration ca. 6:20.
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Frederick Swann: Trumpet Tune: Trumpet: Instrumental Work
7.99
Frederick Swann: Trumpet Tune: Trumpet: Instrumental Work
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[Partition]
Fred Bock Music Company
Frederick Swann. Fred Swann the organist at the Crystal Cathedral in Garden Gro...
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Frederick Swann. Fred Swann the organist at the Crystal Cathedral in Garden Grove CA has written this brilliant organ piece featuring the use of trumpet stops. This is an excellent selection for postlude wedding or offertory. Dr. Swann often plays this on his organ recitals around the world.
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John McCabe: Le Poisson Magique: Organ: Instrumental Work
6.99
John McCabe: Le Poisson Magique: Organ: Instrumental Work
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[Partition]
Novello & Co Ltd.
POD-Le Poisson Magique is a work by John McCabe for Organ. A full performance o...
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POD-Le Poisson Magique is a work by John McCabe for Organ. A full performance of the piece lasts around 6 minutes. British composer and pianist John McCabe died in 2015. This work is an early one and published now for the first time. It dates from 1964 a rich year for his organ music also including the Johannes-Partita Nocturne and Prelude. Le Poisson Magique is a meditation on the painting of the same name by Paul Klee and takes the form of a free passacaglia in two alternating tempi. A solid technique is required to tackle some of the more complex polyphonic passages but as ever the rewards with McCabe’smusic are broad and deep. - Sunday by Sunday
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Aulis Sallinen: Variazioni Per Organi: Organ: Instrumental Work
13.99
Aulis Sallinen: Variazioni Per Organi: Organ: Instrumental Work
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[Partition]
Novello & Co Ltd.
Variazioni Per Organo is a work by Aulis Sallinen for Solo Organ commissioned b...
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Variazioni Per Organo is a work by Aulis Sallinen for Solo Organ commissioned by the Crusell Music Festival where the premiere took place. The piece lasts around 9 minutes.Nicholas Johnson in the September 2016 issue of Organists Review comments that he 'was very taken by the way that Sallinen combines his ideas' and that the composer is 'certainly an original compositional voice.'
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Owain Park: Méditation: Organ: Instrumental Work
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Owain Park: Méditation: Organ: Instrumental Work
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Novello & Co Ltd.
Méditation is a work for Organ by composer Owain Park for Solo Organ. A full pe...
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Méditation is a work for Organ by composer Owain Park for Solo Organ. A full performance lasts around 4 minutes.
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