Cette grande mélodie du célèbre opéra de Wagner a été savamment arrangées pour piano solo. / Orgue / niveau : Elementaire / Partition

Thirty pieces showcasing their characteristic voices-Soloing the Stops is designed as a showcase for the kind of stops that are common to most organs. We asked our composers to write pieces that faithfully mirror the character of each stop and the result is a collection of great dimension to their prayer life.

für Orgel solo. Par ODEH-TAMIMI SAMIR. German / Niveau : Intermédiaire / Répertoire / Orgue

Fourteen solos from the Baroque era by Telemann Vivaldi Scarlatti Bach and Handel. Arranged for organ by James D. Kimball.

The organ part and reduced score Symphony No. 4 - An Organ Symphony (2008) by Poul Ruders. Full score: WH31186 Orch. parts are available on hire: hire@ewh.dk Preface / Programme Note When introducing a large-scale symphonic work not only as a symphony but as an organ symphony it would be impossible not to think of and perhaps compare it with Camille Saint-Saëns’s famous SYMPHONY NO. 3 popularly known as the Organ Symphony. Well that is a risk I am prepared to take – and live with the consequences.Saint-Saëns however listed his work as a symphony avec/withorgan. The organ only appears in two out of the four sections of thepiece. In my symphony the instrument plays a far more significant part and is featured in all four movements. But it is not a concerto for organ and orchestra rather a symphony with organo obligato - a symphony with an organ part of a soloistic nature. So an Organ Symphony it is. The first movement PRELUDE is exactly that: a foreplay to what is in store for the rest of the symphony. It is slow (very slow!) and predominantly hushed: the organ and the orchestra wake up side-by-side getting to know one another.The second movement CORTÈGE is a slowly moving processional and it evokes extreme solemnity and austerity. Later on the music takes flight and the atmosphere lightens considerably a far more playful music emerging.This leads to the third movement ETUDE an exercise in instrumental virtuosity and technical challenge.The fourth and last movement is called CHACONNE but I could just as well have named it passacaglia (the definition of those two terms seems to blur even among the learned). Bearing in mind the last movement of Johannes Brahms´s SYMPHONY NO.4 which is universally agreed on as being a passacaglia I chose to avoid the Wrath of the Gods and opted for

Partie d'orgue. Par POULENC FRANCIS. The Organ part for a Concerto written for Orchestra, Timbales and solo Organ./ Répertoire / Orgue ou Harmonium

Arr. John Arkell. Par MASSENET JULES. Meditation from Thais has long been a popular piece in its original form for solo violin with orchestral accompaniment. In this arrangement the solo part is assigned to a solo stop with a light quaver accompaniment in the left hand. This piece provides an interesting and popular addition to the repertoire and will be suitable for many occasions. / Niveau : Intermédiaire / Recueil / Orgue

La série de choix volontaire présente voluntaries approchable en sept volumes pour orgue solo (certains pour la pleine organe, certains pour manuels seulement) fournissant une collection jouable et gratifiant de morceaux variés et multi-usages. / Orgue

Un style qui repose sur le contrepoint, ou l'interaction de deux ou plusieurs motifs, la fugue a captivé les auditeurs pendant des siècles.Cette collection originale propose une grande variété de pièces de grande époque de la fugue à l'époque baroque ainsi que d'autres époques, chacune créé par un maître du genre. Avec des oeuvres de Bach, Buxtehude, Brahms, Schumann et d'autres, tous ensemble ici pour orgue solo. / Orgue

Arrangements solo d'orgue de 14 chansons de films de Disney, des émissions TV et les parcs à thème! / Orgue / 80 pages / Partition

The 'organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year, the pieces can be readily performed in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, both original works and arrangements.Each edition includes solo parts for instruments in C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instruments remains in the middle register.Among the pieces in this edition are John Alcock, 'Fuga? - ChristliebSiegmund Binder, 'Prelude in F major? - Jacques-Nicolas Lemmens, 'Fanfare? - Max Philipp Zeyhold, 'Concerto in A major? - Johann Sebastian Bach, 'Was Gott tut, das ist wohlgetan? - Karl Hoyer, 'Liebster Jesu, wir sind hier? - Carl Piutti, 'Lobe den Herren, den mächtigen König? - and Carsten Klomp, 'Grosser Gott, wir loben dich?. / Orgue

This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.