The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano

48 Favourite SongsInstrument : voice and pianoType : song bookNombre de Pages : 110Six outstanding collections of favourite songs. All arrangements include the melody line in the accompaniment so that the songs work equally well as piano solos.Ideal for playing at home, in the clasroom, or even as concert items!Songs of the Americas is a collection from north, central and south America and the West Indies including Li'l Liza Jane, Land of the Silver Birch, Banana Boat Song, Deep River and Yankee Doodle.The edition is part of the ABRSM syllabus (grades 1 and 3).Content : A Life on the Ocean Wave - Deep River - Dona Dona - Jamaica Farewell - La Cucaracha - Land of the Silver Birch - Mango Walk - My Old Kentucky Home - Old Folks at Home - One More River - The Erie Canal - The Gypsey Davey - The Wreck of Sloop John B - Water Come a Me Eye - Angelico - Banana Boat Song - Carmen Carmela - Clementine - Dixie - Donkey Riding - Drill ye tarriers - Farewell My Own True Love, - Jeannie with the Light Brown Hair - Jennie Jenkins - John Brown's Body - Li'l Liza Jane - Linstead Market - Marching through Georgia - My Grandfather's Clock - No Other Moon - Nobody Knows the Trouble I've Seen - Patrick on the Railroad - Pay Me My Money Down - Riddles - Sambalele - Santy Anno - Shenandoah - Simple Gifts - Steal Away - Swing Low sweet Chariot - The Greenland Whale Fishery - The Old Man Who Lived in the Wood - The Shanty-Boys in the Pine - The Streets of Laredo - The Yellow Rose of Texas - Tortilla Vendor - When Johnny Comes Marching Home - Yankee Doodle

Broadway Presents! Teens' Musical Theatre Anthology: Male Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: All That's Known (from Awakening) * Chim Chim Cher-ee (Mary Poppins) * Corner of the Sky (Pippin) * Evenin' Star (110 in the Shade) * Giants in the Sky (Into the Woods) * Grow for Me (Little Shop of Horrors) * Heart (Damn Yankees) * I Can't Be Bothered Now (Crazy for You) * I Chose Right (Baby) * I Could Write a Book (Pal Joey) * I'd Rather Be Sailing (A New Brain) * I'm Calm (A Funny Thing Happened on the Way to the Forum) * I'm Not That Smart (The 25th Annual Putnam County Spelling Bee) * If I Only Had a Brain (The Wizard of Oz) * It's No Problem (Reprise) (High Fidelity) * Johanna (Johanna) * Ladies' Choice (Hairspray: the Movie) * Larther Than Life (My Favorite Year) * Left Behind (Spring Awakening) * My Unfortunate Erection (Chip's Lament) (The 25th Annual Putnam County Spelling Bee) * Now I've Seen You (Honk!) * On the Street Where You LIve (May Fair Lady) * Singin' in the Rain (Singin' in the Rain) Slide Some Oil to Me (The Wiz) * Some Girls (Once on This Island) * The Streets of Dublin (A Man of No Importance) * They Can't Take That Away From Me (Crazy for You) * They Were You (Solo Version) (The Fantasticks) * What Do I Need with Love (Thoroughly Modern Millie) * What Would I Do If I Could Feel? (The Wiz) * When I'm Not Near the / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Piano/Vocal Selections from the Motion Picture Soundtrack. Par LLOYD WEBBER ANDREW. Piano/vocal selections with the melody in the piano part, with chord symbols, guitar chord frames, and full lyrics for 13 songs from the 2019 movie adaptation of Andrew Lloyd Webber's musical based on Old Possum's Book of Practical Cats by T.S. Eliot. Includes the Taylor Swift/Andrew Lloyd Webber collaboration Beautiful Ghosts along with: The Ad-dressing of Cats · Bustopher Jones: the Cat About Town · Gus: the Theatre Cat · Jellicle Songs for Jellicle Cats · Macavity: the Mystery Cat · Memory · Mr. Mistoffelees · Old Deuteronomy · and more. / TV, Film, Comédie musicale / Répertoire / Chant et Piano

E-Z Play Today Volume 42-28 great generational hits from the '60s and '70s including: All You Need Is Love â?¢ Baby Love â?¢ Bandstand Boogie â?¢ The Brady Bunch â?¢ Cherish â?¢ A Hard Day's Night â?¢ If â?¢ Imagine â?¢ Love Will Keep Us Together â?¢ Theme from The Monkees â?¢ My Girl â?¢ Night Fever â?¢ Stand by Me â?¢ The Way We Were â?¢ To Sir With Love â?¢ You're So Vain â?¢ and more.

Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano

Features authentic vocal/piano transcriptions of 25 Fab Four tunes in their original keys! Includes: And I Love Her * Blackbird * The Fool on the Hill * Here There and Everywhere * I Will * Let It Be * Michelle * Something * Witha Little Help from My Friends * and more.

Preface by Carol Barratt. Here's a great new collection of showtunes, folk songs, children's songs and pop songs, carefully chosen to bring fun and musical variety to the primary school classroom. Some will be familiar, some will be brand new surprises, and some will be half-forgotten favourites from the past now given a new lease of life. All songs are arranged for easy piano and the piano parts can also be heard on the two accompanying music CDs. Lyrics are printed out for every song but are also available as free downloadable pdfs for easy projection for multiple printing. Includes teachers notes. Let's get our schoolchildren singing again with The National Songbook! / Chant Et Piano

Nearly 40 songs from the first women ever honored as recipients of the Fred Ebb Award for Musical Theatre Songwriting. Contents: Alto's Lament - Amazing (What A Little Faith Can Do) - Apathetic Man - Baltimore - Beautiful You - Boom Boom - Compromise - Fifteen Pounds - Funny How The Love Gets In The Way - Gabriel's List - Hola Lola! (from DEAR EDWINA) - How I Love You - I Want Them... (Bald) - The Last Song - Let Me Grow Old - Los Pinguinos **female key** - Love Like Breathing - Make Your Own Party - Menemsha Moon - The Morning After - Music Of Your Life - Now That I Know - Oh How I Loved You - Oh My Soul - Out Of Love - Over The Moon - Sing Your Own Song - Taking Flight -Taylor The Latte Boy - There's Nothing I Wouldn't Do - The Things I Know Of Love - This Lonely Road - A Thousand Stars - True Believer - We Remember Love - Welcome The Rain. Includes black-and-white photos. 336 pages of music!

Arrangement for voice and Piano accompaniment.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selectedand adapted by Paul Mealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13