This is a collection of 71 songs in two volumes. These long-neglected works are finally beginning to recieve the exploration and recognition that they deserve. This edition (Volume Two) contains songs 37-71. For Voice with Piano Accompaniment with both English and Russian text.

Complete vocal score to the 1970 musical starring Danny Kaye. Songs include: As Far As I'm Concerned - The Covenant - Hey Girlie - I Do Not Know a Day I Did Not Love You - Ninety Again - An Old Man - Poppa Knows Best - Something Doesn't Happen - Something Somewhere - Two by Two - When It Dries - Why Me' (Why Me Lord') - You - and more.

Broadway Singer's Edition-Songs in the Broadway Singer's Edition include the vocal line and lyrics paired with faithful reductions of the orchestral accompaniments. The songs are presented in their original keys with piano accompaniments carefully crafted for playability. The audio tracks included in the price of the book are performances of these piano accompaniments. Includes 9 songs: Big Blonde and Beautiful · Good Morning Baltimore · I Can Hear the Bells · I Know Where I've Been · It Takes Two · Run and Tell That · Timeless to Me · Welcome to the '60s · You Can't Stop the Beat.

CONTENTSWhen I am old (B - E)A Garrison Churchyard (B - D sharp)Annabel Lee (speaker and piano)Ireland's setting for speaker and piano of Edgar Allan Poe’s 'Annabel Lee' could be used either to add variety to a song recital or to form the unusual centrepiece of a soiree or similar programme of mixed entertainment. Like the two songs also included in this collection it was written in the second decade of the 20th century and is published for the first time.

Two Shakespeare Songs were written in 1989-1990. Cry Cock-a-Doodle-Doo was written first and is scored for Soprano Voice and Piano. It takes its text from a song by Ariel in The Tempest. The Witches’ Song is for solo Soprano with the text coming from Macbeth. Both are dramatic works which allow the performer to showcase her virtuosity; either would be a perfect audition piece or both could be combined as complementary items on a recital programme. Alison Bauld (b. 1944) is an Australian-born composer and writer who lives and works in London. Her compositions are distinguished by their dramaticstructure partly inspired by musical theatre. She has also written a three-volume tutor for keyboard and composition.

Two Songs: The Colour And All In Green was expertly composed in 1997 by Sadie Harrison. This piece was first performed for the BMIC Cutting Edge Series in November 2004 at The Warehouse London by Sarah Leonard and Jonathan Powell.Australian born freelance composer and performer Sadie Harrison’s unique fusion of elements from indigenous Lithuanian music and poetry withher own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working along side a long list of well accomplishedmusicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege work with Harrison so far. Performances ofHarrison's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus Chamber Orchestra and manyothers.

This songbook contains 16 songs selections from the movie adaptation of the musical Les Misérables by Boublil and Schönberg: Many favourites are here some in slightly different forms two with new sections added for the movie including a Gavroche section in ?Look Down ? back from the 1980 original French show and one brand new song ?Suddenly ? - written especially for Jean Valjean/Hugh Jackman for the scene after he discovers the strength of his new fatherly feeling for little Cosette - which aims to capture Victor Hugo?s beautiful statements about how two unhappy souls can make one happy human being.Presented in Piano/Vocal format the songbook also features 16 pages of colour artwork from the film.