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Solistes S (A) TB, Choeur SATB, 2 Hautbois, 2 Viol (9)
Solistes SATB, Choeur SATB, 2 Cors de Basset, 2 Ba (9)
Harpe, Flûte (duo) (9)
Solo S, Choeur SATB, 2 FlĂ»tes Traversières, 2 Ha… (9)
Violon, Ensembles de Cordes et B.C. (9)
Solo S, 2 Hautbois ou 2 FlĂ»tes Traversières, 2 C… (9)
Violon, Alto et Orchestre (9)
Soli (T (Evangelist), B (Jesus), SATB), 2 Choeurs … (9)
Flûte, Clarinette, Piano (trio) (9)
Saxophone Tenor et Piano (9)
Quatuor de FlĂ»tes : FlĂ»te, Violon, Alto, Violonc… (9)
Guitare et Musique de Chambre (9)
Ensemble De Flûte à bec (9)
Soprano, Piano (9)
Flûte, Clarinette, Cor, Basson (Quartet) (8)
4 Parties Mixtes, Instruments A Cordes Et Basse Co… (8)
Solistes SATB, Choeur SATB/SATB, 4 Trombones, 2 Vi (8)
Clarinette et Quatuor Ă Cordes (8)
Instruments Sib, Mib et Do (8)
Solistes SS, 2 Altos, 2 Violoncelles, Contrebasse (8)
2 Violoncelles (duo) (8)
Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons (8)
Solistes ATB, Choeur SATB, (Trompette), 2 HautboiS (8)
FlĂ»te Traversière, Hautbois, Clarinette, Basson,… (8)
Libretto (8)
Solistes ATB, Choeur SATB, 3 Trompettes, Timbales, (8)
Hautbois, 2 FlĂ»tes Traversières, 2 Hautbois, 2 C… (8)
Solistes SATB, Choeur SATB, 4 Trompettes, Timbales (8)
Choeur SATB, 2 Tubes en plastique, Violon Solo, 2 (8)
Solistes SATB, 2 Cors, 2 Violons, 2 Altos et Basse (8)
Voix Moyenne (8)
Solistes, 1-2stg Choeur d'Enfants, FlĂ»te Traversi… (8)
Luth (8)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett (8)
Soli (SATB, Soprano Aussi Chorale), Choeur Mixte (… (8)
Alto, Orgue (8)
Solistes SSA, Choeur SATB, 2 FlĂ»tes Traversières… (8)
Soli et Orchestre (8)
4 Parties Mixtes, 2 Violons, 2 VioleSBasson et Bas (8)
Alto et Trio Pour Cordes (8)
Choeur SSATB, 2 Hautbois, 2 Violons, Alto et Basse (8)
Soli (STB), Choeur Mixte (SATB) Et Orchestre (8)
Choeur SSA, 2 FlĂ»tes Traversières, 2 Hautbois, 2… (8)
Soprano, Alto, Cordes et Basse Continue (8)
Instruments A Vent (8)
Solistes SB (B), Choeur SATB, 2 Violons, 2 Altos ( (8)
Flûte Traversière, Clarinette et Piano (8)
Alto (Viole) (8)
Flûte Traversière, Clarinette, Cornet ou Basson (7)
Solistes SSATB, Choeur SSATB, 2 Hautbois, 2 Trompe (7)
Ensemble De Contrebasse (7)
Solistes SATB, Choeur SATB, (arr Satz 1 + 5 von W. (7)
Piccolo, 2 FlĂ»tes Traversières, 2 Hautbois, 2 Cl… (7)
Soli (SB), Choeur Mixte (SATB) Et Orchestre (7)
Petit Choeur AT, 4 Instruments (Choeur TBBB), Cont (7)
Soli (STB), Gemischter Chor (SSTB) und Orchester (7)
Choeur Mixte Instruments Ad Libitum (7)
Solistes SSA, Choeur SSA, 2 ViolonS Basse Continue (7)
Clarinette, 2 Violons, Viole et Violoncelle (7)
Choeur SATB, 2 Hautbois, 2 Clarinettes, 2 Trompett (7)
Cor et Quatuor Ă Cordes (Quintet) (7)
Choeur SATB, 2 Violons, Alto, Violoncelle/Basson/C (7)
Flûte irlandaise (7)
Solo S, 2 Violons, Viole de Gambe et Basse Continu (7)
Bass Clef Instruments (7)
CD Chorale (7)
Soli (SATB), Choeur Mixte (SATB), Hautbois, Instru… (7)
DVD concert (7)
Piano, Hautbois et Basson (7)
Choeur Mixte (SATB), Instruments A Cordes Et Orgue (7)
Solistes SATB, Choeur SATB, Orgue Solo, 2 Clarinet (7)
2 Trompettes, Clavier (piano ou orgue) (7)
2 Choeurs Mixtes (SATB Et SATB) Et Instrument(s) A… (7)
Quatuor avec Piano (7)
Cor, Orchestre (7)
Soli (SATB), Chor (SATB/SATB) und Orchester (7)
Choeur SSATB, 2 FlĂ»tes Traversières, 2 Hautbois,… (7)
Solistes SATB, Choeur SATB, FlĂ»te Traversière, I… (7)
3 Flûtes à bec (trio) (7)
Ensemble (7)
Guitare et Basse Tablatures, Accords (7)
Voix Mezzo-Soprano, Orchestre (7)
Voix haute (7)
Violon, Alto (duo) (7)
Violon 1, Violon 2, Alto, Violoncelle, Violoncelle (7)
Streichorchester (7)
Voix, Flûte à Bec et Percussion (7)
Violon, Basse continue (7)
4 Violoncelles (6)
Hautbois et Orchestre (6)
Klavier und Orchester (6)
Choeur Mixte (SATB), Soli Et Orchestre (6)
4 Parties Mixtes Et Orchestre (6)
Solistes (SATB), Choeur Mixte (SATB), Orchestre et (6)
Choeur SAB, 2 Violons, Contrebasse et Basse Contin (6)
Basse, Choeur Mixte (SATB) Et Orchestre (6)
Ensemble de Percussions (6)
Soli (SATB), Choeur Mixte (SATB) (Choeur Final) Et… (6)
Piano, Guitare (duo) (6)
Solo A, Violon, 4 Violes de Gambe (3 Altos et Viol (6)
Guitare, Flûte, Clarinette (6)
Guitare, Orchestre (6)
Alto et orchestre (6)
Choeur SATB, 2 Violons, Violon ou Violoncelle et B (6)
Solo S, 2 Violons, Alto et 2 Violoncelles (6)
Violine und Orchester (6)
Solistes SS, Choeur SATB, 2 Violons, Violoncelle o (6)
2 Sopranos, Choeur Mixte (SATB) Et Orchestre (6)
Baryton ou Tuba et Brass Band (6)
Flûte à Bec, Piano (6)
Euphonium Ou Saxhorn Et Piano (6)
Concert Band ou Harmonie et Baryton ou Tuba (6)
Hohe Stimme, Melodie-Instrument und Basso continu… (6)
Basson, Orchestre (6)
Choeur SATB, 2 Violons, 2 Altos et Basse Continue (6)
Baryton ou Tuba et Fanfare (6)
Scores (6)
Opéra Full Score (6)
Travaux Pour Choeurs (6)
Voix Mixtes (6)
Trio Ă Cordes: 2 violons, alto (6)
Chorale SSATBB (6)
Solo S, Violon et Basse Continue (5)
Solistes SATB, Choeur SATB, 2 Clarines, Timbales, (5)
Choeur SATBB, Violoncelle, Contrebasse (Choeur SAT (5)
Choeur Mixte (SATB), Orchestre, Instruments A Cord… (5)
Solo Ă (Ms), 2 Violons, Alto et Basse Continue (5)
2 FlĂ»tes Traversières, Instruments Ă Cordes et … (5)
Trio (5)
Chorale Soprano seul, SATB, Clavier (5)
Clarinette (Clarinette De Basset) Et Orchestre (5)
Ensemble de Violoncelles (5)
Solo Ă (S ou T), Choeur SATB, Hautbois, Violon et… (5)
Harpe, Voix (5)
Saxhorn et Piano (5)
Choeur Mixte (SATB), Orchestre Et Orgue (5)
Choeur SS (SA), 2 Violons et Basse Continue, (Choe (5)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (II/… (5)
Violon, Viole Et Orchestre (5)
Voix Baryton (5)
Quintette avec Piano (5)
2 FlĂ»tes Traversières, Instruments A Cordes Et B… (5)
1 Piano, 6 mains (5)
Trompette et Guitare (5)
2 Flûtes traversières, Piano (5)
Soli (SATB), Chor (SATB) und Orchester (5)
Soli (AB), Choeur Mixte (SATB), 2 FlĂ»tes Traversi… (5)
Voix Et Orff-Instruments (5)
Ensemble de cuivres, Orgue (5)
Choeur d'Enfants Ă 1 Partie, 3 Solistes, Choeur S… (5)
Clavecin et Cordes (5)
Violon I (5)
2 Flûte à bec (duo) (5)
Violoncelle , Guitare (duo) (5)
Solistes s ATB, Choeur SATB, 2 FlĂ»tes Traversièr… (5)
Solistes SAB, Choeur SATB, (2 Hautbois), 3 Trombon (5)
Choeur SATB, 2 Clarinettes (2 Violons), 2 Bassons, (5)
Violoncelle, Orgue (5)
Eveil Musical (5)
Euphonium, Piano (duo) (5)
Hautbois, Clarinette, 4 Violons et Violoncelle (5)
Piccolo (5)
3 Clarinettes (trio) (5)
Choeur d'Enfants Ă 1 Partie, Clarinette, Piano et… (5)
Viole de Gambe (5)
2 Violons, Alto, Violoncelle et Contrebasse (5)
Cornemuse (5)
Violoncelle, Basse continue (5)
Violon II (5)
1 Ou 2 Flûte(s) A Bec Alto (4)
Violon, Cor Anglais et Piano (4)
2 Violons, Instruments Ă Cordes et Basse Continue (4)
Violon Ou Flûte, Violoncelle Et Piano (4)
Ensemble de saxophones (4)
FlĂ»te Traversière, Clarinette, Harpe et Quatuor … (4)
S, SATB, B, (2 Grands Choeurs Mixtes Ă 4 Voix Ad … (4)
FlĂ»te Traversière, Hautbois, Clarinette, Cor et … (4)
Ensemble d'Instruments Ă Vent (4)
Cor Anglais, 2 Violons et Violoncelle (Arr. Hautbo (4)
Flûte et Mandoline (4)
Hautbois, Violon, Alto, Violoncelle et Contrebasse (4)
Instrumentation Flexible (4)
FlĂ»te Traversière Clarinette Basse, Piccolo et P… (4)
Hautbois et Cordes (4)
Trio avec Piano (4)
Guitare et Quintette Ă Cordes (4)
Flûte, Hautbois, Clarinette, Basson (4)
2 Violons, Instruments A Cordes Et Basse Continue (4)
Flûte, Saxophone Alto, Guitare et Percussion (4)
Violon, Alto, Violoncelle et Contrebasse (4)
FlĂ»te Traversière, Hautbois, Clarinette, Basson … (4)
Violon, Piano, Guitare Basse et Percussion (4)
Clarinette, Violon, Alto, Violoncelle, Piano et Pe (4)
Violoncelle, Contrebasse (duo) (4)
Percussion et Violoncelle (4)
Choeur SSATTB et Basse Continue (4)
Orchestre Ă Cordes, Guitare et Conducteur (4)
Violon, Orgue (4)
Saxophone, Partitions de Groupe (4)
Solo S, Choeur SSAA, Violon, Piano, Orgue et Harpe (4)
Educatif (4)
Piano Trio: piano, violin, cello (4)
Violoncelle, Contrebasse, Basson ou Orgue (4)
Musique de film et télévision (4)
1 Ou 2 Trompettes (4)
Piano Quatuor: piano, 2 violons, violoncelle (4)
3 Saxophones (trio) (4)
Arts de la table (4)
FlĂ»te Traversière, Clarinette (B), Percussions, … (4)
Cor, Euphonium et Piano ou Orgue (4)
Quatuor Ă Cordes et Enregistrement (4)
3 Parties Solo, Choeur Et Orchestre De Chambre (4)
Alto, Violon et Violoncelle (4)
Flûte, Clarinette, Violon, Violoncelle (4)
String Quartet (4)
Soli (ATB), Chor (SSATB) und Orchester (4)
Chorale, Orgue (4)
Choeur Mixteor (SATB), Orchestre Et Orgue (4)
Djembe (4)
FlĂ»te Traversière, Hautbois, Violon, Windchimes,… (4)
Flûte Traversière et Tuba (4)
Flûte, Clarinette et Accordéon (4)
2 Violons, Alto, Hautbois, Cor et Basse Continue (4)
Big band (4)
Piano grosses notes (4)
Guitare, Quatuor Ă cordes (4)
Clarinette et 4 Violoncelles (4)
Madrigaux (4)
Orgue, Piano (duo) (4)
Clarinette, Piano, Violon et Violoncelle (4)
Livret (4)
3 Violons, Bas Viol et Basse Continue (4)
Accordéon, Vibraphone et Marimba (4)
Flute, Violin, Cello and Piano (4)
Quatuor Ă Cordes ou Orchestre Ă Cordes) (4)
Quatuor Ă Cordes et Electronique (4)
Flûte à Bec, Guitare et Musique de Chambre (4)
Soli [AT] et Orchestre (4)
2 Altos (duo) (4)
Flûte Traversière Basson et Harpe (4)
Flûte Traversière, Alto et Harpe (4)
Violon, Guitare (duo) (4)
Choeur Mixte a Cappella (4)
Violon 2 (4)
Violon, Clarinette, Violoncelle et Piano (4)
Quintette Ă Cordes (4)
Solo Ă (B), 2 Cors et Orgue (4)
Flûte Traversière, Alto et Violoncelle (4)
Mezzo-Soprano, FlĂ»te Alto, Alto, Harpe et Electro… (4)
FlĂ»te Traversière (Ensemble Ă vent-Bois) et Pia… (4)
Flûte, Saxophone Ténor et Piano (4)
Clarinette Basse et Violoncelle (4)
1 Ou 2 Flûte(s) Traversière(s) (4)
Choeur de Femmes (SMezA) (4)
Flûte, Violon, Alto (4)
Voix et Flûte (4)
Trio ou Quatuor Ă Cordes (4)
FlĂ»te Traversière, Clarinette, Cor, Triangle, Ma… (4)
Voix, Orgue (4)
Fanfare Band (4)
Alto, Guitare (duo) (4)
Concert Band/Harmonie et Corne de Bugle (4)
Voix et Fanfare (4)
Soli (SATB), Gemischter Chor (SATB), AusfĂĽllungsb… (4)
CHAM::Musique De Chambre (4)
Soli (T (Evangelist), B (Jesus), SATB), Choeur Mix… (4)
Clarinette, Violoncelle et Piano (4)
Choeur Mixte (SSATB) Et Instrument(s) Ad Lib (4)
Soli (SATB), Choeur Mixte (SATB) Et Orchestre (I/1… (4)
Conducteur de poche, d'Ă©tude (4)
2 Trompettes (duo) (4)
Paroles Seulement (4)
Solo S, Choeur SATB, 2 Clarines, Timbales, 2 Violo (4)
FlĂ»te Traversière, FlĂ»te Traversière Alto et P… (4)
Ensemble de cuivres, Percussion (4)
Xylophone (4)
Instruments en Clé de Fa (4)
FlĂ»te Traversière Hautbois, Clarinette, Cor et B… (4)
Solistes SATB, Choeur SATB, 2 Pianos et Harmonium (4)
Flûte Traversière, Hautbois et Piano (4)
Flûte Traversière Cordes et Basse Continue (4)
Voix Mixtes SAB et Piano (4)
Clarinette Alto et Piano (4)
Clarinette, Alto et Piano (trio) (4)
Fake Book (4)
Flûte à bec Alto, Piano (4)
Hautbois, Clarinette et Orchestre (3)
Saxophone TĂ©nor ou Ensemble Ă vent-Bois en Mib e… (3)
Flûte à bec Alto, Basse continue (3)
Saxophone Baryton, Piano (3)
Chœur Mixte [SATB] et Orchestre (3)
5TET/STR ENS::Quintet, String Ensemble (3)
Solo T (S), 2 Violons et Basse Continue (3)
CHAM::Chamber Group (3)
Trompette, Trombone, Piano (3)
Alto ou Violoncelle et Orgue (3)
Concert Band et Solistes (3)
3 Trompettes (trio) (3)
Flûte, Harpe et Piano (3)
Ensemble de guitares (3)
Choeur Mixte (SSATB) et Instruments Ad Libitum (3)
Harpe, Violon, Violoncelle (3)
Trombone et orchestre (3)
Flûte, Alto et Piano (3)
Clarinette, Cor, Piano (3)
Tuba TĂ©nor et Piano (3)
CLT/ORCH::Clarinette, Orchestre (3)
Orgue et Quatuor de cuivre (3)
Violon, Violoncelle, Clarinette (3)
PFC/STR QUARTET::Piano De Chambre/Quatuor Ă€ Corde… (3)
33 Chanteurs (9 Voix, darunter eine größere Roll… (3)
2 Hautbois et Cor anglais (3)
Solistes ATB, Choeur SATB, Cor Da Caccia, 2 Hautbo (3)
Tuba et HĂ©licon (3)
Violon 1 (3)
Choeur Mixte (SATB) Avec Solistes (AB), Narrateurs… (3)
Flûte, Alto (duo) (3)
Orchestre Symphonique (3)
Orgue, Trompette (duo) (3)
Cor, Trompette, Trombone (trio) (3)
4 Parties Mixtes, 2 Trompettes Et 3 Trombones (3)
2 Pianos, 3 mains (3)
Piano, Guitare, Basse (3)
Choeur d'Enfants et Piano (3)
Soprano et Orchestre de Chambre (3)
RĂ©citant, Choeur D'enfants et Concert Band (3)
Guitare Tablatures Classique et Fingerpick (3)
SATB Et Cordes (3)
Cornet A Pistons (3)
Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines (3)
Tous instruments (3)
T-shirt (3)
Cor anglais, Piano (3)
Choeur De Femmes A 3 Voix (Choeur De Garçons) (SS… (3)
2 Euphoniums et Piano ou Orgue (3)
Voix Hautes (3)
Voix Soprano, Violoncelle (3)
Guitare (Fingerpick) (3)
3 Trombones (trio) (3)
Ensemble Flexible Ă 5 Parties (3)
Solistes (SB), Choeur Mixte (SSATB), Cordes Et Bas… (3)
Violoncelle (Partie Séparée) (3)
Partition D'Orchestre (3)
Ensemble Mixte (3)
Violoncelle, Contrebasse, Piano (trio) (3)
Flûte traversière, Orgue (duo) (3)
Matériel D'Orchestre (3)
SingSt, Klavier (3)
Ensemble d'École (3)
Clavier Electronique et Ligne MĂ©lodique (3)
Voix Et Ensemble (3)
Instrument seul et Orgue (3)
Baryton, Choeur Mixte Et Orchestre (3)
CLT/STR INST::Clarinette/Instruments À Cordes (3)
Solistes (SATB), Choeur Mixte (SATB) et Orchestre (3)
Conga (3)
SOP/STR QUARTET::Soprano/Quatuor À Cordes (3)
4 Bassons (3)
Carte Postale (3)
Clarinet, Bass Clarinet, Violin, Viola, Double Bas… (2)
Trompette I (2)
Solistes et Choeur SATB/SATB et Basse Continue (2)
REC/STR ENS::Fl–te … Bec, Ensemble De Cordes (2)
8 Bassons (2)
Timbales (2)
Chant et RĂ©duction Piano (2)
Clarinette Ou Trompette Et Piano (2)
Choeur A L'Unisson Et Orgue (2)
Flute/Piccolo, Hautbois, Clarinette en Sib, Cor e… (2)
ST (A) BarB et Piano (2)
Choeur (SA), 2 Violons et Basse Continue, (Choeur (2)
MAR::Marimba (2)
Contrebasse (Partie séparée) (2)
2 Bassons (duo) (2)
SOP/BAR/ENS::Soprano, Baritone Voice, Ensemble (2)
Soli, Gemischter Chor 1 & 2, Orchester 1 & 2 (2)
Percussions Et Brass Band (2)
Concert Band ou Harmonie et Clarinette (2)
Dobro (2)
Quintette De Pianos (2)
2 Flûtes Traversières et Basse Continue (2)
Quatuor de cuivres: 4 cors (2)
Voix (Flûte A Bec Et Violon) Et Piano (2)
2 Ukulélés (2)
Trompette et Quatuor Ă Cordes (2)
Partition D'Orchestre In 16 Poche (2)
SSAX/ASAX/ACDN/MAR/DB::Soprano Saxophone, Alto Sax… (2)
Section Rythmique (Piano, Guitare, Basse, Batterie… (2)
Choeur Mixte et Hautbois (2)
Clarinette, 2 Violons, Alto et Violoncelle (2)
Voix (avec Boîtes d'Accords) (2)
FlĂ»te A Bec Soprano (Solo Ou En Groupes) Ou Choeu… (2)
Clarinette, Basson, Trompette, Violon, Violoncell… (2)
2 Ou 4 Voix Mixtes Et Piano (Ou Orgue) (2)
Batterie et Piano (2)
Choeur Mixte et Orchestre (2)
VLN/VLC/PF DUET::Violon, Violoncelle, Piano Duo (2)
Sac (2)
Voix et Piano ou Guitare (2)
Brass Band, Voix d'Enfants, Orchestre, Voix Mixtes (2)
Saxophone Soprano (2)
VCE/VLN/VLC/DB::Voice, Violin, Cello, Double Bass (2)
Quatuor de percussions (2)
Grand Orgue (2)
TĂ©nor Solo, Violon Solo, SATB, ChĹ“ur d'Enfants e… (2)
2 Clarinettes, Piano (2)
VLN/VLA/CLT/BSN::Violin, Viola, Clarinet, Bassoon (2)
BAR/STR QUARTET::Baryton, Quatuor Ă? Cordes (2)
Cornet (2)
Piano/Vocal/Guitare (PVG) (2)
Choeur SSTBar et Orgue (2)
Basse electrique, Batterie (2)
Quintette de Saxophone: 5 saxophones (2)
Ensemble de Cors (2)
Chamber Ensemble (2)
Choeur De Femmes (2)
VLN/VLA/VLC::Violin, Viola, Cello (2)
Concert Band / Harmonie (2)
Quatuor de cuivres: 4 trombones (2)
Euphonium et Orchestre d'Harmonie (2)
Trompette et Concert Band ou Harmonie (2)
Soliste, Choeur Mixte Et Orgue (2)
Clarinette Basse (2)
SOP/SATB/WIND INST::Soprano, SATB, Wind Instrument… (2)
Choeur d'Enfants 1 Partie, Paroisse, FlĂ»te Traver… (2)
Cloches (2)
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Recueil de Chansons (2)
Cordes (Ensemble Ă Cordes) et Piano Ad Libitum (2)
Quatuor Ă cordes: 4 violons (2)
Saxophone, Clarinette (duo) (2)
Cor ou Ensemble de Cuivres en Mib et Piano Ad Libi (2)
Fifre (2)
Solistes SAB, Choeur SATB, ou 2 Hautbois, 3 Trombo (2)
1 Ou 2 Clarinettes (2)
Chœur Mixte [SATB] et Piano (2)
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3 Guitares (trio) (2)
Mittlere Stimme, Melodie-Instrument und Basso con… (2)
WIND 5TET::Wind Quintet (2)
Concert Band et Trompette (2)
Choeur SSA, Orgue, (Solistes SSA) (2)
Violon et Percussion (2)
Violon Solo Ou Violon Et Piano (2 Violons Et Violo… (2)
Concert Band ou Harmonie et Flûte Traversière (2)
Voix Soprano, Orgue (2)
Soli (SATB), Chor (SATB), 2 Klaviere und Harmoniu… (2)
4 Parties Mixtes et Orgue (2)
Guitare, Harpe (2)
WIND 5TET::Quintette · Vent (2)
6 Parties Mixtes (2)
Chant et Basse Continue (2)
Choeur Mixte A 3 Voix, 2 Violons, Violone Et Basse… (2)
Narrateur Et Orchestre (2)
Solostimmen (SSB) auch Chor (SSB) und Instrumente… (2)
1 Ou 2 Flûte(s) A Bec (2)
CHAM/VLN/FLT::Musique De Chambre, Violon, Fl–te … (2)
2 Orgues (2)
Violon et Marimba (2)
Bugle et Piano (2)
Papeterie (2)
Saxophone Baryton (2)
OPERA::Op‚ra (2)
FLT/VLA/HARP::Flute, Viola, Harp (2)
SOP/CHAM::Soprano/Musique De Chambre (2)
Hautbois, Flûte (2)
5 Parties Mixtes (2)
STR INST/PFC::Instruments Ă€ Cordes/Piano De Chamb… (2)
Voix, 2 Flûtes A Bec Soprano Et Orff-Instruments (2)
Tuba et Brass Band (2)
FLT/CLT/OB::Flute, Clarinet, Oboe (2)
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Trombone basse et Piano (2)
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31
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Konzertante Werke Op. 32 Wev N.15
Piano et Orchestre
Schott
Carl Maria von Weber's fame rests mainly on ?Der FreischĂĽtz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der FreischĂĽtz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre
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Concerto (RAVEL MAURICE)
70.60 €
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For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgen...
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For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ RĂ©pertoire / Piano et Orchestre
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Für Klavier und Orchester. Par ROSLER JOHANN JOSEF. Johann Joseph Rösler (1771...
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Für Klavier und Orchester. Par ROSLER JOHANN JOSEF. Johann Joseph Rösler (1771-1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven - indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925. Now Rösler's second Piano Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Hönigová takes into account the distinctive features of Rösler's handwriting and the division of parts in the score, as befits the performance practice of his day./ Répertoire / Piano et Orchestre
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Piano Concerto #2 In G Minor Op. 16 (PROKOFIEV SERGEI)
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Par PROKOFIEV SERGEI. Interestingly there are two different versions of Prokofie...
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Par PROKOFIEV SERGEI. Interestingly there are two different versions of Prokofiev’s second piano concerto, the first written between 1912 and 1913, the second written in 1923. However, during the Russian Civil War, the original manuscript of the Concerto was destroyed in a fire in Prokofiev’s apartment in St. Petersburg. In 1923 he recreated the score from memory, effectively composing the second edition of the work, which was very different. Prokofiev wrote to a friend: I have so completely rewritten the second concerto that it might be considered the fourth (his third piano concerto having been written in the meantime). At the time of composition, the concerto's wild temperamentleft some exalted, whereas others were horrified by the jarring and at the time futuristic sound. Today, however, it is generally recognised as a masterpiece and is one of the most virtuosic works in the piano concerto repertoire. Available here is the Hawkes Pocket Score edition (No. 877) of Prokoviev’s virtuosic Piano Concerto No. 2 in G minor Op. 16, and is ideal for study and perusal usage. / Hawkes Pocket Scores HPS 877 / Répertoire / Piano et Orchestre
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmon...
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Par TURNAGE MARK-ANTHONY. This work was commissioned by the Rotterdam Philharmonic Orchestra in honour of Silvia Tóth and dedicated to Hans Werner Henze. It was composed in 2012?13 and first performed on 10 October 2013 at De Doelen, Rotterdam, Netherlands, by Marc-André Hamelin (piano) with the Rotterdam Philharmonic Orchestra, conducted by Yannick Nézet-Séguin. This 20 minute work is formed of three movements and explores a wide range of moods and textures. Suitable for advanced standard performers. / Date parution : 2022-10-12/ Répertoire / Orchestre et Piano
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Rhapsody In F Sharp (Miniature Score)
15.30 €
Rhapsody In F Sharp (Miniature Score)
Piano et Orchestre
[Sheet music]
Chester
Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms an...
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Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th, 1943. Written with the wartime audience in mind, it is unashamedly popular in style, with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key, as it makes almost equal use of both, starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer, who followed the tradition of R. Vaughan Williams and John Ireland by collecting, preserving, and using many folk songs, mainly from Norfolk, Suffolk, and Ireland. / Piano Et Orchestre
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Hans Abrahamsen: Left Alone: Piano: Score
64.99 €
Hans Abrahamsen: Left Alone: Piano: Score
Piano et Orchestre
[Partition]
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Intermédiaire/avancé
Wilhelm Hansen
Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen ...
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Left Alone for Piano (left hand) and Orchestra was composed by Hans Abrahamsen in 2014-15. Commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic Orchestra. Premiered by the WDR Sinfonieorchester and Alexandre Tharaud (piano) concducted by Ilan Volkov on January 29 2016 Cologne. Programme Note: I was born with a right hand that is not fully functional and though it never prevented me from loving playing the piano as well as I could with this physical limitation it hasobviously given me an alternative focus on the whole piano literature and has given me a close relationship with the works written for the left hand by Ravel and others. This repertoire has been with me since my youth. My very first public performance of one of my own works was in autumn 1969. The piece was called October and I played the piano with my left hand and the horn my principal instrument (the only instrument that can be played with only the left hand). Part of the piece requires the performer to play natural harmonics of the horn directly into the open strings of the grand piano to create resonance. The pedal was kept down by an assistant lying on the floor. Through decades the idea of writing a larger work for piano left hand has been in my mind. This new work is not written for a pianist with only one hand but rather by a composer who can only play with the left hand. The title Left alone contains all kinds of references not only to the obvious fact that the left hand is playing alone. Left alone is divided into two large parts each consisting of three smaller movements – in effect six in total. The work was commissioned by Westdeutscher Rundfunk and co-commissioned by City of Birmingham Symphony Orchestra Danish National Symphony Orchestra and Rotterdam Philharmonic and written for Alexandre Tharaud. Hans
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Piano Concerto In A Minor And Other Works For Piano And Orchestra (SCHUMANN ROBERT)
26.90 €
Piano Concerto In A Minor And Other Works For Piano And Orchestra (SCHUMANN ROBERT)
Piano et Orchestre
[Partition]
Dover Publications
Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, R...
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Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ RĂ©pertoire / Piano et Orchestre
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Concerto N 4 In G Major Op. 58 (BEETHOVEN LUDWIG VAN)
55.40 €
Concerto N 4 In G Major Op. 58 (BEETHOVEN LUDWIG VAN)
Piano et Orchestre
Barenreiter
For Pianoforte et Orchestra. Par BEETHOVEN LUDWIG VAN. With numerous corrections...
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For Pianoforte et Orchestra. Par BEETHOVEN LUDWIG VAN. With numerous corrections. Piano reduction with a separate solo Piano part. The autograph to Beethoven ’s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven ’s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript. Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected. Thus, this new Bärenreiter Urtext edition presents Beethoven ’s famous work in the clarity which it deserves./ Répertoire / Piano et Orchestre
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Beethoven, Ludwig Van : Concerto for Pianoforte and Orchestra no. 1 C major op. 15
27.50 €
Beethoven, Ludwig Van : Concerto for Pianoforte and Orchestra no. 1 C major op. 15
Piano et Orchestre
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Avancé
Barenreiter
New findings in Beethoven?s first piano concerto'
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The Bärenreiter edito...
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New findings in Beethoven?s first piano concerto'
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The Bärenreiter editor and Beethoven expert Jonathan Del Mar who has received international acclaim for his highly successful editions of Beethoven?s works now turns his focus on the piano concertos.'
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In the Piano Concerto No. 1 in C major op. 15, Del Mar has found no less than 17 corrections in Beethoven?s autograph which were made after the work was published. These have been brought to light in this new Bärenreiter edition. A detailed critical commentary documents all the sources and findings made by the editor.'
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This new critical edition sets the highest scholarly standards without losing sight of the needs of modern performers. '
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- Urtext edition reflecting the latest musicological research'
- Includes Beethoven?s cadenzas '
- Piano reduction with a separate solo piano part / [Concerto pour Piano et Orchestre n°1 Do majeur Opus 15] / Classique / Partition / Agrafé /
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Concerto No. 1 C Major Op. 15 (BEETHOVEN LUDWIG VAN)
60.50 €
Concerto No. 1 C Major Op. 15 (BEETHOVEN LUDWIG VAN)
Piano et Orchestre
Barenreiter
Par BEETHOVEN LUDWIG VAN. The Bärenreiter Urtext edition of Ludwig Van Beethove...
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Par BEETHOVEN LUDWIG VAN. The Bärenreiter Urtext edition of Ludwig Van Beethoven 's Concerto No. 1 In C Major Op. 15 For Piano features a detailed commentary by Bärenreiter editor and Beethoven expert Jonathan Del Mar. In Beethoven ’s autograph for Concerto No. 1 In C Major Op. 15 For Piano Del Mar found no less than 17 corrections which were made after the work was published. These have been brought to light in this volume and all the sources and findings made by the editor have been documented. This critical edition reflects the latest musicological research and sets the highest scholarly standards without losing sight of theneeds of modern performers. This is a full score./ Répertoire / Piano et Orchestre
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Concertos For Piano And Orchestra Nos. 1-3 (FIELD JOHN)
187.51 €
Concertos For Piano And Orchestra Nos. 1-3 (FIELD JOHN)
Piano et Orchestre
[Partition]
Stainer and Bell
Par FIELD JOHN. Edited by Frank Merrick This is neglected repertoire by an impor...
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Par FIELD JOHN. Edited by Frank Merrick This is neglected repertoire by an important figure of the early Romantic movement who was a significant influence on Chopin. The contents include Piano Concertos in E flat, A flat and E flat, scored for strings, timps and double woodwind, horns and trumpets. First published in 1961./ RĂ©pertoire / Piano et Orchestre
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Herbert Howells: Piano Concerto No.1 In C Minor (Full Score): Piano: Score
39.99 €
Herbert Howells: Piano Concerto No.1 In C Minor (Full Score): Piano: Score
Piano et Orchestre
[Partition]
Novello & Co Ltd.
Herbert Howells wrote his First Piano Concerto in 1913 while studying compositio...
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Herbert Howells wrote his First Piano Concerto in 1913 while studying composition at the Royal College Of Music. This was his first orchestral work and was later renumbered as Op.4. Edited and completed by John Rutter. Duration: 39 minutes.
39.99 GBP - vendu par Musicroom GB
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Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
60.99 €
Hans Abrahamsen: Concerto For Piano And Orchestra: Piano: Score
Piano et Orchestre
Wilhelm Hansen
Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by comm...
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Hans Abrahamsen's Concerto For Piano And Orchestra was composed in 1999 by commission for the BIT-20 Ensemble. A complex and multi-layered work opening with highly minimal material and very slowly building to an ecstatic frenzy across the four movements. As the piece progresses Abrahamsen has also included some significant nods towards composers Gyorgy Ligeti (a former teacher of the composer) and Gustav Mahler.The work was premiered at the Ultima Festival in Oslo in 2000 with Anne Marie Abildskov as soloist. I Allegro Volante e nervoso II Adagio innocente e semplice III Tempo de grandegioia IV Fluente ma tranquillo Programmenote: ???The piano concerto starts entirely as I usually start with this filigree in the piano and many simultaneous layers ??? Hans Abrahamsen has explained ???The beginning is music that could continue almost minimalistically ad infinitum. But it doesn???t. Instead it has a seizure after just thirty seconds. It literally comes to a halt!???There is no programmatic structure behind the four-movement course of the concerto but a romantically minded listener may be tempted to interpret the development from a quick stalling of the familiar through the introduction (by the lyrical second movement) of something much more ???innocent and simple??? as it says - something feminine one feels like adding - to the third movement???s flashing firework display of a scherzo which draws the curtain aside for a liberating rush of joy as life after the advent of love. However the undersigned assumes full responsibility for this interpretation.The piano soloist is the undisputed main character in the concerto and plays almost constantly in the first three movements. It is only in the fourth movement that she takes a break and listens. ???The piano stirs up an anthill??? is Hans Abrahamsen???s own description ???and it becomes almost operatic! It is as if the music is about to fall right out over the edge of the abyss at the drastic general
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Michael Nyman: The Piano Concerto In Full Score: Piano: Score
44.99 €
Michael Nyman: The Piano Concerto In Full Score: Piano: Score
Piano et Orchestre
[Partition]
Chester
Concerto for piano and small orchestra based entirely on material selected fro...
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Concerto for piano and small orchestra based entirely on material selected from the soundtrack for the film The Piano. Commissioned by the Festival de Lille it was composed in spring 1993 and first performed by Kathryn Stottwith the Orchestre National de Lille under Jean-Claude Casadesus on 26th September 1993.
44.99 GBP - vendu par Musicroom GB
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73
65.60 €
Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 73
Piano et Orchestre
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 77
7.90 €
Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 77
Piano et Orchestre
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Alto
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Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 76
7.90 €
Concerto For Pianoforte And Orchestra #5 E-Flat Major Op. 76
Piano et Orchestre
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...
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Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violon 2
7.90 EUR - vendu par LMI-partitions
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