Le Great Big Book Of Chansons enfantines: 2e édition propose 66 superbes chansons que les enfants vont adorer, tout en arrangements grand-notes faciles à jouer pour Piano. Ce songbook comprend Any Dream Will Do, (Meet) The Flintstones, si j'avais seulement un cerveau, Puff the Magic Dragon, This Land Is Your Land, sous la mer, A Whole New World et des dizaines d'autres. / Piano

7 Disney favorites arranged for beginners, including: Circle of Life · Heigh-Ho · When She Loved Me · When You Wish upon a Star · Who's Afraid of the Big Bad Wolf? · You Can Fly! You Can Fly! You Can Fly! · You'll Be in My Heart (Pop Version). / Piano

Le recueil incontournable qui permet de jouer au piano des morceaux de différents styles musicaux : du jazz à la variété, de la musique de film au classique, en passant aussi par les airs traditionnels du monde entier. Chaque pièce est accompagnée de commentaires techniques, biographiques et historiques. Existe aussi pour le saxophone, la clarinette, la guitare, la flûte traversière, le violon et l'accordéon./ Recueil / Piano

Piano 2 et 4 mains / A whiter shade of pale (Reid/Brooker) Mélodie antique française - Opus 39 (Tchaïkovski) Smile (Turner/arsons/Chaplin) Lascia ch'io pianga (Haendel) La marche de Sacco and Vanzetti (Baez/Morricone) Pomp and circumstances - March n°1 (Elgar) Ch'ur des bohémiens et des matadors (Verdi) Les chariots de feu (Vangelis) Menuet en Sol Majeur (Bach JS) Greensleeves Un homme et une femme (Barouh/Lai) Valse favorite (Mozart) Go down moses Muzette (De Visee) Borsalino (Delanoë/Bolling) Les oiseaux métalliques (Jean) Premier chagrin - Opus 68 n°16 (Schumann) Impertinence (Haendel) La ballade de Johnny Jane (Gainsbourg/Sabard) Le petit cavalier (Schumann) Roméo et Juliette (Rota) Maudit blues (Lecussant) Sicilienne (Von Paradis) 1ère Gymnopédie (Satie) I got plenty o'nuttin (Gershwin/Heyward) Appartenir (Goldman) Romance (Beethoven) Sweet blues for Cathie (Bordier) Yesterday (Lennon/Mc Cartney) Menuet du bourgeois gentilhomme (Lully) Toute la pluie tombe sur moi (David/Baccharach) Scherzo (Bartok) Chez Laurette (Delpech/Roland)

10 Piano Solos With Technique Warm-Ups. 10 great pop piano solo arrangements with fun technical warm-ups that complement the Fingerpower series! Can also be used as motivating supplements to any method and in any learning situation. Plus, most include optional teacher accompaniments. / Niveau : Facile à Intermédiaire / Recueil / Piano

Early Elementary Level-Piano Level: Early Elementary   The A Dozen a Day Songbook series contains wonderful Broadway movie and pop hits that may be used as companion pieces to the memorable technique exercises in the A Dozen a Day series. They are also suitable as supplements for ANY method!Songs in the Mini-Book include: Any Dream Will Do ? Can You Feel the Love Tonight ? A Dream Is a Wish Your Heart Makes ? Heigh-Ho ? I'm Popeye the Sailor Man ? It's a Grand Night for Singing ? Lean on Me ? Love Me Tender ? SoLong Farewell ? You'll Never Walk Alone.

15 modern Disney favorite songs are masterfully presented in a classical style for easy piano by Phillip Keveren. Includes: Arabian Nights - Beauty and the Beast - Can You Feel the Love Tonight - Chim Chim Cher-ee - A Dream Is a Wish Your Heart Makes - Feed the Birds - Following the Leader - Heigh-Ho - It's a Small World - Let It Go - Love Is a Song - Scales and Arpeggios - Some Day My Prince Will Come - Under the Sea - Zip-A-Dee-Doo-Dah. / Piano

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

Students will thoroughly enjoy the lively and rhythmic Pipes & Dreams. The lyrical and artistic Highlands of Scotland is sure to take learning to new heights!

À la demande générale, voici plus de 16 chansons Disney savamment arrangés par Phillip Keveren dans un contexte classique. / Piano

Easy Piano-26 fun Disney favorites arranged at an easier level including: The Bare Necessities - Be Our Guest - Bibbidi-Bobbidi-Boo (The Magic Song) - Friend like Me - Hakuna Matata - I Just Can't Wait to Be King - Lava - Reindeers Are Better Than People - A Spoonful of Sugar - Supercalifragilisticexpialidocious - Under the Sea - You've Got a Friend in Me - and more.

Par BOULANGER NADIA. June 1914. Nadia Boulanger is at the height of her composing career, which she pursues alongside her other musical activities - concert performance and teaching - though only a few years later, she will deliberately give it up. Right now, however, she has gone to meet her sister Lili in Rome, where the two young musicians, united by a deep affection, will put their study trip to good use in the gentle Italian spring. Dated June 5th, these Little Piano Pieces shine with a lighthearted charm - and that's not the least of their appeal. These three sparkling miniatures, published here for the rst time, will delight all pianists curious to explore this little-known repertoire./ Répertoire / Piano