24 Traditional Folk Songs for Intermediate Level Piano Solo-This delightful collection of Celtic favorites for the intermediate level Pianist features 24 traditional Irish folk songs as well as notes on the songs illustrations and even a map of Ireland!Songs include As I Walked Out One Morning • Ballinderry • Carrickfergus • The Cliffs of Doneen • Down by the Salley Gardens • Follow Me Up to Carlow • The Gartan Mother's Lullaby • I'll Tell My Ma • Kitty of Coleraine • The Londonderry Air • Rocky Road to Dublin • Slieve Gallion Braes and more.

An easy to follow approach to playing traditional Irish music on the Piano. Suitable for lower intermediate level who have had few years experience playing the piano and with the difficulty gradually increasing throughout the book. There are suggestions for interpretation and ornamentation for all of the carefully selected tunes which cover the breadth of Irish music including jigs reels slides hornpipes set dances and polkas. Geraldine Cotter is well respected for her books on Irish Tin Whistles and this book only serves to extend her reputation as the consumate educational author. Includes: Extensive List of Chord Progressions An informative Introduction into thehistory and role of the Piano in Irish Folk music Rare Photos of popular performers and Folk exponents and most importantly a clear and intuitive teaching method.

Découvrez une foule de styles, de sons et de textures de partout dans le monde avec cette collection passionnante de 26 chansons folkloriques, berceuses et danses de la planète, arrangé pour Piano facile. De Chine et du Chili au Ghana et au Japon, ces pièces captivantes sont riches en traditions de leurs cultures musicales, offrant un kaléidoscope de couleurs que non seulement les sensations fortes de votre auditoire mais aussi aider vos compétences Piano à développer dans plusieurs directions différentes. L'expérience de nouveaux mondes de tonalité et d'expression et développez vos connaissances musicales sur une échelle véritablement mondiale. / Piano / 32 pages / Partition

Edward Bunting (1773 1843) the first systematic collector of Irish folksongs was educated as an organ and piano player in Belfast. His life's work fell upon him at nineteen years old when he was commissioned as a scribe to notate performances at a gathering of traditional harp players in Belfast in July 1792. He was so inspired by the music that aided by some of the harpers he embarked immediately upon travels around northwest Ireland to collect some of the old songs already close to disappearing. He published his first collection of Irish music four years later. In that volume and two later ones he published almost 300 airs—some of them according to tradition datingas far back as the tenth century—and practically single-handedly rescued his country's ancient music from oblivion.The present collection the last of Bunting's three such gatherings contains 151 Irish airs arranged for piano with the Irish names of the airs their authors and (where known) their dates of composition. Hard to find elsewhere this is an indispensable book not only for students or lovers of Irish music but also for students of general music history.Reprint of the Hodges and Smith Dublin 1840 edition.

Part of the Wtritten For You Series Mary Leaf's Celebration at Dunvegan Castle is a sparkling and lyrical piece which promotes musical expression. This festive solo in 6/8 time for the early intermediate student is written in the tradition of the music used for a traditional Scottish or Irish social gathering. Students will enjoy playing this spirited piece that will make everyone want to get up and dance!

Par VOSS RICHARD. Turlough O'Carolan est né dans le comté de Meath en Irlande en 1670. Il a été formé comme un jeune à jouer de la harpe et tout au long de sa vie composé un grand nombre de chansons. O'Carolan a développé un style personnel, contenant les éléments mélodiques de musique irlandaise de folk, la musique de harpe courtois et la musique baroque italienne. Musique de O'Carolan n'a été publiée au cours de sa vie - donc, diverses versions de ses mélodies ont été prononcées par le biais de la tradition aural. On ne sait pas aussi comment il accompagne ses mélodies. Cette collection présente 35 mélodies préférées de O'Carolan facilement jouables, animés d'accords de piano. Ce nombre comprend trois mélodies originales par Richard Voss inspiré par et dans le style du maître au début. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Piano

Un excellent album contenant plus de 155 pages de mélodies classiques et traditionnelles, arrangées pour piano facile par Carol Barratt. Inclus la Lettre à Elise, La Sonate au Clair de Lune et le le Can-Can / Classique / Arrangements : Carol Barrat / Partition /

Ed. Maitland-Squire, Rev. Dover Edition. The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music. ' - Grove's Dictionary of Music and Musicians. Volume Two of the famous early 17th century collection of keyboard music features 300 airs, variations, fantasies, toccatas, pavanes, and more by Morley, Byrd, Bull, Gibbons, and others. Modern notation. Reprint of the Breitkopf & Härtel edition. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano