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A Christmas Carol
29.03
A Christmas Carol
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Boosey and Hawkes
Raising the curtain on Christopher Norton's Micromusicals - exciting and accessi...
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Raising the curtain on Christopher Norton's Micromusicals - exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12, each production lasts around 30 minutes and can be learned, rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:Succinct casting and direction suggestionsOptional props list with a wealth of additional downloadable resourcesStraightforward and catchy songs, with complete demonstration and backing tracks on an accompanying CDVoice and piano scores with guitar chordsA wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or bandPhotocopiable lyric sheets (also available as downloads for printing or projection)Wide-ranging cross-curricular teaching and classroom activity suggestionsA customisable poster to publicise performancesA Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England, as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption, the abridged story is told through drama and song. / Choeur Mixte Et Piano
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MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS)
30.52
MISSA OMNIUM SANCTORUM IN A-MOLL ZWV 21 (ZELENKA JAN DISMAS) (ZELENKA JAN DISMAS)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier
[Partition]
Breitkopf & Härtel
Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass...
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Par ZELENKA JAN DISMAS. The Missa Omnium Sanctorum ZWV 21 is Zelenka?s last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka?s most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the ?Das Erbe deutscher Musik? series, from which Breitkopf and Härtel also took over both its informative preface as well as the critical report. 'Zelenka?s artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting' I think that he still has several surprises for us.' (Schweizerische Musikzeitung) 'Zelenka?s Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach.' (Die Welt) / Date parution : 2023-06-16/ Répertoire / Choeur Mixte SATB et Piano
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Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
13.80
Giuseppe Verdi: Quattro Pezzi Sacri: Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Carus Verlag
Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming...
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Giuseppe Verdi's Quattro Pezzi Sacri for SATB and Piano.The single works forming the sacred music cycle 'Quattro pezzi sacri' were composed as independent pieces between 1889 and 1897. The scoring ranges from solo voices a cappella to double choir with large orchestra. In 1898 the year of their first joint performance Verdi had them published together as 'Quattro pezzi sacri'. With the composition of the 'Quattro pezzi sacri' in the last years of his life Verdi thus returned to his church musician origins. Already at the age of 10 Verdi performed the duties of organist in his home congregation and later in Busseto where he received his first music lessons. Themasses at the collegiate church in Busseto formed some of his most important musical impressions. During the time Verdi composed 'Falstaff' his last opera he was once again composing sacred music this time in a conscious encounter with historical models such as Palestrina and Bach.
13.80 GBP - vendu par Musicroom GB
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Te Deum For The Victory At The Battle Of Dettingen (HAENDEL GEORG FRIEDRICH)
57.42
Te Deum For The Victory At The Battle Of Dettingen (HAENDEL GEORG FRIEDRICH)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to...
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Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the “Te Deum” and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the “Messiah” which Handel had just completed. This edition, edited by Baroque specialist Amanda Babington, is based on the Urtext from the “Halle Handel Edition”. - First Urtext edition - Includes a Foreword (Eng/Ger) - Idiomatic, well-presented piano reduction (Eng) Handel 's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel ’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed. This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition. First Urtext edition Includes a Foreword (Eng/Ger) Straight-forward, well-presented Piano reduction (Eng) Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale/ Répertoire / Alto Solo, Ténor Solo, Basse Solo, Choeur Mixte et
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
7.10
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
15.80
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
36.60
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
7.10
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
7.40
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
18.40
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
18.40 EUR - vendu par LMI-partitions
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
7.10
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
(+)
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
7.10
Missa Sancti Nicolai (HAYDN FRANZ JOSEF)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
[Partition]
Carus Verlag
Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Miss...
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Nicolai-Messe. Par HAYDN FRANZ JOSEF. With the 'Missa St. Nicolai' and the 'Missa St. Joannis de Deo', his last two missae breves, Haydn also achieved masterworks in this category, and during his lifetime they numbered among his most popular works - as is shown by the numerous copies that have come down to us. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
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Symphonie 2 "Ressurection" (MAHLER GUSTAV)
55.44
Symphonie 2 "Ressurection" (MAHLER GUSTAV)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Conducteur d'étude / Miniature]
Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Sympho...
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Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre
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Tamerlano Hwv 18 (HAENDEL GEORG FRIEDRICH)
380.48
Tamerlano Hwv 18 (HAENDEL GEORG FRIEDRICH)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Conducteur]
Barenreiter
Dramma per musica in thre acts. Par HAENDEL GEORG FRIEDRICH. Tamerlano HWV 18; D...
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Dramma per musica in thre acts. Par HAENDEL GEORG FRIEDRICH. Tamerlano HWV 18; Dramma per musica in 3 acts Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late inthe proceedings, to replace an earlier one which is now 1ost. There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera. Urtext of the Halle Handel Edition. Full score (BA4052) and vocal score (BA4052-90) available for sale Performance material (BA4052-72) available for hire/ Répertoire / Solistes, Choeur et Orchestre
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Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
238.39
Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDI...
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Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre
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Henry Purcell: Ye Tuneful Muses Raise Your Heads: SATB: Score
20.99
Henry Purcell: Ye Tuneful Muses Raise Your Heads: SATB: Score
Soli, choeur mixte et accompagnement
[Partition]
Novello & Co Ltd.
Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSC...
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Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
6.00
Georg Friedrich Händel: Dettinger Te Deum - HWV 283: Mixed Choir: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s vi...
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HWV 283-Handel's Dettinger Te Deum was composed to celebrate England’s victory over the French at the Battle of Dettingen. This is Handel’s last and most successful setting of the Te Deum and reveals a deep understanding of the English church music tradition.The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the text. Particularly striking are several borrowings from the Messiah which Handel had just completed.This Barenreiter Urtext edition has been edited by the Baroque specialist Amanda Babington and is based on the Urtext from the Halle HandelEdition.First Urtext editionIncludes a Foreword (Eng/Ger)Straight-forward well-presented Piano reduction (Eng)Full score and performance material (BA10706) and vocal score (BA10706-90) available for sale
6.00 GBP - vendu par Musicroom GB
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