Wedding Music for Violin and Viola includes 14 favorites for weddings recitals parties and receptions. New adaptations of these arrangements allow each musician to share melodic harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings fingerings articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola.

Compilé et arrangé par Vigh LajosInstrument: DuosSérie: Music for BeginnersGenre: Pedagogical performance piecesLangue: Hungarian, English, GermanPages: 44 ppDate du parution: 1988

La référence AL23451 de l'éditeur Leduc dont l'auteur célèbre est Mozart/Chailley, qui a pour titre Cadences Pour La Symphonie K364/Violon Et Alto, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Alto. Cette partition musicale appartient à la catégorie Classique. / Violon Et Alto / Partition

Incarnant le classicisme viennois tout comme Mozart et Beethoven, le compositeur autrichien Franz Joseph Haydn, a eu une carrière musicale couvrant tout la période baroque en allant jusqu'au début du romantisme. A travers cette partition Six Sonatas Hob. VI:1-6 écrite et composée pour Violon et plus précisément pour Violon Et Alto vous retrouverez tout le talent de ce compositeur. Ce sont les éditions Henle qui ont eu le privilège d'imprimer cette oeuvre. / Violon Et Alto / Chanson En Séparée

A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Trio in F sharp major for violin and viola - the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome - is, together with his Sonata a violino e viola (M.S. 108), one of the rare pieces the Genoese composer wrote for this particular ensemble. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2022-04-26/ Répertoire / Violon et Alto

Par EINAUDI LUDOVICO. Dedicated to his ever-remembered maestro and great composer, Luciano Berio, Ludovico Einaudi's five Duetti (duets) for violin and viola are proof of the freedom and variety of musical languages found in the works of one of the most famous and appreciated composers on the contemporary scene. Difficulty level: intermediate. / Niveau : Intermédiaire / Recueil / Violon et Alto

To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening