Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians on an instrument. This workbook is designed to help overcome the nerves that can cause sight-reading problems by giving sound technical advice and confidence boosting tips. Step-by-step it helps the violinist to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of prepared piece with associated questions for the student to answer, and finally to the real, unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep an eye on progress. The new editions of this popular series supports the new ABRSM string syllabus requirements from 2012, ensuring success in the sight-reading tests of graded exams./ Etude / Violon

for Violin. Instrumentalists will love this jam-packed collection of 101 holiday favorites!/ Recueil / Violon

for Cello. Instrumentalists will love this jam-packed collection of 101 holiday favorites!/ Recueil / Violoncelle

A lively collection of great Scottish Irish and Canadian tunes to add variety to your sets! The four books in the series 'The Ceilidh Collection for Fiddlers' have been best sellers in Scotland for more than 20 years with all ages and stages of fiddle players - a testimony to the great Scottish music contained in them. This volume contains some tunes which use more complex rhythms bowings and the keys up to three flats but most of the tunes are in A D or G. Another stunning collection of popular tunes for ceilidh dancing and solo performances. “The Ceilidh Collection has over eighty tunes arranged by type and hereis its real strength: if you’re playing at a ceilidh what you want is a set of tunes suited to the next dance and you want them quickly - mustn’t keep the dancers waiting. Well using this book you just turn to the page and away you go. It’s not just that the tunes are arranged by jigs reels waltzes or whatever but they are also arranged by dance.” “For anyone staring out in the business of playing for dancers the Ceilidh Collection is ideal. It has all the old favourites and a few newer ones for interest. It has nearly all the dances which are usually performed and a few titbits like the set for Burns Nigh and some airs. Nor is it just for fiddlers because everything is chorded. A thoroughly worthwhile publication.” - John Moar Orkney View Magazine

Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Par MENDONCA VASCO. 'Terrance Hayes? series of sonnets is an extraordinary collection of poems: his poetry captures the spiralling social and political chaos in America (and the world) in a way no newspaper article or scholarly essay has been able to; his words have the rare quality of clarifying a collective feeling that is messy and confusing, an elusive and disturbing combination of fear, hope, perhaps despair. I have never personally experienced (and probably never will) the reality Hayes writes about: the oppression, danger and ambiguity he reflects upon are alien to my own experience. But I nevertheless felt compelled to create something inspired by his words. To engage - how can you not engage' The first movement of ''A Box of Darkness with a Bird in its Heart'' is a hurtful ostinato with an uneven, organic pulse - not unlike the way we breathe under physical or emotional strain. The second is a quiet, delicate birdsong; its very high melody almost a secret that?s unwillingly shared - followed by an expressive lament. The ending in the low register brings me the image of a viola da gamba played outside in a warm summer night, a distant tale of violence and loss. In the final movement the energy picks up, in a relentless and unforgiving mechanism of pizzicati. This piece was written for the wonderful violinist Diana Tishchenko, and is dedicated to her. (Vasco Mendonça)' / Date parution : 2022-04-26/ Répertoire / Violon

Par MANOOGIAN V.. Foundations of double stops (šSixths›) / Fundamentos de dobles cuerdas, šSextas› Fundamental left hand technique is base don the release of finger pressure. This basic technique is of extreme importance for it facilitates interval changes and shifting. / Pédagogie / Recueil / Violon

This 1992 work by the Finnish spectral composer Kaija Saariaho is an intense and complex piece for solo Cello and electronics. The music is derived from preliminary recordings made by the composer with Cellist Anssi Karttunen with an electronic part constructed from these recordings at IRCAM. The finished electronic realisation relies in part on real-time processing with Max/MSP along with several external processors and triggers the details of whichare provided within the score. Much of the notation for the Cello part has been specially devised to express the effects and unorthodox playing techniques required by the piece and a full guide to the less familiar symbols isalso provided. This Cello part is also available separately through item code CH61239-01.

Instrumentalists will delight in this collection, which features thematic interpretations of 28 selections from Howard Shore's brilliant scores to The Hobbit motion picture trilogy. Shore masterfully expands upon the musical palette of Middle-earth, blending familiar motifs from the Lord of the Rings trilogy with an exciting array of memorable new themes. This beautifully produced folio features an array of colorful photos from the film. / Violoncelle

This volume in the Easy Instrumental Play-Along series contains 10 Christmas Carols, carefully selected and arranged for first-year violinists.Audio demonstration tracks featuring real instruments are available to download, helping you to hear how the song should sound. Once you've mastered the notes, download the backing tracks to play along with the band.This songbook includes the favourites Angels We Have Heard on High, Christ Was Born on Christmas Day, Jingle Bells, Jolly Old St. Nicholas, On Christmas Night, Up on the Housetop and more. / Violon

Instrumentalists will love this jam-packed collection of 101 timeless pop songs! / Recueil / Violon

Have you ever wanted to play in a full orchestra' Surrounded by top class musicians and the awesome sound of all the instruments together' With the Carl Fischer Playing With the Orchestra Series you can and in style! This unique series presents the kind of pieces that String players want to play with a fabulous Play-along CD of a real orchestra popular pieces which will become a valuable part of your repertoire. Best of all you are always playing the melody! This will add hours of fun to playing your instrument alone and is a great way to show off to family and friends! This is a versatile series it is possible to use these arrangements in a varietyof situations such as solo performance and practice concerts or simply for fun. The series also caters for Viola and Cello or Bass and are all compatible so can be played together with friends as an ensemble. This Classics collection contains ten of the most popular classical themes of all time by the great composers Beethoven Brahms Handel Mozart and others. It is your chance to play the melody whilst being accompanied by an orchestra for some of the most famous tunes that have become an important part of our musical culture.

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.