Violin & Percussion

SKU: SU.50026910

For Violin & Percussion. Composed by Thomas Rice. Strings, Violin, Percussion, Percussion. Accompanied by percussion. Performance Score. Seesaw Music Corp #50026910. Published by Seesaw Music Corp (SU.50026910).

Copyright 1978. Published by: Seesaw Music.

Violin & Percussion

SKU: SU.50003260

For Violin & Percussion. Composed by Allen Brings. Strings, Violin, Percussion, Percussion. Score & Parts. Seesaw Music Corp #50003260. Published by Seesaw Music Corp (SU.50003260).

Published by: Seesaw Music.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.416415110

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Full score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511. Published by Theodore Presser Company (PR.416415110).

UPC: 680160621286.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Orchestra (2 flutes (2nd flute doubling piccolo), 2 oboes, 2 clarinets in bb, 2 bassoons, 4 french horns in f, 2 trumpets in c, 2 trombones, 1 bass trombone, 1 tuba, percussion 1: small beijing opera gong, marimba, tam-tam, japanese high, wood block, percussion 2: s)

SKU: PR.41641511L

For Violin And Orchestra. Composed by Chen Yi. Contemporary. Large Score. With Standard Notation. Duration 10 minutes. Theodore Presser Company #416-41511L. Published by Theodore Presser Company (PR.41641511L).

UPC: 680160621293.

Commi ssioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
Commissio ned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.

Violin

SKU: RM.AZ1698

Composed by Brochot Alain. Violon. Instrumental music. Editions Robert Martin #AZ1698. Published by Editions Robert Martin (RM.AZ1698).

ISBN 9790231076981.

Violin & Percussion

SKU: SU.50033110

For Violin & Percussion. Composed by Gunther Tautenhahn. Strings, Violin. Accompanied by percussion. Score & Parts. Seesaw Music Corp #50033110. Published by Seesaw Music Corp (SU.50033110).

Copyright 1973. Published by: Seesaw Music.

Performance Score Percussion; Violin - advanced to difficult

SKU: HL.49046366

For Violin and Percussion Performance Score. Composed by Lei Liang. Sheet music. Edition Schott. Classical. Softcover. Composed 2019. Duration 900 seconds. Schott Music #ED 30324. Published by Schott Music (HL.49046366).

ISBN 9781540083869. UPC: 840126906264. 9.0x12.0x0.139 inches.

Lei Liang's Deja vu is a one-movement hypnotic dialogue between the violin and percussion. The instrumental writing is intricate yet, at times, explosive. The work contains numerous passages of improvisation with the score providing guidance to the performers.

Violin & Percussion

SKU: SU.50000220

For Violin & Percussion. Composed by George Andrix. Strings, Violin, Percussion. Performance Score. Seesaw Music Corp #50000220. Published by Seesaw Music Corp (SU.50000220).

Published by: Seesaw Music.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Piano, Timpani, Trumpet 1, Trumpet 2, Viola, Violin, Violin 1, Violin 2, Violoncello

SKU: PR.46600040L

For violin and Orchestra. Composed by Dan Welcher. Premiere: Paul Kantor, Violin, Aspen Festival Orchestra, conducted by the composer. Contemporary. Large Score. With Standard notation. Composed December 26 1992. 186 pages. Duration 25 minutes. Theodore Presser Company #466-00040L. Published by Theodore Presser Company (PR.46600040L).

UPC: 680160599134. 11 x 17 inches.

Violin & Percussion

SKU: SU.50000300

For Violin & Percussion. Composed by George Andrix. Strings, Violin, Percussion. Performance Score. Seesaw Music Corp #50000300. Published by Seesaw Music Corp (SU.50000300).

Copyright 1978 Published by: Seesaw Music.

Score and Parts Percussion, Piano, Violin, Chamber Group

SKU: HL.14034098

For Violin, Piano and Percussion Score and Parts. Composed by Andy Pape. Music Sales America. Set. 48 pages. Edition Wilhelm Hansen #KP01263. Published by Edition Wilhelm Hansen (HL.14034098).

ISBN 9788759870655. 0.446 inches. English.

Trio Op.42 was composed by Andy Pape in 1989-91. Scored for Violin, Piano and Percussion.

Violin & Percussion

SKU: SU.50033870

For Violin & Percussion. Composed by Paul Turok. Strings, Violin. Accompanied by percussion. Score & Parts. Seesaw Music Corp #50033870. Published by Seesaw Music Corp (SU.50033870).

Op. 44Copryight 1976. Published by: Seesaw Music.

Violinn, Clarinet, Bassoon, trumpet, Trombone, Percussion & Double bass

SKU: SU.50032220

For Violinn, Clarinet, Bassoon, trumpet, Trombone, Percussion & Double bass. Composed by William Sydeman. Chamber Music, Mixed Ensemble. Score & Parts. Seesaw Music Corp #50032220. Published by Seesaw Music Corp (SU.50032220).

Published by: Seesaw Music.

Full and Performance Score Hand Percussion; Violin (Performance Score)

SKU: HL.49047308

Violin and Hand Percussion Full and Performance Score. Composed by Douglas Cuomo. Edition Schott. Classical. Softcover. 10 pages. Duration 420 seconds. Schott Music #ED30439. Published by Schott Music (HL.49047308).

ISBN 9798350120332. UPC: 842819120902. 9.0x12.0x0.16 inches.

Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone

SKU: PR.114413040

For violin, Bb Clarinet, Bb Tenor Saxophone, Double Bass, Piano, and Percussion. Composed by Chen Yi. Saddle. Premiered at Kerrytown Concert House in Ann Arbor, MI. Contemporary. Set of Score and Parts. With Standard notation. Composed 2006. 16+3+2+2+2+3+2 pages. Duration 5 minutes. Theodore Presser Company #114-41304. Published by Theodore Presser Company (PR.114413040).

UPC: 680160571628. 8.5 x 11 inches.

Commissione d by the Opus 21 ensemble, this mixed sextet is a musical realization of Chinese clay figurines of the Eastern Han (25-220 A.D.). Shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers are in highly exaggerated forms and postures, in large and sweeping movements — the innocent and bold images symbolize the strength, motion, and speed, as the beauty of the crude and primitive power of humanity in its conquest of the material world.
The mixed sextet The Han Figurines is a musical realization of my impression of the Chinese clay figurines of the Eastern Han (25-220 A.D.).  Have you seen the shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers with long sleeves?  They are in highly exaggerated forms and postures, in large and sweeping movements — the innocent and bold images symbolize the strength, motion, and speed.  It’s the beauty of the crude and primitive power of humanity in its conquest of the material world.—Chen Yi.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.

Violin & Vibraphone

SKU: SU.50007310

For Violin & Vibraphone. Composed by John De Beradinis. Strings, Violin, Percussion, Percussion. Performance Score. Seesaw Music Corp #50007310. Published by Seesaw Music Corp (SU.50007310).

Set of 2 Performance Scores Violin & Vibraphone Published by: Seesaw Music.

Violin & Percussion

SKU: SU.50007260

For Violin & Percussion. Composed by John De Beradinis. Strings, Violin. Performance Score. Seesaw Music Corp #50007260. Published by Seesaw Music Corp (SU.50007260).

Published by: Seesaw Music.

SKU: HL.50605315

For Violin, Double Bass, Accordion and Percussion. Composed by Cheryl Frances-Hoad. Instrumental. Softcover. 70 pages. Duration 300 seconds. Chester Music #CH88156. Published by Chester Music (HL.50605315).

ISBN 9781705177556. UPC: 196288102670. 9.0x12.0 inches.

Commissione d by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percussion) at the Chiltern Arts Festival in September 2020.

Chamber Music Clarinet, Contrabass, Percussion, Piano, Violin, tenor Saxophone

SKU: PR.11441304S

For violin, Bb Clarinet, Bb Tenor Saxophone, Double Bass, Piano, and Percussion. Composed by Chen Yi. Premiered at Kerrytown Concert House in Ann Arbor, MI. Contemporary. Full score. With Standard notation. Composed 2006. 16 pages. Duration 5 minutes. Theodore Presser Company #114-41304S. Published by Theodore Presser Company (PR.11441304S).

UPC: 680160620357. 8.5 x 11 inches.

The mixed sextet The Han Figurines is a musical realization of my impression of the Chinese clay figurines of the Eastern Han (25-220 A.D.). Have you seen the shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers with long sleeves? They are in highly exaggerated forms and postures, in large and sweeping movements -- the innocent and bold images symbolize the strength, motion, and speed. It's the beauty of the crude and primitive power of humanity in its conquest of the material world. --Chen Yi.
The mixed sextet The Han Figurines is a musical realization of my impression of the Chinese clay figurines of the Eastern Han (25-220 A.D.).  Have you seen the shapes of the enraptured storyteller, the vivid acrobat, and the moving dancers with long sleeves?  They are in highly exaggerated forms and postures, in large and sweeping movements — the innocent and bold images symbolize the strength, motion, and speed.  It’s the beauty of the crude and primitive power of humanity in its conquest of the material world.—Chen Yi.

Chamber Music Marimba, Percussion, Piano, Suspended Cymbal, Vibraphone, Violin

SKU: PR.114408200

For violin, Percussion, and Piano. Composed by Peter Scott Lewis. Contemporary. Set of Score and Parts. With Standard notation. Composed April 27 1993. 40+12+8 pages. Duration 17 minutes. Theodore Presser Company #114-40820. Published by Theodore Presser Company (PR.114408200).

UPC: 680160012626.