Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

Easy to play melody line arrangements for violin, complete with chord symbols in concert pitch. Includes music by Mozart, Beethoven, Elgar, Bach and Handel. / Violon

Forty selected studies for the violin in two books critically revised by Sam Franko. These Etudes by Mazas rank among the best material for practice which the literature of the violin possesses and have become indispensable for the development of violin technique. They have been arranged in systematic order and especial care has been bestowed on the fingering bowing and the division of the bow.

Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary / Méthode en anglais / Méthode / Violon

Arrangeur: Andrea Cappellari. Par CAPPELLARI ANDREA. Arranged and adapted by Andrea Cappellari. Include Backing Tracks CD. / Pop and rock / Recueil / Violon

The Belwin String Builder Accompaniment Recordings provide students with a musical back-up group to play along with as the student practices the exercises and melodies in Book One of Belwin's String Builder Method by Samuel Applebaum. These fully harmonized accompaniments feature a variety of musical styles.

Violin 2020-2023. Grade 4. This book contains a selection of eight pieces for Trinity Violin Grade 4 exams 2020?2023, carefully chosen, graded and edited by a panel of experts. Encompassing a wide range of styles and including accompanied and unaccompanied pieces at every grade and duets up to Grade 3, this progressive series provides a wealth of engaging repertoire for any violin player. CD available separately, or stream or purchase audio from Amazon, Google Play, iTunes, Spotify and other platforms.

Volume 2: Etudes Progressives op. 32. Par SAMIE. Progressive studies is the second volume of the series Sixty Studies for Violin, written by Auguste Samie and edited by G. Catherine. Containing twenty studies, this volume should help upper beginners / intermediate violinists to play with the first and third positions more naturally. An increasing difficulty can be perceived in term of rhythm and tempo. This volume is completed by 'Dainty Studies' (Volume 1) and 'Melodic Studies' (Volume 3)./ Etude / Violon

Barrage is a hot young touring group of seven violinists one percussionist one kit player guitarist bass and keyboard players performing a mix of original world beat music by Dean Marshall with infectious andirresistible energy. Barrage combines jazz swing Celtic roots rock klezmer country calypso and every musical style in between to create an eclectic and electrifying assault on the senses. After hundreds ofrequests for the music of Barrage this volume of sheet music has finally been produced.The texture of the music has been simplified from the group's seven parts down to 1 to 3 Violin parts with various markingsincluded (bar numbers fingerings and bowings) which can be useful in group situations. In terms of difficulty these arrangements are definitely written for the more intermediate to advanced player.The companion EnhancedCD has two exciting applications: You can print the Piano/Guitar accompaniment sheet music from your computer and you can insert the same CD in your stereo for play along with the pre-recorded Piano accompaniment tracks.

Volume Two Second Position-A second volume of beautiful folk tunes and classical pieces for the advancing beginner. Transcribed and edited by noted American teacher Samuel Applebaum. Contains printed music score and a compact disc featuring all the works in split-channel stereo with the first violin on the right channel the second violin on the left. By adjusting the balance the soloist can remove either violin and play the other. Performed by Richard Henrickson first violin Accompaniment: Andres Jennings second violin

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows.This is the Violin 1 part.

This method by Tim Kliphuis is the first book to teach Gypsy Jazz Violin in the style of Stephane Grappelli. Have you ever listened to Stephane Grappellis' solos thinking 'I wish I could do that, but it is way over my head'' Here is the answer. Simple theory, licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations, which you can try out with the swinging Guitar-Bass play-along downloadable audio rhythm section. Then, prepare to tackle six classic Stephane Grappelli solos, annotated and analyzed for your understanding. To grasp the finesses of sound and timing, there are many sample licks and solos by Tim Kliphuis on the online audio as well. It is assumed the student reads music and has a basic command of the instrument. First method ever for learning Gypsy Jazz Violin in the style of Stephane Grappelli. Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style. Six classic Grappelli solos fully analyzed for study and understanding. Playalong rhythm section as well as Violin licks and sample solos. Audio available for download online.