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Hatikvah (The Hope): Violin and Accomp.: Instrumental Work
5.50
Hatikvah (The Hope): Violin and Accomp.: Instrumental Work
Violon et Piano
Hal Leonard
for Violin and Piano. Hatikvah (The Hope) is a 19th-century Jewish poem and mode...
(+)
for Violin and Piano. Hatikvah (The Hope) is a 19th-century Jewish poem and modern-day national anthem of Israel. In this romantic-style arrangement, Ben Andrew shares the melody between both the violin and piano. Through the use of subtle dissonance and a rich harmonic texture, the music conveys a sense of struggle, despair and sadness, as well as the eternal hope expressed in the original poem upon which the music is based. Perform this piece in your ABRSM Violin Grade 8, or Trinity College London Violin Grade 7 exams.
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Sonate Pour Piano Et Violon En La Majeur (FRANCK CESAR)
24.27
Sonate Pour Piano Et Violon En La Majeur (FRANCK CESAR)
Violon et Piano
[Partition]
G. Henle
Édition Révisée De Hn 293. Par FRANCK CESAR. Contrairement à d'autres oeuvre...
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Édition Révisée De Hn 293. Par FRANCK CESAR. Contrairement à d'autres oeuvres tardives de Franck, sa sonate pour violon (1886) fut d'emblée chaleureusement accueillie par le public et la critique. La sonate est dédiée à Eugène Ysaÿe qui, avec son impeccable technique, suscitait l'admiration de ses contemporains. Ysaÿe en était tellement enthousiasmé qu'il promit: 'Je jouerai ce chef-d'oeuvre partout où je trouverai un pianiste artistique'. Rien n'a altéré depuis lors l'engouement du public pour cette oeuvre, mais il était temps de réviser l'ancienne édition Henle à la lumière de l'état actuel de la recherche. Il a notamment été prouvé que Franck avait étroitement participé à la lecture des épreuves d'imprimerie, de sorte que la nouvelle édition Henle repose non seulement sur le manuscrit autographe, mais tient compte également des nombreuses additions que comporte la première édition. L'annotation de la partie de violon de l'édition Henle est due à Yehudi Menuhin. Daniel Hope s'est occupé des minimes adaptations au texte musical révisé./ Répertoire / Violon et Piano
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Pomp And Circumstance
Violon et Piano
Schott
Last Night of the Proms 'A sans que cela mars - impensable! 'Pomp and Circumstan...
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Last Night of the Proms 'A sans que cela mars - impensable! 'Pomp and Circumstance militaire Mars n 1', avec sa section du milieu, le 'Land of Hope and Glory 'hymne comme par Edward Elgar (1857-1934), appartient à la finale de l'événement musical de Londres comme le Mars Radetzky habituellement joué que la dernière pièce de Concert du Nouvel An de l'Orchestre philharmonique de Vienne. La renommée et la popularité des quatre autres marches militaires composées par Elgar entre 1901 et 1907 fade en comparaison de cet hymne secret national de Grande-Bretagne (bien que fortement concurrencé par 'Rule, Britannia!). Il est, en effet, une pièce tout aussi vibrant et accrocheur de la musique, et la mélodie entraînante au milieu vient de devenir un classique 'touché'. Merci à la présente édition, tous ceux qui n'ont pas un grand orchestre symphonique à la maison peuvent maintenant jouer ce mois de mars réveiller par eux-mêmes. / Violon Et Piano
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Sonata (GASIENIEC MIROSLAW)
26.38
Sonata (GASIENIEC MIROSLAW)
Violon et Piano
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par GASIENIEC MIROSLAW. The first version of the Sonata for violin and piano was...
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Par GASIENIEC MIROSLAW. The first version of the Sonata for violin and piano was written in the autumn of 2008, when I had the opportunity to work with the violinist Robert Bachara, who was pursuing his doctoral studies at Wroclaw Music Academy. A few years later, around the turn of 2016, I revised the musical material, made some changes and shortened the work. It was then that Dr Jacek Ropski, a lecturer at the music academy, took an interest in the Sonata. In January 2016 we produced a recording of this composition, which helped with his post-doctoral studies. I would like to express my profound gratitude to Dr Jacek Ropski for his invaluable musical and performance remarks, which led to the present form of the Sonata for violin and piano. I am also grateful to Professor Bartosz Bryla of Poznan Music Academy for his very favourable review of this composition and warm words of support for its publication. I also hope that this work will find a place among young performers. Miroslaw Gasieniec translated by John Comber / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Fantasia Krushelnytska for Violin and Piano (ADOLPHE BRUCE)
19.71
Fantasia Krushelnytska for Violin and Piano (ADOLPHE BRUCE)
Violon et Piano
[Partition]
Hal Leonard
Par ADOLPHE BRUCE. This work was commissioned by violinist Solomiya Ivakhiv to c...
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Par ADOLPHE BRUCE. This work was commissioned by violinist Solomiya Ivakhiv to celebrate and commemorate the life of her namesake, Solomiya Krushelnytska. A Ukranian soprano, Krushelnyts (1872-1952) left home at the age of 21 to study voice in Italy, where she became a very successful opera performer and close friends with Puccini. She is often credited with saving Madama Butterfly from obscurity by taking on the role after a failed premiere with a different cast. Visiting her family one summer, she was suddently trapped as Ukraine was absorbed by the Soviet Union and all borders were closed. Realizing that she would never be able to return to Italy to resume her solo career, she joined the faculty of the Lviv Conservatory, where she raised a generation of very fine singers. She died in poverty, never being able to access her savings or property in Italy, but she contributed to the growth of the Lviv Conservatory where Solomiya Ivakhiv studied. Krushelnyts became a well-known symbol of hope for young women in Ukraine, where much of the population knows her name, and many streets are named after her. / Date parution : 2022-06-14/ Répertoire / Violon et Piano
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Arboretum Suite (DAVIS OLIVER)
18.42
Arboretum Suite (DAVIS OLIVER)
Violon et Piano
[Partition]
Chester
Par DAVIS OLIVER. 'For many years the violinist Kerenza Peacock and I have been ...
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Par DAVIS OLIVER. 'For many years the violinist Kerenza Peacock and I have been discussing the concept of a piece about trees. One day I received in the post from her a book by Annie Davidson entitled, ‘How to be More Tree’. This brilliant book became the inspiration for the Arboretum Suite. The first tree I decided to write about was Aspen. I read that Aspen trees work together sharing water and nutrients through their root system, so only as a community can they grow in strength. Aspen is followed by Açai Palm, a tree which is native to Brazil and Argentina, hence the Latin American feel of this movement. The score is marked pizzicato, the plucked sound further accentuating the South American rhythms. The Vanishing Mahogany of the Amazon naturally has a very sombre feel, although the major key ending of this movement reflects the hope that we may still manage to save the rain forests. The last movement describes my response to the description of the Mountain Hemlock. I wanted to create rhythms that depicted this beautiful tree swaying in the mountain winds.' - Oliver Davis / Date parution : 2022-06-08/ Répertoire / Violon et Piano
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
5.99
Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violon et Piano
[Partition]
-
Facile
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
12.50
Nigel Goldberg: Sounds Of A Rainbow Vol.3: Violin: Instrumental Album
Violon et Piano
[Conducteur et Parties séparées]
Spartan Press
Grade 3-4-A series available as violin duets or violin & piano.Whether a student...
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Grade 3-4-A series available as violin duets or violin & piano.Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came to me from the wish to give the young children I teach music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. Thepurpose of the second violin part is therefore to enable the teacher to underline the harmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example. This music is also available for violin and piano with piano accompaniments written by Heidi Rolfe.Finally I think that children enjoy the challenge of expressing different moods and emotions musically and I hope that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Nigel Goldberg.
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Arvo Pärt: Fratres: Violin: Instrumental Work
18.99
Arvo Pärt: Fratres: Violin: Instrumental Work
Violon et Piano
[Partition]
Universal Edition
Fratres (original setting for violin and piano) was commissioned by the Salzburg...
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Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th 1980 at that very place (violin: Gidon Kremer piano: Elena Kremer). Daniel Hope internationally acclaimed violin soloist says about the piece: 'Fratres opened up my ears in a completely new way. Recently when I recorded it I was extremely pleased about the edition by Universal Edition. A masterpiece needs an illustration that clearly depicts the composer's wishes as it was done with this piece.'Composed in Pärt's very own 'Tintinnabuli'-style this piece allows many different settings because it is not bound to aspecific klangfarbe (tone color).
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Celtic - Play Along (DIVERS AUTEURS (ARR)
22.14
Celtic - Play Along (DIVERS AUTEURS (ARR)
Violon et Piano
[Partition + CD]
-
Facile
Universal Edition
8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, ...
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8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Violon et Piano
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano. Sheet Music for Violin Piano Accompaniment
9.50
Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano. Sheet Music for Violin Piano Accompaniment
Violon et Piano
[Partition]
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.
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Nigel Goldberg: Sounds Of A Rainbow Vol.2: Violin: Instrumental Album
9.99
Nigel Goldberg: Sounds Of A Rainbow Vol.2: Violin: Instrumental Album
Violon et Piano
[Partition]
-
Facile
Spartan Press
Grades 2-Whether a student or a great artist the desire to make a beautiful sou...
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Grades 2-Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.Contents:Almost Alone D MinorAlong the Sunny Path F MajorDance of the Gnomes D MinorEnglish Folk Song A MajorFisherman's Tale Bb MajorFull Moon F MajorHappy Song G MajorIntermezzo Bb MajorLana's Song A MinorLändler A MajorMountain Climb G MajorOff to School C MajorOverture G MajorQuick March ! A MajorRustic Dance D MajorSad Song G MinorSicilienne G MinorSicilienne Variation G MinorSpring Song C MajorSunshine and Flowers C MajorVirtuoso Variations G Major
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N. Goldberg: Sounds Of A Rainbow 1: Violin: Instrumental Album
9.95
N. Goldberg: Sounds Of A Rainbow 1: Violin: Instrumental Album
Violon et Piano
[Partition]
-
Facile
Spartan Press
Whether a student or a great artist the desire to make a beautiful sound is a c...
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Whether a student or a great artist the desire to make a beautiful sound is a constant in the life of any musician. Sound is the musician's voice the means of communicating an artistic vision to the audience and it should be the aim for children of any age or standard to be engaged in good tone production.The inspiration for writing these pieces came from the wish to give young students music which would develop their ear for both good intonation and beautiful tone production. All the pieces have a strongly implied harmonic structure allowing them to be played without accompaniment. The purpose of the accompanuments is therefore to enable the teacher to underline theharmony as well as to influence the student's tone production and intonation through his own sound as much can be taught by good example.Finally it is the author's belief that children enjoy the challenge of expressing different moods and emotions musically and it is hoped that the range of ideas implied by the keys and the titles of these pieces will fire their imagination.
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Making The Grade Violin Grade 1 Cd
25.60
Making The Grade Violin Grade 1 Cd
Violon et Piano
[Sheet music]
-
Débutant
Chester
Cette collection de 21 mélodies populaires a été soigneusement arrangée et c...
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Cette collection de 21 mélodies populaires a été soigneusement arrangée et classée d'enseignement attrayant répertoire pour jeunes violonistes. La familiarité de la matière va stimuler l'enthousiasme des élèves et d'encourager leur pratique. Les exigences techniques de la partie solo augmenter progressivement à la norme du Grade de Conseil associé I. Les accompagnements piano sont simples mais efficace et devrait être dans la gamme de la plupart des pianistes. Jerry Lanning est diplômé de la Guildhall School of Music and Drama. Il est un arrangeur largement expérimenté dans les domaines tant populaires et classiques, avec de nombreux arrangements publiés à son crédit. Il enseigne également (principalement le piano) à l'école de l'abbaye de Wycombe et Bradfield College. / Violon
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Kaz Daelare Sonate (Mount Ida Sonata) op. 82
32.19
Kaz Daelare Sonate (Mount Ida Sonata) op. 82
Violon et Piano
[Partition]
Schott
2nd sonata for violin and piano. Par SAY FAZIL. / Date parution : 2022-05-31/ R...
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2nd sonata for violin and piano. Par SAY FAZIL. / Date parution : 2022-05-31/ Répertoire / Violon et Piano
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Tunes You Know Book2
9.00
Tunes You Know Book2
Violon et Piano
Kevin Mayhew
/ Violon Et Piano
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