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Take The Lead. 90S Hits
17.00 €
Take The Lead. 90S Hits
Violon et Piano
[Partition]
I.M.P.
Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, pian...
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Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. \' Prendre les Hits des années 90 plomb \' caractéristiques idiomatiques arrangements des années 90 pop classiques offrant plaisir répertoire que jeunes instrumentistes adoreront jouer. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Air que je respire - Angels - congelés - comment vivre - je ne veux Miss A Thing - I ll Be There pour vous - My Heart Will Go On - chose environ la... / Pop and rock / Date parution : 2005-05-27/ Recueil / Violon et Piano
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Broadway Songs For Classical Players-Violin/Piano
23.90 €
Broadway Songs For Classical Players-Violin/Piano
Violon et Piano
[Partition + Accès audio]
Hal Leonard
With online audio of piano accompaniments. Intermediate level arrangements for s...
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With online audio of piano accompaniments. Intermediate level arrangements for solo instruments and piano accompaniment, in a range flattering to each instrument. The music has been edited with added dynamics, articulations, and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / TV, Film, Comédie musicale / Date parution : 2019-05-27/ Recueil / Violon et Piano
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Vision Flamboyante (BRENET THERESE)
20.70 €
Vision Flamboyante (BRENET THERESE)
En Français
Violon et Piano
[Partition]
Lemoine, Henry
Par BRENET THERESE. / contemporain / Date parution : 2002-03-22/ RĂ©pertoire ...
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Par BRENET THERESE. / contemporain / Date parution : 2002-03-22/ RĂ©pertoire / Violon et Piano
20.70 EUR - vendu par LMI-partitions
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Sicilienne - Dushkin Transkriptionen Nr. 6 (PARADIS MARIA-THERESA VON)
10.30 €
Sicilienne - Dushkin Transkriptionen Nr. 6 (PARADIS MARIA-THERESA VON)
Violon et Piano
Schott
According To The Latest Research Findings, 'Sicilienne' Was Not Written By Maria...
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According To The Latest Research Findings, 'Sicilienne' Was Not Written By Maria Theresia Von Paradis, But By Samuel Dushkin.. Par PARADIS MARIA-THERESA VON. L'Ă©dition fait partie du syllabus Trinity 2007 (5e)/ RĂ©pertoire / Violon
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Reflection (Op. 31A) (KNUSSEN OLIVER)
26.60 €
Reflection (Op. 31A) (KNUSSEN OLIVER)
Violon et Piano
-
Avancé
Faber Music Limited
Par KNUSSEN OLIVER. This enchanting 8-minute piece for violin and piano - Oliver...
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Par KNUSSEN OLIVER. This enchanting 8-minute piece for violin and piano - Oliver Knussen's penultimate work - is made up of various kinds of musical reflection: melody reflected in its inversion: a six-note mode reflected in its complement: and the relationships between the three main parts of the piece, which are in a way varied reflections of each other. There are some reflections in water, too, the work's opus number (31a) demonstrating a relationship to Knussen's unfinished Cleveland Pictures: 'The main melody began as a response to Gauguin's painting of a Breton woman swimming', Knussen wrote, 'and there is also, perhaps, an echo of the lonely underwater world of an ondine, eventually breaking the surface at the end of the piece.' / Niveau : Avancé / Musique contemporaine / Répertoire / Violon et Piano
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In My Garden 2 (IGUDESMAN ALEKSEY)
23.40 €
In My Garden 2 (IGUDESMAN ALEKSEY)
Violon et Piano
Universal Edition
Spaziere Ein Zweites Mal Durch Aleksey Igudesmans Fantastischen Garten!. Par IGU...
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Spaziere Ein Zweites Mal Durch Aleksey Igudesmans Fantastischen Garten!. Par IGUDESMAN ALEKSEY. Once again, Aleksey Igudesman invites all violin students into his imaginary garden to get to know a wide variety of fruits and vegetables. Ten imaginative pieces are waiting to be discovered. Furthermore, there are again coloring pictures and short and funny poems in three languages (English, German and French). While they are fun to play, Igudesman manages to convey technical aspects as well. All the pieces have thus an educational value and are equally suitable as teaching and performance material. For those who cannot get enough of Aleksey Igudesman's funny creations we recommend 'In the Zoo' (Volume 1, Volume 2). In these two albums, the author takes us on a visit to the zoo and introduces us to the animals living there./ Recueil / Violon et Piano
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The Christmas Fiddler
21.80 €
The Christmas Fiddler
English
Violon et Piano
-
Intermédiaire
Boosey and Hawkes
Christmas fiddlers can draw on a rich and varied repertoire. This collection spa...
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Christmas fiddlers can draw on a rich and varied repertoire. This collection spans seven centuries, from the boisterous medieval Song of the Ass to contemporary tunes like Sleigh ride, taking in such traditional carols as Away in a manger and O little town of Bethlehem along the way. There is music in The Christmas Fiddler from England, Wales, France, Germany and North America.Of course Christmas time is not only a religious festival. Much of the music here - the Welsh carol Deck the hall, the 'fireside' movement from The Four Seaons, the modern classic Chestnuts roasting on an open fire - is as much a celebration of the ancient secular festival of the Winter Solstice.The arrangements in this collection can be performed as solos or duets, or by larger ensembles. The keyboard accompaniments are there for a multitude of purposes, from concert performances to playing at home- and the violin accompaniments will be invaluable for those Christmas busking sessions.The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club, Sarajevo street-café or Gypsy gathering. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the violin edition (with an optional easy violin part and guitar chord)- or the complete edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means the music can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance. And to help recreate the spirit of the music, every book in the series is beautifully illustrated. / Violon Et Guitare
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Andrew Lloyd Webber For Classical Players (LLOYD WEBBER ANDREW)
27.10 €
Andrew Lloyd Webber For Classical Players (LLOYD WEBBER ANDREW)
Violon et Piano
[Partition + Accès audio]
Hal Leonard
10 Songs from 6 Musicals. Par LLOYD WEBBER ANDREW. Arrangements de niveau élém...
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10 Songs from 6 Musicals. Par LLOYD WEBBER ANDREW. Arrangements de niveau élémentaire avec accompagnement de piano, dans une tessiture adaptée à chaque instrument. Les morceaux contiennent diverses indications comme le phrasé, les articulations, ce qui permet de les interpréter en cours ou lors d'une audition. Les accompagnements ont été enregistrés sur un piano à queue acoustique et sont disponibles en ligne pour écoute ou téléchargement. Sommaire : All I Ask of You (from The Phantom of the Opera) - Bring Him Home (from Les Misérables) - Memory (from Cats) - Some Enchanted Evening (from South Pacific) - The Sound of Music - Till There Was You (from The Music Man) - Tonight (from West Side Story) - et bien d'autres./ Recueil / Violon et Piano
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Christmas Strings (MILLER DONALD)
25.79 €
Christmas Strings (MILLER DONALD)
Violon et Piano
-
Débutant
Mel Bay
With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : DĂ©butant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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Sonata Movement For Violin And Piano C Minor Woo 2
15.80 €
Sonata Movement For Violin And Piano C Minor Woo 2
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Sonata For Violin And Piano A Major Op. 100
17.60 €
Sonata For Violin And Piano A Major Op. 100
Violon et Piano
Barenreiter
Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositi...
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Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Sonata For Violin And Piano D Minor Op. 108
17.60 €
Sonata For Violin And Piano D Minor Op. 108
Violon et Piano
Barenreiter
The Works for one Instrument and PianoJohannes Brahms' compositions for one inst...
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The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano
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Beauty And The Beast : Medley For Violin And Piano (La belle et la bête)
17.40 €
Beauty And The Beast : Medley For Violin And Piano (La belle et la bête)
Violon et Piano
Hal Leonard
Now you can play Lindsey's own medley from the beloved Beauty and the Beast 2017...
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Now you can play Lindsey's own medley from the beloved Beauty and the Beast 2017 Disney movie featuring: Be Our Guest - Beauty and the Beast - Belle - Gaston - Something There. This book includes a separate pull-out violin part. / Violon Et Piano
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Tzigane For Violin And Piano
27.90 €
Tzigane For Violin And Piano
Violon et Piano
G. Henle
'Virtuoso piece in the style of a Hungarian rhapsody? - thus reads Ravel's entry...
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'Virtuoso piece in the style of a Hungarian rhapsody? - thus reads Ravel's entry on 'Tzigane? in the so-called 'Autobiographical Sketch?. Composed in 1924, there are three versions of this work: with piano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. 'Tzigane? was inspired by the Hungarian-English violinist Jelly d'Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt's 'Hungarian Rhapsodies?. Work progressed slowly and d'Aranyi only received the music four days before the première - but she still gave a brilliant performance. / Violon Et Piano
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