The cellist Friedrich August Kummer is one of the best-known virtuosos of the 19th century. Among his numerous compositions, arrangements and concert paraphrases are these catchy transcriptions of Schubert lieder. The present edition contains the most popular lieder, such as 'Die Forelle', 'Die Ungeduld', 'Ständchen', 'Wanderers Nachtlied' and many more. The arrangements are easily playable for the cello and rewarding concert pieces. / Violoncelle Et Piano

Arrangeur: L. Wantelez. Par SCHUBERT FRANZ. Arr. : L. Wantelez / Niveau : 2 - 3ème Cycle / Répertoire / Violoncelle et Piano

Franz Schubert (1797-1828) was an Austrian composer working in the early Romantic era. His Serenade was written in 1826 supposedly after a long summer's walk with some friends. It was originally asetting of a poem by Ludwig Rellstab for a solo Alto Voice.Serenade was never published during the composer's lifetime only coming to light in a posthumous collection called the SwanSong. It has since been recognised as one of Schubert's most beautiful and graceful compositions. It has been transcribed here for Cello and Piano by the Italian cellist Alfredo Piatti as one of hisThree Melodies.

Ausgabe für Violoncello. Par SCHUBERT FRANZ. Une bonne intention n’est jamais assez bonne (d’après Kurt Tucholsky): l’Arpeggione, cette sorte d’hybride – une grande guitare frottée par un archet – n’a jamais réussi à s’imposer auprès des musiciens. Cette curiosité organologique serait certainement déjà tombée depuis longtemps dans l’oubli le plus total si précisément Franz Schubert n’avait pas composé sa sonate en La mineur pour cet instrument. Et cette oeuvre en trois mouvements est vraiment immortelle. Mais elle pose aussi un problème pour l’Urtext, car sans certaines interventions dans le texte, la partie d’arpeggione originale ne pourrait être exécutée sur l’instrument le plus proche au niveau du timbre, àsavoir l’alto ou le violoncelle. La maison d’édition G. Henle résout ainsi le dilemme: d’une part, la partie d’arpeggione originale est superposée à la partie de piano originale (partition), de l’autre, dans la partie séparée jointe à la partition les rares changements d’octaves indispensables sont clairement indiqués. Il était hors de question pour nous d’envisager une autre partie – le violon par exemple (comme dans l’édition Diabelli parue après la mort du compositeur), la flûte ou tout autre instrument mélodique à tessiture aiguë – car toutes ces alternatives s’écartent trop des représentations de timbre que pouvait avoir Schubert. Dans le meilleur des cas, on pourrait envisager – pourquoi pas? – une partie de contrebasse. / Partition brochée / Répertoire / Violoncelle et Piano

Selected Pieces (in 1st Position) by Kirnberger, C.P.E.Bach, Haydn(2), Mozart, Schubert, Handel and Telemann/ Recueil / Violoncelle et Piano

Intermediate pieces for Cello and Piano which help to reinforce thumb position technique. This book builds on the foundation laid in Thumb Position For Beginners presenting rich and varied repertoire by composers such as Handel Tartini Mozart Schubert and MacDowell along with tailor-made original pieces. Includes simple Piano accompaniment.

Graded pieces in attractive contrasting styles. Includes traditional melodies tunes from the classical repertoire and original jazzier numbers. Content - Alastair Arbuthnot Has No Hat (Nelson)- C String March (Nelson)- Chicken-Feed (Nelson)- Christ Church Bells (arr. Nelson)- Cossack Lullaby (arr. Nelson)- Dance to Your Daddy (arr. Nelson)- Drink to me Only (arr. Nelson)- Flag Dance (Nelson)- Hungarian Folk Song (arr. Nelson)- If All the World Were Paper (arr. Nelson)- Landler (Schubert)- Li\'l Liza Jane (arr. Nelson)- Mad as a Hatter (Nelson)- Minuet and Trio(Haydn)- Octopiece (Nelson)- On the Ice (Nelson)- Over the Moon (Nelson)- Pizzicato Pie (Nelson)- Polka (Wohlfart)- Promenade (Nelson)- Rigadoon (Purcell)- Square Dance (Nelson)- The First Waltz (Nelson)- The Tadpole\'s Tale (Nelson)- Trot Along (Nelson)- Tweedledum and Tweedledee (Nelson)- Whirlpool Waltz (Nelson)

CELLOWISE is an exciting new collection of arrangements from the popular classics. The standard is from Grade 3 upwards and included are Bach Badinerie Handel Sarabande Haydn Gipsy Rondo Gossec Gavotte and Tambourin Brahms Hungarian Dance and other favourites with attached CD of top quality performances making a pleasant and varied recital programme both to listen to and of course to play. Cellowise is featured on the 2014 Bauhinia Cup String Competition in Hong Kong and is on the current syllabuses of Trinity College London the Musik-PrüfungsKommission in Vienna and the Royal Irish Academy of Music in Dublin 2015-2018.FOOTNOTE TO CONTENTSOriginally a folk-dance from Medieval Spain the Sarabande became the spiritual centre-point of the 18th. Century dance suite and well-known to cellists through the Bach Suites.The Badinerie is a musical haiku stunning in its precision and economy of means and like a poem condenses much meaning and expression into few words.Sir Yehudi Menuhin once called the 'Erbarme Dich' solo the most beautiful piece of music ever written for the violin. This poignant duet for voice and obligato is about remorse betrayal and the universal theme of suffering. It is one of the centre-pieces of the St. Matthew Passion and is sung after Peter has denied Christ betraying him to the authorities and to his Crucifixion.Gavotte and Tambourin. These two Dances reflect the political opposites of the French Revolution - one a popular dance for partying and celebration the other more courtly and considered a favourite of Marie Antoinette.Rondo all'Ongarese and Hungarian Dance.Hungarian Folk music is fiery and impassioned with virtuoso techniques of embellishment and improvisation. Haydn and Brahms incorporated these elements into Classical forms.Like other Romantic and early-Romantic composers (Mendelssohn and Schubert) Brahms was attracted to Scotland as a wild and beautiful country of myth and

The 21 little performance pieces in The Really Easy Cello Book have been written and selected with beginners in mind. Despite the technical limitations this imposes, there is plenty of scope for musical interest! The pieces are arranged progressively and the piano accompaniments have been kept as simple as possible.  / Instrumental Music / Recueil / Violoncelle et Piano