Johann Sebastian Bach's six suites for solo cello (BWV 1007-1012) are among the most significant compositions for unaccompanied melody instrument and have won a permanent place in the repertoire of every cellist.Joachim Linckelmann has made the first two suites available for performance on the flute. His arrangements exploit the technical possibilities of the instrument while never straying far from the original. ln this form the cello suites will not onIy be a welcome diversion in the literature for solo flute, but pose a genuine challenge to every flautist.· Convincing, straightforward arrangement· Welcome addition to the solo flute repertoire / Flûte / Partition

Eine Violoncelloschule für Kinder ab 4 Jahren. Par SASSMANNSHAUS EGON / SASSMANNSHAUS KURT / CORSSEN . Bärenreiters Saßmannshaus - Das Standardwerk Für Junge Streicher. Früher Anfang Auf Dem Cello (Neugestaltung 2008)/ Méthode / Violoncelle

sette esercizi da suonare e cantare per sei solisti (1968, rev. 1976) per violoncello. Par PANNI MARCELLO. Sette Esercizi Da Suonare E Cantare Per Sei Solisti (1968, Rev. 1976) Per Violoncello / Niveau : Intermédiaire / Répertoire / Violoncelle

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Sechs Suiten für Violoncello solo qui a été écrite pourVioloncelle. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 320 . / Violoncelle / Partition

Par BACH JOHANN SEBASTIAN. Révision : Fernand Gabez / classique / Répertoire / Violoncelle

Bwv 1007-1012. Par BACH JOHANN SEBASTIAN. Urtext edition with articulation markings - Soft-cover performing edition When you think cello, you think of Bach?s immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer?s autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation andphrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition ? Revised (NBArev), now completes Bärenreiter?s collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentions as far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. ?This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, I have attempted to provide musicians and scholars with a reliable version of the surviving musical text of the six cello suites and to shed light on the options which the Bach sources offer. ? - Urtext edition with articulation by the editor on the basis of intensive source comparison - Musical text identical/ Répertoire / Violoncelle

Poèmes Evangéliques Op.99 N°5. Par BACH JOHANN SEBASTIAN. Based On The Partita #3 E Major/ Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. With his cello technique Pablo Casals set standards new at the time, and with his interpretation and warm, singing tone he helped even little, improbable compositions achieve great effectiveness. By means of his interpretative art he rescued Bach's Cello Suites from oblivion, and he occupied himself with them throughout his life, fascinating his public with his renditions of these suites over and over in new ways./ Répertoire / Violoncelle

10 Strauss favourites arranged for solo cello with backing track CD. Par STRAUSS JOHANN (FILS). 10 Strauss Favourites Arranged For Solo Cello With Backing Track Cd / Niveau : Intermédiaire / Classique / Répertoire / Violoncelle

Par BACH JOHANN SEBASTIAN. Editeur(s) d'origine: Beißwenger, Kirsten/ Répertoire / Violoncelle

Scholarly-Critical Performing Edition. Par BACH JOHANN SEBASTIAN. This scholarly-critical edition which consists of a musical text in modern engraving as well as facsimiles of the five sources now includes a text booklet in German and English. This replaces the previous editions BA 5215 (with German booklet) and BA 5216 (with English booklet)./ Répertoire / Violoncelle