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Mantel G.- Practising Etudes Vol.3- Violoncelle
21.60
Mantel G.- Practising Etudes Vol.3- Violoncelle
Violoncelle
Schott
Studies play an important role in musical instrument training. Gerhard Mantel's ...
(+)
Studies play an important role in musical instrument training. Gerhard Mantel's new edition Etüden üben (Practising studies) (3 volumes) complements his previous successful book Cello üben (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.Contenu - Legato - String crossing - Arpeggios - Chords - Martellato - Staccato - Spiccato - Change of rhythm
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Mantel G.- Practising Etudes Vol. 2- Violoncelle
21.60
Mantel G.- Practising Etudes Vol. 2- Violoncelle
Violoncelle
Schott
Studies play an important role in musical instrument training. Gerhard Mantel's ...
(+)
Studies play an important role in musical instrument training. Gerhard Mantel's new edition Etüden üben (Practising studies) (3 volumes) complements his previous successful book Cello üben (ED 8714). The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.Contenu - Octaves - Fingerings - Whole bow strokes, Energy progression - Dynamics - Articulation - Bowing patterns
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Practising Etudes - Basic Of Cello Technique In Selected Etudes - Violoncelle
21.60
Practising Etudes - Basic Of Cello Technique In Selected Etudes - Violoncelle
Violoncelle
Schott
Studies play an important role in musical instrument training.Gerhard Mantel's n...
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Studies play an important role in musical instrument training.Gerhard Mantel's new edition Etüden üben (Practising studies) (3 volumes) complements his previous successful book Cello üben' (ED 8714).The basics of cello technique are worked on in selected studies, with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello.Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position, vibrato and trills to changes of strings and double stops.Vol. 2 deals with fingerings, whole-bow stroke, dynamics, articulation and types of bowing, among others. The final volume contains studies on legato, arpeggios, chords, martellato, staccato, spiccato and changes of rhythm.The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.
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Practising Etudes Band 1: Cello: Study
17.50
Practising Etudes Band 1: Cello: Study
Violoncelle
[Partition]
-
Intermédiaire
Schott
The Basic of Cello technique in selected etudes-Studies play an important role i...
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The Basic of Cello technique in selected etudes-Studies play an important role in musical instrument training. Gerhard Mantel's new edition 'Etüden üben' [Practising studies] (3 volumes) complements his previous successful book 'Cello üben' (ED 8714). The basics of cello technique are worked on in selected studies with the focus being not only on the ability to learn a technically and musically oriented text within a reasonable time but also on the solution of certain problems typical of the cello. Vol. 1 covers aspects ranging from the orientation on the fingerboard via changes of position vibrato and trills to changes of strings and double stops. Vol. 2 deals with fingerings whole-bow stroke dynamics articulation and types of bowing among others. The final volume contains studies on legato arpeggios chords martellato staccato spiccato and changes of rhythm. The accompanying volume of commentaries (for all three volumes) describes in detail the methodological practising processes.
17.50 GBP - vendu par Musicroom GB
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Celtic Gems for Cello (DUNCAN CRAIG)
19.22
Celtic Gems for Cello (DUNCAN CRAIG)
Violoncelle
[Partition]
Mel Bay
Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved...
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Par DUNCAN CRAIG. Celtic Gems for Cello contains 68 of the most played and loved melodies from the Celtic tradition including 25 reels, 31 jigs, 8 slip jigs and 4 Irish hornpipes. Tunes of similar style are grouped with melodies that work well in sets, or medleys. Stylistic bowing and ornament ideas as well as suggested chord changes are included to give options in interpreting the tunes. / Date parution : 2022-06-08/ Recueil / Violoncelle
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Andrew Lloyd Webber: The Songs of Andrew Lloyd Webber: Cello Solo: Instrumental
13.99
Andrew Lloyd Webber: The Songs of Andrew Lloyd Webber: Cello Solo: Instrumental
Violoncelle
[Partition]
Hal Leonard
Cello-40 of the most memorable songs composed by the inimitable Andrew Lloyd Web...
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Cello-40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: 'All I Ask of You' 'Amigos Para Siempre (Friends for Life)' 'Any Dream Will Do' 'Don't Cry for Me Argentina' 'I Believe My Heart' 'I Don't Know How to Love Him' 'Love Changes Everything' 'Love Never Dies' 'Memory' 'No Matter What' 'The Phantom of the Opera' 'Pie Jesu' 'Starlight Express' 'Stick It to the Man' 'Tell Me on a Sunday' ''Til I Hear You Sing' 'Unexpected Song' 'Wishing You Were Somehow Here Again' 'With One Look' and many more.
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Mats Lidström: Suite For Cello Solo: Cello: Instrumental Album
10.00
Mats Lidström: Suite For Cello Solo: Cello: Instrumental Album
Violoncelle
CelloLid.com
'I arrived in New York City from Sweden on a warm September evening to take up m...
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'I arrived in New York City from Sweden on a warm September evening to take up my studies with Leonard Rose at the Juilliard School of the Performing Arts. I was 18 years old. The first week I had fish for supper every day thinking mother would approve. During that time leading up to my first lesson I composed the suite presented here as a gift to my new teacher.'The 2004 revision meant some minor changes to the first five movements and the scrapping of the sixth. The sixth the final movement of the suite was initially a prelude and fugue a result of the theory lessons with composer Lawrence Widdoes - and in C minor at that. I decided to replace it with theAve Maria music written a month after September 11 2001. As a citizen of this world I was desperate to counter inhumanity with positive creativity. The movement was written for the acoustics of a church.
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Albert Sammons: The Secret of Cello Technique: Cello: Instrumental Tutor
9.95
Albert Sammons: The Secret of Cello Technique: Cello: Instrumental Tutor
Violoncelle
Spartan Press
The Secret Of Technique In Cello Playing.Daily practice for soloists and advance...
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The Secret Of Technique In Cello Playing.Daily practice for soloists and advanced players by Albert Sammons. Op20. Transcribed by Lionel Handy. 'I was introduced to Albert Sammons' classic work The Secret of Technique in Violin Playing by Hugh Bean. I was fortunate to play chamber music with Bean for many years and he maintained that his ability to keep his technical level was largely due to Sammons teaching in general and this book in particular. Bean was a pupil of Sammons for more than twenty years and believed that this concise work was ofgreat benefit to students and also professional players with limited practice time. I am very grateful to Mr Richard King Sammons grandson and Mrs Mary Bean for allowing me not only to transcribe this work for Cello but also to include where appropriate the suggestions Sammons made in his original text and the additional notes that Bean added in the 2002 edition. I have tried to stay as close as possible to Sammons material but some adaptation has obviously been necessary. I hope that my own comments for cellists will clarify the changes that have been made and are offered as Hugh Bean said in his 2002 edition in the spirit of wishing to help both aspiring and established string players utilize to the full their practice time. Although this transcription contains several exercises not found in the classic Cello studies of Popper Duport and Grutzmacher et al I hope that the unorthodox nature of these exercises will broaden and free the imagination of cellists by providing a more extended approach to Cello technique.' - Lionel Handy
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Claude Debussy: Prelude a lapres-midi dun faune: Orchestra: Parts
5.00
Claude Debussy: Prelude a lapres-midi dun faune: Orchestra: Parts
Violoncelle
Barenreiter
Scholarly critical edition with many corrections in the score and orchestral par...
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Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.
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Renata Bratt: The Fiddling Cellist: Cello: Instrumental Album
18.99
Renata Bratt: The Fiddling Cellist: Cello: Instrumental Album
Violoncelle
[Partition + Accès audio]
-
Intermédiaire
Mel Bay
Renata Bratt's The Fiddling Cellist is a comprehensive resource designed to pre...
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Renata Bratt's The Fiddling Cellist is a comprehensive resource designed to prepare intermediate and advanced Cello students to play fiddle music. Eighteen fiddle tunes with chords in stylesfound in typical fiddle jam sessions - Celtic Old Time and Bluegrass. Each tune arranged for two or three Cellos and accompanied by short studies teaching idiomatic bass lines and back-up harmony as well as improvisationalsoloing over the chord changes. The companion audio download available online includes all examples with Guitar accompaniment.
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Per Nørgård: Sonata No.3: Cello: Instrumental Work
Violoncelle
Wilhelm Hansen
I - Lento II - Imposante III - Andante Programme Note In my early television rem...
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I - Lento II - Imposante III - Andante Programme Note In my early television remembrance I recall a broadcast with Samuel Beckett one of the fathers of the absurd play and drama. At one time Beckett looked the viewer (the camera) in the eye and said:'What! - is the Word'. I have not since been able to forget it obviously having borrowed this ambiguous sentence as title for this short cello sonata. The fact that it is conceived as a unity is obvious from the fact that the two outer movements are closely related. The long immediately recognizable melodic line which dominates the first movement appears in the third movement aswell first in an inverted version and then almost identical to its original appearance only shorter. In contrast the middle movement is a fast one constantly and intensely on the move with many changes of pulse and meters as well as large melodic leaps. And while the outer movements each are composed as a single melodic line the middle movement makes extensive use of the cello as a polyphonic instrument employing lots of chords double stops and flageolet effects. Per Nørgård (2010)
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Kaija Saariaho: Spins And Spells: Cello: Instrumental Work
16.99
Kaija Saariaho: Spins And Spells: Cello: Instrumental Work
Violoncelle
[Partition]
Chester
For solo Cello.'The title evokes the two gestures which are at the origin of the...
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For solo Cello.'The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call 'spinning tops' turning around on the one spot or undergoing changes and on the other timeless moments centred on the sound colour and texture.The entire piece unfolds either around or between these two gestures. I chose to re-tune the instrument in order to personalise the harmonic writing: the fifths arereplaced by structures favouring major sixths and minor thirds.Challenged by this scodatura the sonority of Spins and Spells reminds me of the music and the instrumental colours of another age far older than those ofthe cello that we know although seen and transformed again through my own universe.' - Kaija Saariaho
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Claude Debussy: La Mer: Orchestra: Part
8.50
Claude Debussy: La Mer: Orchestra: Part
Violoncelle
Barenreiter
Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work ...
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Trois Esquisses Symphoniques-Claude Debussy's La Mer is an impressionistic work through and through. The three symphonic sketches that make up the work were composed between 1903-1905 however Debussy refined this work up until at least 1913. These corrections are found in a score which the composer gave to his wife as a present for her private library in 1913.The new scholarly-critical edition draws on several important sources previously unavailable to musicologists resulting in an array of new readings and corrections. In addition there are many changes especially in terms of articulation and dynamics.This new edition includes the famous ?fanfare? inMovement III clearly marked in small print and brackets. This fanfare was excised in the 1910 reissue of the work but was reinstated by a number of great conductors who knew Debussy i.e. Monteux Münch Mitropoulos and Ansermet. They felt that the excision was a misunderstanding and that the fanfare was necessary for the structure of the movement. And so the Bärenreiter edition presents the revival of a performing tradition which is committed to the fanfare.New Urtext edition with numerous corrections in comparison to other editions.Important sources which were previously inaccessible have been taken into account.Score and orchestral parts in large format (25.5 x 32.5cm).Score and orchestral parts with an impeccable generous layout.Includes an informative introduction (Eng/Fr/Ger) facsimiles source descriptions and a Critical Commentary (Eng).
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David Blake: Scenes Cello Solo: Cello: Instrumental Work
15.99
David Blake: Scenes Cello Solo: Cello: Instrumental Work
Violoncelle
[Partition]
Novello & Co Ltd.
Written for Moray Welsh whilst still an undergraduate at York University. This p...
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Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy nostalgic a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book at its simplest is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for allits musical material to become distorted either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning' a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific this change of heart doesn't really matter.© David Blake
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Kaija Saariaho: Im Traume: Cello: Instrumental Work
Violoncelle
Jasemusiikki
Kaija Saariaho’s 1980 work for Cello and Piano was commissioned by the Fi...
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Kaija Saariaho’s 1980 work for Cello and Piano was commissioned by the Finnish Broadcasting Cooperation. It attempts to create the sudden and dramatic changes of the dream world; with bursts of colour and a web of meaning; seeming to spiral out of control before everything is grounded. This is another fantastic composition by the hugely talented Finnish composer.
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Fun With Changes Of Positions Of Cellists
29.97
Fun With Changes Of Positions Of Cellists
Violoncelle
Simrock
Qui ne connaît pas le problème du changement de position ? Avec un instrument ...
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Qui ne connaît pas le problème du changement de position ? Avec un instrument aussi grand qu'un violoncelle, violoncellistes doivent souvent surmonter sur de grandes distances sur leur touche, donc, être constamment confrontés les changements de position. Ce livre (postes 1 et 4) / Violoncelle
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Cello Method: Lesson Book 2 (KOEPPEN GABRIEL)
23.86
Cello Method: Lesson Book 2 (KOEPPEN GABRIEL)
Violoncelle
[Partition + CD]
Schott
Have fun playing the Cello. Par KOEPPEN GABRIEL. The second lesson book in the t...
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Have fun playing the Cello. Par KOEPPEN GABRIEL. The second lesson book in the trailblazing new Koeppen Cello Method, putting the emphasis on having fun with your cello! Taking a playful and effective approach to learning the cello, the Koeppen Cello Method breaks new ground, sprucing up the usual Baroque and Classical repertoire by adding pieces in popular styles: rock, bossa nova, reggae, swing and more! Exciting pieces and exercises in these styles illustrate specific musical concepts and techniques, whilst teacher-pupil duets feature throughout, encouraging strong ensemble skills right from the get-go. Structured in an easy and understandable way, the Koeppen Cello Method lays the foundation for a solid technical and musical training. There is a core Lesson Book and a supplementary Tune Book at each level. All books are accompanied by a CD which will help motivate and inspire. For players from around the age of 10 right up to adult learners. / Méthode / Méthode / Violoncelle
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Beautiful Airs and Ballads of the British Isles (DUNCAN CRAIG)
23.42
Beautiful Airs and Ballads of the British Isles (DUNCAN CRAIG)
Violoncelle
[Partition]
Mel Bay
for Cello. Par DUNCAN CRAIG. Beautiful Airs and Ballads of the British Isles for...
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for Cello. Par DUNCAN CRAIG. Beautiful Airs and Ballads of the British Isles for Cello is a collection of 30 traditional Irish, Scottish, and English melodies that are particularly suited to the cello. Traditional airs, love songs, songs of home and longing as well as compositions of Turlough O'Carolan and J. Scott Skinner make up the collection. The arrangements include stylistic phrasing and variations as well as chord changes for accompaniment. / Date parution : 2023-03-11/ Recueil / Violoncelle
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Easy Cello Studies Band 2
19.42
Easy Cello Studies Band 2
Violoncelle
Schott
Important techniques such as dexterity, (wide) change of string, change of posit...
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Important techniques such as dexterity, (wide) change of string, change of position, double stops, harmonics, pizzicato and trills are exercised in these charming studies. / Violoncelle
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Andrew Lloyd Webber: Andrew Lloyd Webber Classics - Cello: Cello Solo:
14.50
Andrew Lloyd Webber: Andrew Lloyd Webber Classics - Cello: Cello Solo:
Violoncelle
[Partition + Accès audio]
Hal Leonard
Instrumental Play-Along-Twelve solo Cello arrangements from Webber's greatest sh...
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Instrumental Play-Along-Twelve solo Cello arrangements from Webber's greatest shows complete with full band accompaniment.
14.50 GBP - vendu par Musicroom GB
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