Par DIVERS AUTEURS / KOEPPEN GABRIEL (ARR.). This collection is for classical Cellists and presents a broad selection of well-known pieces from the repertoire of classical music, opera, musicals, jazz and tunes from all over the world for all occasions, from solemn ceremonies to happy celebrations. This includes performances as part of public or private ceremonies to mark birthdays, weddings, funerals, anniversaries and jubilee celebrations as well as concerts in schools. The selection ranges from popular classical works such as Bach's 'Air', Mozart's 'Little Night Music' or Schumann's 'Reverie' and well-known operatic melodies through to medleys featuring waltzes, Dixieland or folk songs through to tangos and a few jazz standards. As the second cello part includes symbols for harmonies, it can also be played at will on keyboard, guitar and/or bass. Enjoy your gig!/ Recueil / Violoncelle

Restart Cello guides returning players through 12 specially selected tracks to bring them successfully back up to speed with the Cello at their own enjoyable pace. With additional exercises, tips and theory reminders, latent cellists will find the learning curve engaging and rewarding yet flexible, with special focus paid to common issues such as tone, bowing technique and left hand dexterity. The Restart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks and online support materials. / Violoncelle

Par DUCKETT BULL / GOODBORN. For everyone who wants to play strings. Team Strings is ideal for individual, mixed instrument groups or class tuition. Allows violin and viola, or cello and bass to be taught in the same lesson - integrates with Team Brass, Team Woodwind, Team Recorder and Team Percussion to provide mixed instrumental ensembles - contains carefully graded music in a wide variety of styles, from Baroque and Classical to Folk, Film and Jazz - develops instrument-related aural skills, improvisation and composition - offers helpful notes for the teacher, together with piano accompaniments, ensemble scores and parts for wind, brass and percussion. Includes a 2-Octave Scale in the key of C Major. This edition includes a CD of over 75 digital backing tracks of all the melodies, excerpts and pieces for individual and group use. / Niveau : Facile / Recueil / Violoncelle

Cello Play-Along Volume 10. Par LLOYD WEBBER ANDREW. The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming. This volume includes 8 songs from the classic musical: All I Ask of You - Angel of Music - Masquerade - The Music of the Night - The Phantom of the Opera - The Point of No Return - Think of Me - Wishing You Were Somehow Here Again./ Recueil / Violoncelle

Easy Classics for Cello is part of the Easy Classics Series written to provide beginning to intermediate students with an enjoyable introduction to classical music. This book features 16 solos and duets in cello-friendly keys with piano accompaniment. All of the pieces may be played as solos or duets and the content in this book is fully compatible with Easy Classics for Violin and Easy Classics for Viola.

A comprehensive musicianship String method.About The Book:Unique chapter layout provides a goal-orientated format organised by school quarter.4 full-page assessments include:- Critical Listening- Playing By Ear- Theory and Terminology- Composing Arranging and Improvisation- Performance- Advanced Bow StudiesWealth of classical and world music.8 arrangements and original compositions for String Orchestra.Duets rounds and a solo with Piano accompaniment.Play-along accompaniments feature demo and performance tracks with professionalmusicians.Featured in SmartMusic.Correlates with science and world history.Fully integrated with the National Standards for Music Education.Video tutorials with master teachers and students. About The Accompaniment Tracks:Each track includes a demo version with professional musicians followed by accompaniment only.Outstanding accompaniments explore a wide variety of musical styles to make practice exciting and fun.Play classical and world melodies with characteristic accompaniments that include:Full OrchestraRockLatinJazzFunkCountryElectronicWorld MusicMedia Options:DVD Features:Video tutorialsAccompaniments for the entire bookAbility to transfer MP3 files to a computer or portable deviceOnline Features:Stream or download all accompaniments at no chargeStream all video tutorials at no charge

para Violoncello y Piano. Par KABALEVSKY DIMITRI. Classical / Classique / Répertoire / Violoncelle

para Violoncello y Acompañamiento de Piano. Classical / Classique / Recueil / Violoncelle

Par PUSCOIU COSTEL. Violoncelle/Solos. Vingt-quatre solos pour violoncelle basée sur des mélodies classiques célèbres de Praetorius, Brahms, Mozart, Rimski-Korsakov, Fauré, Chopin, Grieg, Dvorak, Beethoven et Corelli ainsi que plusieurs chansons folkloriques et pièces originales par l'auteur. Cette musique est spécialement organisée pour l'élève de début-niveau. Un téléchargement gratuit d'accompagnement piano est disponible pour une utilisation avec ce titre. Accompagnement piano gratuit disponible. / Niveau : Débutant / Classic - Solos / Recueil / Violoncelle

Ten playalong arrangements of classic symphonic themes for Cello. Experience the thrill of playing complete movements with a full orchestral backing! / Violoncelle

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle