These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /

fragment from Das Urteil (The Judgement) by Franz Kafka. Par JOST CHRISTIAN. Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost/ Répertoire / Soprano et Piano

Poem By Christina Rossett-This short song of dreamy sorrow and hope for voice and piano is a setting of words by Christina Rossetti. Its sustained and expressive vocal line supported by rich harmony make it a popular recital choice. The score contains versions in high and low keys making it suitable for all voices.

Arrangeur: Richard Walters. Par SULLIVAN BERT / GILBERT. W.S. Gilbert a écrit les paroles, Arthur Sullivan a composé la musique, et ensemble ils ont révolutionnent la musique pour le théâtre en anglais. Cette nouvelle série présente des chansons et des airs de leurs opérettes intemporels, recueillis par type de voix. Il y a 15-17 chansons par volume, avec les plus célèbres extraits regorgeait par choix belles, moins connus. L'édition comprend également des notes sur le contexte de l'intrigue de chaque sélection. Les accompagnements piano sur les CD compagnon ont été enregistrées par Laura Ward. / Niveau : Elémentaire / Rép International / Recueil / Voix