This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

L'entraîneur de voix Boosey est un concept entièrement nouveau en formation vocale. Ne pas un auto-apprentissage manuelle et pas remplis de diagrammes rébarbative, cette série est un guide pratique entièrement au chant - apprendre la technique et interprétation par le biais de la reperto / Voix Moyenne/Voix Basse Et Piano

Medium/Low Voice Edition-A new edition of art songs by Samuel Barber including the entire contents of the Collected Songs and Ten Early Songs plus many songs never before published with extensive introductory commentary. Thisedition is for low and medium voices.

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others.Includes works from Ernst Bacon: It's all I have to bring - Samuel Barber: The Crucifixion- The Daisies- Hey nonny no!- The Monk and His Cat- Mother, I cannot mind my wheel- A Slumber Song of the Madonna- Sure on this shining night - Paul Bowles: Cabin- Heavenly Grass- Sugar in the Cane - Theodore Chanler: The Lamb - Ernest Charles: When I Have Sung My Songs - John Duke: Loveliest of Trees- Richard Hageman: Do not go, my love - Lee Hoiby: Where the Music Comes From - Carles Ives: In the mornin'- Serenity - Herbert Kingsley: The Green Dog - Charles Naginski: The Pasture - John Jacob Niles: Black is the color of my true love's hair- Go 'way from my window- The Lass from the Low Countree - Gladys Rich: American Lullaby - William Roy: This Little Rose - John Sacco: Brother Will, Brother John - William Schuman: Holiday Song- Orpheus with his lute. / Voix Basse Et Piano

Par CANAT DE CHIZY EDITH. Versions for low voice setting the text of Federico García Lorca. Commissioned especially for the 10th Concours International de Chant-Piano Nadia et Lili Boulanger./ Répertoire / Basse et Piano

A selection of songs from the Associated Board of the Royal Schools of Music singing syllabus additional practice resources available online Low Voice / Voix Et Piano

Air De La Calomnie C'Est D'Abord. Par ROSSINI GIOACHINO. / Répertoire / Basse et Piano

Par THOMAS. 'Spectre infernal, image veneree. . . '/ Répertoire / Basse et Piano