For Soprano, Flûte And Guitar. By Francisco Valls. Par VALLS FRANCISCO. Traditional Spanish songs, composed by this Catalan composer and theorist (1665 - 1747) for voice, flute and piano./ Répertoire / Voix

Complete Piano Sonatas Volume I-Franz Joseph Haydn was a prominent and prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the Piano trio and his contributions to musical form haveearned him the epithets 'Father of the Symphony' and 'Father of the String Quartet'. At the time of his death aged 77 he was one of the most celebrated composers in Europe.Franz Joseph Haydn: Complete PianoSonatas Volume I includes 12 sonatas for solo Piano. This Urtext Edition is an authoritative edition with accurate editorial content and as close to the composer's intentions as possible.

Laughter is a precious gift. In this heartwarming new nativity musical, the wise men bring joy a-plenty, along with their traditional gifts. Children will love the entertaining play and the seven catchy songs, including a hand-jiving finale and the cool backing tracks. Gold, Frankincense And Mirth! features all the favourite Christmas characters, from Gabriel to Herod, and creates a warm and uplifting end of term celebration for children, teachers and parents. It's another gem from Sheila Wilson, composer of 'Hosanna Rock!', 'Rock around the Flock!', 'Scrooge' and 'Christmas Stars (The Xmas Factor)'.This musical is for key stages: 1-2 (ages 5-11) and features songs in a variety of styles, including funky, rocky, a lullaby and a finale medley.This Music Book contains a Piano accompaniment, Guitar chords, Vocals, optional Harmonies, Kazoos, Handbells, Recorders, Glockenspiels and Sleigh bells. / Voix

Use counterpoint to make your music more engaging and creative. Counterpoint ? the relationship between musical voices ? is among the core principles for writing music and it has been central to the study of composition for many centuries. Whether you are a composer arranger film composer orchestrator music director bandleader or improvising musician this book will help hone your craft gain control and lead you to new creative possibilities. You will learn ?tricks of the trade? from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed and many recommendedlistening lists point you to additional examples of how these principles have been used in music over the past thousand years.

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE

Vocal Score-The New York Times calls this Tony® Award-winning Adam Guettel musical “the most intensely romantic score of any Broadway musical since West Side Story.” 16 songs are included in thiscomposer-approved vocal score including: The Beauty Is • Dividing Day • Fable • Il Mondo Era Vuoto (Part 1) • Let's Walk • The Light in the Piazza • Love to Me • Passeggiata (Part 1) • SayIt Somehow • Statues and Stories (Part 1) • and more. Includes 8 pages loaded with facts about the show a program note from Adam Guettel and Craig Lucas principal vocal ranges and an extensive contents listing for eachact.

William Boyce’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation an early Christian hymn of praise (Te Deum) and Psalm 100 (Jubilate). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed together is approximately 6:15 minutes.William Boyce is widely regarded as one of the most important English-born composers of the 18th century however he remains little-performed today. The beauty of his sacredcompositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy organist and composer) since the age of 9.

Four Comic Songs for Theatre Singers-Four Comic Songs for Theatre Singers. Best known as the lyricist/director for Annie Broadway guru Martin Charnin conceived of this clever collection after noticing a sorry lack of comic songs while auditioning thousands of actors. Featuring his witty words set to the music of accompanist and composer Michael Dansicker these four funny audition pieces will put smiles on directors' faces - and hopefully land actors roles! The songs are arranged for voice with piano accompaniment and include: Audition 101 · Confession · Family Tree · Special Skills.

A practical guide to the benefits of singing. Explore the physical, emotional, mental, spiritual and ultimately life-changing benefits that singing can bring. Eat Sleep Sing takes you on a fun and informative journey as you uncover the secrets of singing. This inspiring workbook will help you get the best out of your voice and encourage everyone to sing. Written by professional singer, teacher and composer, Stacey DeLooze, Eat Sleep Sing features easy-to-follow practical exercises, a step-by-step warm-up guide and expert advice, and is suitable for non-singers, beginners, trained musicians and teachers alike. Discover the chemical responses to singing that reduce stress and encourage a good night?s sleep. Master exercises to gain stronger breath control and a happier mind. Explore the myriad ways singing connects us to each other and the world around us. Unlock tips to boost your confidence and keep your memory sharp and agile. Featuring beautiful illustrations which can be coloured-in to support mindfulness, tongue-twisters to practise, as well as a mood-tracker to help monitor your progress, there is no requirement to read music.

Six Poems of Elizabeth Bishop-(Six Poems of Elizabeth Bishop). John Harbison blends his musical voice with the poetry of Elizabeth Bishop to form a work which gives the impression of a poet/composer collaboration rather than just a setting of text to music.Harbison has also set the work with a chamber ensemble accompaniment which is available from the G. Schirmer Rental Library.

Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs but he also wrote a considerable amount of music for the amateur choirsthat he conducted. His reputation as a song-writer largely lies in his natural gift for text setting he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be. Theseprinciples prevailed when he set William Watson’s poem about a splendid city which stood by a lake and which vanished without trace to music. The Ballad Of Semmerwater is arranged here for Voice with Pianoaccompaniment.

Alan Bullard’s bestselling Joining The Dots series now includes this book for Grade 2 that helps to develop sight-reading skills for singers. By working through a vast number of creative exercises and pieces students can prepare for those all-important ABRSM Singing Grade 2 exams. The books can also be used to build confidence in musicianship classes as a resource for choirs or audition preparation.   Joining The Dots Singing covers the requirements for ABRSM’s sight-singing tests at Grade 2 and includes:   Workoutsalong with simple songs to build the required rhythm and pitch skills for that specific grade Characterful pieces to sight-sing in a range of approachable musical styles Simple improvisation exercises in which students can explore ideas and develop their sense of rhythm and key Songs and rounds to sing with others for additional sight-singing practice or to learn quickly and sing for fun   Alan Bullard is a composer and ABRSM examiner. He studied at the Royal College of Music and the University of Nottingham and taught in further and higher education for many years. He has written many songs and choral works and his music is widely performed and appears on a number of recordings.

Geoffrey Burgon (1941-2010) was a British composer best known for his film and television scores such as Tinker Tailor Soldier Spy Brideshead Revisited and Monty Python’s Life of Brian. He studied Trumpetand Composition at the Guildhall and spent the early part of his career as a successful Jazz musician.Worlde's Blisse was written in 1971 and first performed at that year's Little Missendon Festival. Itis a setting of a medieval Poem in Latin and English scored for Oboe and Countertenor and based on a medieval chant. Suitable for services on or near Good Friday or as a recital item.

Though he is mostly thought of as a singer of jazz and pop standards, Frank Sinatra was not afraid to branch out and try other styles. In 1967, he teamed up with Brazilian composer Antonio Carlos Jobim for the first of two collaborations that found Ol' Blue Eyes working within the bossa nova style, which Jobim helped pioneer a decade earlier. That first record, Francis Albert Sinatra and Antonio Carlos Jobim, earned the pair a Grammy nomination and critical praise. Sing ten songs from this very fruitful musical combination with this delightful karaoke release and hear a very different side of Frank! # Triste Frank Sinatra (2:37, Key: A) # This Happy Madness Frank Sinatra (2:43, Key: C) # Girl From Ipanema Frank Sinatra (2:57, Key: F) # Wave Frank Sinatra (3:16, Key: Eb) # Quiet Nights Of Quiet Stars Frank Sinatra (2:42, Key: C) # How Insensitive Frank Sinatra (3:17, Key: Cm) # Dindi Frank Sinatra (3:34, Key: C) # Meditation Frank Sinatra (2:50, Key: Bb) # Once I Loved Frank Sinatra (2:40, Key: C-Bbm) # One Note Samba Frank Sinatra (2:27, Key: G)

Fantasy f minor op. 103 D 940-Schubert's Fantasie F-Moll Fur Klavier Zu Vier Handen (Fantasy In F Minor For Piano Four-Hands) is an exciting and challenging work which is most enjoyable to play. This Urtext edition edited by Willi Kahl provides youwith a clear and accurate representation of the composer's original intentions with detailed editorial markings and suggestions.