Poignant and humorous story about a rich factory owner’s children who become involved with poor factory kids. Set in the 1830s and linked by famous contemporary figures. Fits in with Key Stage 2 of the History curriculum. Ten songs some with two-part singing recorder and tune percussion parts.

A travers cette méthode d'apprentissage Chant/Vocal/Choeur vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Sing Your Story a été écrit par Auteurs Divers et éditée par les éditions Advance Music sous la référence ADV14105. / Voix / Partition

A Musical Exploration Storybook Disney Learning-In this innovative musical exploration storybook Rapunzel shows us that everything is better when you sing! This playful story uses music and creative play to help children experience the joy of singing and discover their own unique voice. The book includes special online activities including a video read-along an audio sing-along and activities to explore sounds and singing. Suitable for ages 4+.

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Based on the Academy Award-winning 1968 film of the same name The Producers is the story of down-on-his-luck theatrical producer Max Bialystock and Leo Bloom a mousy accountant. Together they hatch the ultimate scam: Raise moremoney than you need for a sure-fire Broadway fiasco...and pocket the difference. The Producers has become a Broadway phenomenon earning more Tony Awards than any other show in the history of the Great White Way and Mac Huff hasmanaged to develop a “G-Rated” medley of the great Mel Brooks songs from the show. Songs include: Along Came Bialy Goodbye! Opening Night That Face 'Til Him We Can Do It.Available separately: SATB SAB 2-Part Instrumental Pak (includes parts for Trumpet I and II Tenor Sax Trombone Synthesizer Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 12:30.

Rural Roots of Bluegrass is a songbook and history book that takes a deep at the roots of bluegrass music: ballads and fiddle tunes of Scots-Irish pioneers black spirituals plantation melodies blues murder ballads sentimental parlor songs from Tin Pan Alley North Carolina banjo styles and gospel songs. This book is richly illustrated with 107 vintage photos and includes history lyrics to 94 songs musical notation chords playing tips and historical sources for each song. Includes profiles on the Bill Clifton Bill Monroe the Blue Sky Boys Bradley Kincaid the Callahan Brothers Carolina Tar Heels the Carter Family Charlie Poole and the North CarolinaRamblers the Coon Creek Girls Earl Scruggs Eck Robertson Ernest V. 'Pop' Stoneman Fiddlin’ Arthur Smith Fiddlin’ John Carson G. B. Grayson & Henry Whitter Jimmie Rodgers Karl and Harty the Lilly Brothers MonroeBrothers the Morris Brothers Riley Puckett Samantha Bumgarner Vernon Dalhart Snuffy Jenkins and Wade & J. E. Mainer. 6' x 9' 180 pages. The perfect companion to the CD 'Rural Roots of Bluegrass.'

Since it came out in 1981 thousands of people have enjoyed and learned from the pages of The Backpocket Bluegrass Songbook. In addition to the lyrics and melody line the book also includes guitar chords tips on choosing theright key using the capo bluegrass music history information on each song and vintage photos. Includes words music and history of: A Beautiful Life All the Good Times Are Past and Gone Banks of the Ohio Bury MeBeneath the Willow Cumberland Gap Darling Cory Don't This Road Look Rough and Rocky Down in the Willow Garden East Virginia Give Me the Roses Now Handsome Molly I'll Be All Smiles Tonight John Hardy Just Over in theGloryland Knoxville Girl Leaning on the Everlasting Arms Life's Railway to Heaven Little Maggie Little Log Cabin in the Lane Lonesome Road Blues Long Journey Home Lord I'm Coming Home Maple on the Hill Midnight on theStormy Deep My Home's Across the Smokey Mountains Old Joe Clark Poor Ellen Smith Pretty Polly Put My Little Shoes Away Rabbit in the Log Roll in My Sweet Baby's Arms Roving Gambler Sally Goodin Seeing Nelly Home ShortLife of Trouble Sweet Sunny South The Girl I left in Sunny Tennessee When the Bees Are in the Hive Where the Soul of Man Never Dies Wildwood Flower.

The New York Times calls this Tony® Award-winning Adam Guettel musical 'the most intensely romantic score of any Broadway musical since West Side Story.? 16 songs are included in this composer-approved vocal score / Voix

Welcome to Bethlehem and the Christmas Café, where Polly Porkchop and Mac N. Cheese serve up some home cooking and tell The Greatest Story Ever Told that happened right up the street not long ago. Easily prepared and presented, this funny and touching 20-minute reproducible musical can be performed by large and small children's choirs alike. / Voix

Par BIZET GEORGES. The musical story of a gypsy girl, the bullfighter and a soldier who vie for her favors. From it's debut in 1875, it remains one of the most frequently performed and best-loved works in the repertoire. This authoritative publication presents one of the finest early editions of the Carmen Vocal Score - the classic Schirmer edition of 1895 in the original French with a complete English singing version by Dr. Theodore Baker./ Répertoire / Voix

The same singing technique the pros use is now available to you! In the world of show-business where time is money Seth Riggs is the man professionals turn to for results. He has worked with some of the biggest names including Stevie Wonder Luther Vandross and Michael Bolton. You will learn how to sing with a strong clear and flexible voice over a range that you never dreamed possible. No matter what style of music you sing - pop rock gospel or opera Seth Riggs's method of voice training is the proven to bring fantastc results. Includes two professionally recorded CD's of exercises instructions and practice. A great teacher is able to direct a singertoward a healthier more extensive use of his voice without losing that special quality that sets him apart Seth Riggs is such a teacher. His assistance on my albums Thriller Bad Dangerous and HIStory confirmed my confidence in his approach. Michael Jackson.

Tomás Luis de Victoria (1548-1611) was one of the last representatives of the ?prima prattica? the polyphonic style which was dominant in the period music history has labelled the ?renaissance?. Vol. 4 of these 52 motets for voice.

Presented here is a rare collection of some of the best Gypsy folk songs popular among the Romanies of Russia and Eastern Europe. All offered in the original Romany tribal dialect as appropriate to each song with easy-to-followpronunciation guide specially formulated for the native English speaker and literal (word-for-word) English translation. The appended short historical and linguistic overview offers a rare insight into the history traditions language as well as the music and songs of this unique and mysterious people. Great addition to any pianist’s collection!

8 vocal selections from the 1954 Broadway version of the beloved story starring Mary Martin. Includes: Captain Hook's Waltz · Distant Melody · I Won't Grow Up · I'm Flying · I've Gotta Crow · Never Never Land · Tender Shepherd (Count Your Sheep) · Wendy.