/ S, A, (T, B Du Choeur), Choeur Mixte (SSATB), Instruments A Cordes Et Basse Continue (III/1)

Courant 2009, Mgr Jean-Michel di Falco Léandri, évêque du diocèse de Gap et d'Embrun, cherche les financements de deux grands projets qui lui tiennent particulièrement à coeur : le soutien financier d'une école à Madagascar et l'édification d'une nouvelle église au sanctuaire Notre-Dame du Laus, près de Gap. Afin de réunir les fonds nécessaires, Mgr Jean-Michel di Falco Léandri, inspiré par le phénomène 'The Priests', sorti Outre Manche en 2008 (écoulé à plus d'un million d'exemplaires en Europe) choisit de réunir deux prêtres et un séminariste : le Père Jean Michel Bardet, le Père Charles Troesch et le séminariste Dinh Nguyen Nguyen. C'est ainsi qu'est né l'album 'Spiritus Dei' : une sélection de titres au message universel alliant musique sacrée, grands standards et un titre original. ' Spiritus Dei ' nous emporte dans un univers envoûtant dans lequel se mêlent choeurs, cordes et programmations d'aujourd'hui, un univers sur mesure pour trois voix oscillant entre force et émotion, trois voix porteuses d'un message d'amour, de générosité, de rassemblement et de partage, trois voix pour un album aussi singulier qu'intemporel ' Spiritus Dei ' sortira juste avant Pâques et Les Prêtres iront interpréter les titres de ce premier album dans les églises et les cathédrales à travers l'hexagone. Une partie des bénéfices des ventes de l'album sera reversée à des oeuvres caritatives. Au printemps 2011, Les Prêtres ont prévu d'aller à Madagascar lancer les travaux de l'école pour laquelle ils ont récolté des fonds après le miraculeux succès de leur premier album, 'Spiritus Dei'. Ils espèrent aussi qu'au mois de mai ils pourront inaugurer une chapelle entièrement restaurée grâce à la vente de l'album. En attendant, le père Jean-Michel Bardet, le père Charles Troesch et leur compagnon séminariste Joseph Dinh Nguyen Nguyen ont remis leur voix au service de chansons vouées à l'espoir et la sérénité, pour 'Spiritus Dei II', le second volume de ce qui fut une des plus surprenantes réussites de l'année 2010 Retrouvez une sélection des plus grandes chansons des 2 albums en version Piano, choeurs et diagrammes d'accords guitare. / Piano/Vocal/Guitare (PVG) / Partition

Tovet Donald (Ed). Par TOVEY DONALD FRANCIS. 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes 34 Latin Motets for female voices in 2-4 parts by Lassus, Victoria, Palestrina, Gabrièli and Croce and a 5-part Kyrie by Mozart. All have English translations. CONTENTS AGOSTINI, Paolo: Adoramus te CONSTANTINI, Alessandro: Confitemini Domino CROCE: Et resurrexit GABRIÈLI, Andrea: Crucifixus LASSO, Orlando di: Adoramus te (1); Adoramus te (2); Agimus tibi gratias (1); Agimus tibi gratias (2); Alleluja laus et gloria; Benedictus qui venit; Expandi manus; Hodie apparuit in Israel; Ipsa te cogat pietas; In pace in idipsum dormiam; Oculus non vidit; Sanctimei MOZART Alleluja; Ave Maria; Kyrie eleison PALESTRINA, Giovanni: Adoramus te; Benedictus qui venit (1); Benedictus qui venit (2); Confitemini Domino; Crucifixus; Hodie Christus natus est; Jesu Rex admirabilis; Pleni sunt coeli; Salve regina; Tua Jesu dilectio VICTORIA, T L a: Accende lumen sensibus; Christe eleison; Duo seraphim; O sacrum convivium; O vos omnes/ Recueil / Motets Pour Voix d'Hommes

Aus: Selva Morale E Spirituale. Par MONTEVERDI CLAUDIO. Kurtzman, Jeffrey (Arr. ) - / Messe / Répertoire / Choeur SSATTBB, 2 Violons et Basse Continue

Aus: Selva Morale E Spirituale. Par MONTEVERDI CLAUDIO. Kurtzman, Jeffrey (Arr. ) - / Messe / Répertoire / Choeur SSATTBB, 2 Violons et Basse Continue

Ruders writes: 'gl0rIA' is subtitled: 'a relique for large chorus and 12 brass-instruments. At the same time it is an exercise for chorus because only vowels do occur or virtually no consonants are heard. The second part of the Missa Ordinarium the Gloria in Exelcis Deo makes the literary basis of 'g10rIA' but I employ only the vowels which in their full context form a 'non-language' - fragments of a tradition. A less dim vision of the 'severed body' appears in the center of the piece where the Domini Fili-section surfaces in its original shape. 'gl0rIA' is a 20th century composer’s hommage to the innocent faith of bygone days and a fanfare in honour of ClaudioMonteverdi; thus the ever present elaborations of the introduction to the Vespro Della Beate Vergine. Superimposed on the 'torso' of Latin I wedge in a quotation from the Spanish renaissance poet Gonzalo de Berceo’s 'Duelo de la Virgen' a surrealistic Lamento in which the Jews sent by Pilate to stand guard at the tomb of Christ mock and ridicule Maria Jesu mother. Thus a shadow has been cast over the jubilant religious appraisal of the past which today’s knowledge of atrocities and enormities engineered by Mankind has - alas - made so hard to repeat.

Just for Fun Series-Easy Rock Ukulele is designed for your total enjoyment. Each featured song is inherently simple with just a few chords. All the tunes are arranged for ukulele from the actual guitar parts simplified just enough to keep them fun and musically satisfying. Titles: As Tears Go By (The Rolling Stones) · Big Yellow Taxi (Joni Mitchell) · Casey Jones (Grateful Dead) · Gimme Some Lovin' (The Spencer Davis Group) · Gloria (Them) · Good Riddance (Time of Your Life) (Green Day) · A Horse with No Name (America) · Margaritaville (Jimmy Buffett) · Moondance (Van Morrison) · Peaceful Easy Feeling (Eagles) · Take It Easy (Eagles) · Take Me Home Country Roads (John Denver).

Media Type : Book Level : Multiple Levels Musical Genre : Latin American Number of pages : 48 World-renowned tresero (tres player) Nelson Gonzalez explains tuning and playing of the Cuban tres guitar, offering tips for beginning to advanced players. As the instrument's name implies, the tres has three courses of double or triple strings and is used both as a lead and an accompaniment instrument. The author thoughtfully includes instructions for converting a normal 6-string guitar to a tres guitar, offering suggestions for appropriate string gauges. This may be the first book of its kind published outside of Cuba. The method contains Latin folksongs arranged for the beginning tres player plus examples of repeated, often syncopated underlying vamps called montunos. The book also presents all principal chords and scale patterns plus notation fundamentals- all beautifully illustrated with clear photos, diagrams and explanations. Written in standard notation only. Nelson Gonzalez is singularly qualified to write this book. Known in Latin music circles as the Ambassador of the Cuban Tres Guitar�, he has toured or recorded with a virtual Who's Who of Latin stars not to mention his own band, Son Mudano. His tres mastery is featured on dozens of recordings with such artists as Tito Puente, Gloria Estefan, Andy Garcia, Paul Simon, and Marc Anthony to name only a few.

Mozart's Twelfth Mass (K. Anh. 232) was a bestseller in the 1800s in both Britain and the United States and undoubtedly helped in the popularisation of Mozart's works among the general public. However it isnow widely accepted that the mass was not in fact written by the great Maestro leading to its rejection by many professional performers. It has however remained popular with many amateur choral societies on both sides of theAtlantic. The Gloria is the only part of the mass that might have actually been written by Mozart. It has been arranged for Male Voice Choir (TTBB) with Organ or Piano by Percy E Fletcher with English translation by J. S. Stallybrass.

The name of the ' Missa Sancti Nicolai? refers to the composition of the Mass for St. Nicholas Day in 1772. Every year on this day a Mass was held in honor of the Prince of Esterházy who shared his name-day with St. Nicholas.It is thought that Haydn wrote this composition specifically to thank the Prince for allowing him to return to Eisenstadt . Some years later, trumpet and timpani parts were added to the work.As with the 'Great Organ Mass? these additional parts were not actually written by Haydn himself, but simply authorized by him. They are included in the score and performance material so that both versions can be performed. / Soli (SATB), Choeur Mixte (SATB) Et Orchestre

A setting of verses from Psalm 42 (43) with Gloria Patri commissioned by the Schola Cantorum of The Cardinal Vaughan Memorial School London to mark the School’s centenary in 2014 (Latin text): ‘Send out your light and your truth; these themselves led me forth and they brought me to your holy mountain and to your holy place …’ Although composed for a school choir this is a significant addition to the corpus of Latin motets for mature performers by this composer. Predominantly homophonic in texture there is a range of moods tempi and dynamics over the work’s 4-minute duration exemplifying the youthful affirmation of the text.

Le 'Stabat Mater', composé peu de temps avant la mort prématurée de Pergolèse à l'âge de 26 ans, a rapidement attiré l'attention. L'importance de l'oeuvre fut bientôt si grand que nul autre que Jean-Sébastien Bach a réalisé une version allemande du travail basé sur le 51e psaume. De nombreuses copies, impressions et les modalités d'attestation de la popularité immense de l'oeuvre, une popularité qui existe encore aujourd'hui.Pour la présente édition, le manuscrit a été pour la première fois par rapport à un score très tôt napolitaine qui est fondé sans doute sur les parties de l'oeuvre première. Les conclusions ont influencé le texte musical - les détails sont décrits dans le commentaire critique.- Le travail populaire est présenté dans une édition Urtext bien documenté- Clair, réduction pour piano idiomatique / Choeur Mixte (SSATB) Avec Cordes

A breakthrough in making music theory come to life! <br> <br>An ideal teaching supplement brings theory to life by explaining a musical principle then showing it at work in an actual song. <br> <br>Using everything from folk songs to Gilbert & Sullivan favourites and pop hits, abstract music theory becomes easy to understand with this unique combination of explanation and demonstration. <br> <br>Ideal for private tuition, school lessons or anyone who wants to understand more about music theory into practice on the National Curriculum to create a truly fun method of learning. <br> <br>Includes a host of theoretical examples such as Ground Bass Syncopation and 12 Bar Blues Riffs. / Méthodes & études instrumentales / Partition /