| Suzuki Organ School 1
(SUZUKI SHINICHI) Orgue [Partition + CD] Alfred Publishing
Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki O...(+)
Par SUZUKI SHINICHI. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. Titles: 'A Little Fairytale' (Rönnberg), 'Allegretto' (Czerny), 'Amaryllis' (Ghys), 'Chant Arabe' (Anonymous), 'Cuckoo' (German Folk Song), 'Go Tell Aunt Rhody' (Folk Song), 'Gossip Tune' (German Folk Song), 'Herdsman's Song' (Danish Folk Song), 'Hippopotamus' (Rönnberg), 'Hot Dog' (English Folk Song), 'Lightly Row' (German Folk Song), 'Little Playmates' (Chwatal), 'Little Snail' (Traditional), 'London Bridge' (English Folk Song), 'Lullaby' (German Folk Song), 'Mary Had a Little Lamb' (Folk Song), 'My School Day' (Folk Song), 'Paris' (French Folk Song), 'Piglet' (G. Rönnberg, 'Song of the Wind' (Folk Song), 'Spain' (Traditional), 'The Fly' (Traditional), 'The Musical Box' (Rönnberg), 'Twinkle, Twinkle, Little Star Theme and Variations' (Suzuki). 'Allegretto,' 'Go Tell Aunt Rhody,' and 'Lullaby' are National Federation of Music Clubs Festivals Bulletin 2016--2020 selections. The first classical Organ method for children, the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Organ School . The student listens to the recordings and work with their Suzuki organ teacher to develop their potential as a musician and as a person. This Suzuki Book and CD is essential for Suzuki Organ lessons. In certain pieces, the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique, pedal melodies are included between every manual piece. The included performance CD for Volume 1 is a great tool for Suzuki Organ lessons, encouraging practice while featuring recordings by Lars Hagström. / Méthode / Méthode / Orgue
33.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Bent Sørensen: Three
Stones: Soprano: Vocal
Work [Vocal Score] Wilhelm Hansen
Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicate...(+)
Three Stones for female Voice was composed by Bent Sørensen in 2006. Dedicated Lore Lixenberg. Text: Anon.Programme note: 'Three stones is written on request by Lore Lixenberg to whom the little piece is dedicated. It is three very small songs for solo voice but the singer is also - while singing - playing on 'traces of instruments' - Antique cymbal violin and stones. The texts for all three songs are anonymous - the second song use an anonymous english love poem. In the first and the third songs the text is taken from estruscan writing on stones. What the text is about nobody knows. Enigmas written in stone!'Bent Sørensen
11.50 GBP - vendu par Musicroom GB Délais: En Stock |
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| Schubert & Schumann Song
Arrangements: Chamber
Ensemble: Study Score [Partition] Boosey and Hawkes
Hawkes Pocket Scores HPS 1562-Britten?s arrangements of Schubert?s The Trout (o...(+)
Hawkes Pocket Scores HPS 1562-Britten?s arrangements of Schubert?s The Trout (op 32/ D550) for small orchestra and Schumann?s Spring Night (op 39 no 12) for chamber orchestra dating from 1942 are settings of anonymous English translations. The new edition includes the original German words (Schubart Eichendorff) as many performers and audiences will prefer the songs in the original language. In his preface Nicholas Clark Librarian at the Britten-Pears Foundation speculates on why the songs were set in English and on the possibility that the translator was Peter Pears commenting that ?the English language settings allowed [Britten] to edge away from existing versions of the songs toassist him in imprinting his own unique mark on both worksThe Trout is scored for 2 clarinets & strings; Spring Night for flute oboe 2 clarinets bassoon 2 horns 2 trumpets trombone triangle harp (or piano) and strings.
23.99 GBP - vendu par Musicroom GB |
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| Pelle
Gudmundsen-Holmgreen:
Three Stages: SATB: Vocal
Score Chorale SATB [Vocal Score] - Avancé Wilhelm Hansen
Three Stages - Quodlibet for 12 Voices was composed by Pelle Gudmundsen-Holmgree...(+)
Three Stages - Quodlibet for 12 Voices was composed by Pelle Gudmundsen-Holmgreen in 2003.Commissioned by and written for Ars Nova Copenhagen. Text by William Shakespeare Thomas Nashe anonymous (English) Clèment Janequin Steen Steensen Blicher street cries. Additional cries from 'Danish Street Cries' (1860-1985) edited and collected by Vagn Holmboe.
32.50 GBP - vendu par Musicroom GB |
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| Philip Lawson: Rejoice
and Be Merry: Mixed
Choir: Vocal Score Chorale SATB SATB Hal Leonard
An anonymous English text is the basis for this buoyant concert or Christmas wor...(+)
An anonymous English text is the basis for this buoyant concert or Christmas work. Featuring mixed meters and contemporary harmonies this work provides both challenges and rewards to the singers. Performance Time: Approx. 3:10.
8.75 GBP - vendu par Musicroom GB Délais: En Stock |
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| An Anthology Of English
Music For Harp. Book 1:
1550-1650 (WATKINS DAVID) Harpe [Partition] Stainer and Bell
Book 1. Par WATKINS DAVID. Edited by David Watkins, Professor of Harp at the Gui...(+)
Book 1. Par WATKINS DAVID. Edited by David Watkins, Professor of Harp at the Guildhall School in London. BR> CONTENTS ANONYMOUS: Toy; Watkin Ale BULL, John: Praeludium; Praeludium (dor) BYRD, William: Pavana DOWLAND, John: Lachrimae antiquae pavan; My Lady Hunsdon's puffe FARNABY, Giles: Giles Farnaby's dreame; His rest (Galliard); Tell mee Daphne GIBBONS, Orlando: Lady Hatton's Galliard JOHNSON, Robert: Alman (1); Alman (2) MORLEY, Thomas: Alman PEERSON, Martin: Alman; Fall of the Leafe/ Recueil / Harpe
18.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Anonymous: Prayer of
Thanksgiving: SATB: Vocal
Score Chorale SATB SATB, Piano [Vocal Score] Schirmer
Based on an old Dutch melody printed by Adrianus Valerius in Nederlandtsche Gede...(+)
Based on an old Dutch melody printed by Adrianus Valerius in Nederlandtsche Gedenck-clank Harlem 1626 Prayer Of Thanksgiving has been arranged here by Eduard Kremser for SATB choir with Piano accompaniment.The English verison is by Dr. Th. Baker.
11.25 GBP - vendu par Musicroom GB |
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| The Diary Of One Who
Disappeared (JANACEK
LEOS) - Intermédiaire/avancé Barenreiter
For Tenor, Alto, Three Female Voices et Piano. Par JANACEK LEOS. Janacek's intim...(+)
For Tenor, Alto, Three Female Voices et Piano. Par JANACEK LEOS. Janacek's intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces. This cycle of 22 songs for tenor (an alto and three female voices/female choir SSA are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda. The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects. Composed in 1917-19, the Diary was premiered in Brno in 1921 from a manuscript prepared by Gustav Homola. The same manuscript served as abasis for the first edition which was issued by the Brno publisher Oldrich Pazdirek in 1921 as well as for this current first Urtext edition. Janácek ’s intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces. This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda. The cycle also contains theatrical elements, such as the alto entrance and exit cues and lighting effects. Composed in 1917-19, the “Diary” was premièred in Brno in 1921 from a manuscript prepared by Gustav Homola. The same manuscriptserved as a basis for the first edition which was issued by the Brno publisher Oldrich Pazdírek in 1921 as well as for this current first Urtext edition. First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor Singing translations in German (by Max Brod) and English (by Bernard Keefe) Numbers IX to XI which include the alto and three female voices also available online / Niveau : 4 / Répertoire / Ténor, Alto, 3 Voix de Femme et Piano
30.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| English Medievl And
Renaissance (GREENBERG
STEVE) Piano, Voix [Partition] Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...(+)
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
17.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Snell Keith - Belwin
Master Duets - Trombone
Easy I - Trombone 2 Trombones (duo) Alfred Publishing
A proven source of graded duets for both the student and teacher of brass and wo...(+)
A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegro (Handel) * Andante (Telemann) * Andantino (Diabelli) * Appalachian Folk Song (American Traditional) * Aria (Speer) * Ballad (Tennessee Folk Tune) (Traditional) * Chorale (Speer) * Concert Duet in Four Movements (Snell) * Elizabethan Dance (Farnaby) * Etude (Snell) * Gavotte (Handel) * March (Anonymous) * March from Judas Maccabeus (Handel) * Minuet (Handel) * Mourish Dance (Susato) * Musette from English Suite No. 2 (Bach) * New England Chanty (American Traditional) * Old Tin Cans (American Folk Song) * Processional (Snell) * Renaissance Dance (Anonymous) * Ronde (Susato) * Toccata (Snell) * Waltz (Snell) * Wildwood Flower (American Folk Song).
11.60 EUR - vendu par Woodbrass Délais: Sur commande |
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| Keyboard And Organ Works
From Copied Sources:
Polyphonic Works Orgue Barenreiter
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of compos...(+)
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.- Definitive complete Urtext edition- At the cutting edge of scholarship- Detailed explanatory notes / Orgue Ou Piano
76.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Suo Gân Chorale SATB SATB, Orgue Novello & Co Ltd.
The Welsh traditional song Suo Gân is here arranged for SATB Chorus and Organ A...(+)
The Welsh traditional song Suo Gân is here arranged for SATB Chorus and Organ Accompaniment by Stephen Cleobury. Written by an anonymous composer, in Welsh it literally means 'Lullaby'. This beautiful arrangement is sure to be a favourite with audiences and choirs alike. It features lyrics in both English and Welsh.This traditional Welsh song has been a favourite within the repertoire for many years, after having been first documented by folklorist Robert Bryan. With versions sung by Charlotte Church, Katherine Jenkins and the Choir of King's College, Cambridge, Suo Gân is one of the most recognisable and well-loved tunes in the Welsh and English repertoire. This new arrangement by Stephen Cleobury will be a welcome addition to any choir's performance, with the combination of such a new take on an established classic with simple beautiful music. / Choeur Mixte (SATB) Et Orgue
5.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Stephen Main: Blessed Be
that Maid Mary: Mixed
Choir a Cappella: Vocal
Score Chorale SATB [Vocal Score] Walton Music
The text for “Blessed Be That Maid Mary” comes from an anonymous 15t...(+)
The text for “Blessed Be That Maid Mary” comes from an anonymous 15th century English author and makes liberal use of a common literary device of the time: mixing English and Latin phrases together. Set with a gentle melody like a lullaby the Christmas work evokes warmth and a sense of quiet wonder. Duration: ca. 4:15
1.95 GBP - vendu par Musicroom GB |
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| Stephen Cleobury: Suo
Gân: SATB: Vocal Score Chorale SATB SATB, Orgue [Vocal Score] - Facile Novello & Co Ltd.
The Welsh traditional song Suo G n is here arranged for SATB Chorus and Organ Ac...(+)
The Welsh traditional song Suo G n is here arranged for SATB Chorus and Organ Accompaniment by Stephen Cleobury. Written by an anonymous composer in Welsh it literally means 'Lullaby'. This beautiful arrangement is sure to be a favourite with audiences and choirs alike. It features lyrics in both English and Welsh. This traditional Welsh song has been a favourite within the repertoire for many years after having been first documented by folklorist Robert Bryan. With versions sung by Charlotte Church Katherine Jenkins and the Choir of King's College Cambridge Suo G n is one of the most recognisable andwell-loved tunes in the Welsh and English repertoire. This new arrangement by Stephen Cleobury will be a welcome addition to any choir's performance with the combination of such a new take on an established classic with simple beautiful music.
3.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| Snell Keith - Belwin
Master Duets - Flute Easy
I - Flute Ensemble 2 Flûtes traversières
(duo) Alfred Publishing
A proven source of graded duets for both the student and teacher of brass and wo...(+)
A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Adagio (Mozart) * Allegretto (Haydn) * Bouree (Telemann) * Concert Duet in Three Movements (Snell) * Dance (Snell) * Daniel Cowper (English Country Dance) * English Folk Tune (Traditional) * The Hunters of Kentucky (American Traditional) * Intrada (Graupner) * Legend (Snell) * March (Anonymous) * Minuet in G (Bach) * The Music Box (Snell) * Norwegian Folk Song (Traditional) * Red River Valley (American Traditional) * Scottish Folk Song (Traditional) * Sea Shanty (American Traditional) * Serenade (Turk) * Three German Dances (Haydn).
11.60 EUR - vendu par Woodbrass Délais: Sur commande |
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| Langley English Organ
Music Vol.1 Orgue [Conducteur] Novello & Co Ltd.
Une anthologie de quatre siècles en dix volumes. Edité par Robin Langley / Org...(+)
Une anthologie de quatre siècles en dix volumes. Edité par Robin Langley / Orgue / niveau : Intermédiaire / Avancé / Partition
28.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Francis Pott: There Is No
Rose Of Such Virtue:
SATB: Vocal Score Chorale SATB SATB [Vocal Score] Novello & Co Ltd.
(Novello New Choral Series)-There is no rose of such virtue is an anonymous medi...(+)
(Novello New Choral Series)-There is no rose of such virtue is an anonymous mediaeval text already well known through beautiful settings by Britten (in his Ceremony of Carols) John Joubert and others. The poem is ‘macaronic’ (it presents a verse in English followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting the second gives the melody to the tenors and surrounds them with hushed wordless writing for the other parts and the third explores a freely canonic relationshipbetween the tenor and soprano lines before carrying the previous verse-endings to a higher more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse where the texture of the music attenuates again to four parts and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence.Francis Pott (b. 1957) began musical life as a chorister at New College Oxford. He held open music scholarships at Winchester College and at Magdalene College Cambridge where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda’s College Oxford and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music University of West London later leading research across the University’s Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in
2.99 GBP - vendu par Musicroom GB |
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| Roger Quilter: Fair House
Of Joy In D Flat op.
12/7: Voice: Vocal Work [Vocal Score] Boosey and Hawkes
A terrific song in D flat completed in 1908 by the great English vocal composer...(+)
A terrific song in D flat completed in 1908 by the great English vocal composer Roger Quilter. He was inspired by a 16th Century traditional text by an anonymous poet which he has set to music for Voice and Piano creating an evocative and stirring work.
6.50 GBP - vendu par Musicroom GB |
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| The 'Lynar'
Virginal Book Piano seul [Partition] Stainer and Bell
Twelve pieces by John Bull, Giles and Richard Farnaby, Orlando Gibbons, Leonhard...(+)
Twelve pieces by John Bull, Giles and Richard Farnaby, Orlando Gibbons, Leonhard Woodson and others are here collected to make an attractive anthology of English keyboard music found in the precious Lynar A manuscripts, which also contain primary sources for the keyboard music of Sweelinck, Peter Philips and Tarquinio Merula. Edited by Pieter Dirksen. CONTENTS ANONYMOUS: (A toij; Courant; Courant; Masque; O neijbour Robert; Robin) BULL, John: (Bonni swet Robin; My Grief) FARNABY, Giles: (Kempes Moris) FARNABY, Richard: (Flet Stret) GIBBONS, Orlando: (The Queenes Command) WOODSON, Leonhard: (Malle Siemon)/ Recueil / Piano
14.60 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Riu Riu Chiu: 3-Part
Choir: Vocal Score Chorale 3 parties [Vocal Score] Hal Leonard
Here is a setting of the anonymous 16th-century Spanish carol with a secular Eng...(+)
Here is a setting of the anonymous 16th-century Spanish carol with a secular English text. Available: 2-Part 3-Part Mixed. Performance Time: Approx. 2:00.
11.25 GBP - vendu par Musicroom GB |
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| Classical Piano Masters:
Early Intermediate Piano seul Hal Leonard
21 Pieces by 17 Composers. Some of the most often taught original piano literatu...(+)
21 Pieces by 17 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from English Suite No. 6, BWV 811 · Johann Sebastian Bach: Prelude in C Major from The Well-Tempered Clavier, Book 1 · Béla Bartók: Three Pieces from For Children, Sz. 42 · Ludwig van Beethoven: Minuet in G Major, WoO 10, No. 2 · Ludwig van Beethoven: Sonatina No. 1 in G Major, Anh. 5, No. 1 · Anton Diabelli: Rondino · César Franck: The Doll's Complaint · George Frideric Handel: Sarabande from Suite in D minor, HWV 437 · Franz Joseph Haydn: German Dance in D Major, Hob. IX: 22, No. 2 · Friedrich Kuhlau: Scottish Dances Nos. 2, 3, 5 and 6 from Six Scottish Dances · Edward MacDowell: To a Wild Rose from Woodland Sketches · Wolfgang Amadeus Mozart: Minuet in G Major, K. 1 · Jean-Philippe Rameau: La tambourin · Franz Schubert: Waltz in A Major · Robert Schumann: Soldiers' March from Album for the Young · Pyotr Il'yich Tchaikovsky: Italian Song from Album for the Young. / Niveau : Débutant à Intermédiaire / Classique / Recueil / Piano
12.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Lennox Berkeley: Low
Lands Of Holland: Voice:
Vocal Work Piano, Voix [Partition] Chester
For Solo Voice and Piano.There are various versions of this anonymous ballad tha...(+)
For Solo Voice and Piano.There are various versions of this anonymous ballad that has its own traditionalmelody. Berkeley provided a folk-like setting in this song for Sophie Wyss (1897-1983) the Swiss sopranoliving in England who gave important premieres of Britten.Wyss and Berkeley gave the first performance in a BBC broadcast on 13 July 1947.He had already dedicated ‘Tant que mes yeux’ Op. 14 No.2/6 to her and withhimshe gave the first performance of that song as well as ‘Ode du premier jour de mai’ Op. 14 No.2/7 at the Fyvie Hall London on 20 February 1945. Those two songswere published performed and recorded but ‘The LowLands of Holland’ has beenneglected. It comes as close as Berkeley ever got to the English folk song tradition.This edition is based on the copyist’s score at the British Library and includes thecorrections thecomposer provided with it.
10.99 GBP - vendu par Musicroom GB |
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| Harald Genzmer:
Greensleeves GeWV 261:
Treble Recorder: Score Schott
Variations on an Old Folk Song-Commissioned by the Schott publishing house the ...(+)
Variations on an Old Folk Song-Commissioned by the Schott publishing house the present variations on the song Greensleeves were written in 2000 by Genzmer who seized on the suggestion to write a cycle of variations on this Old English melody which had often served as a theme for variations in music history as for example in the famous anonymous cycle 'Greensleeves to a ground' (around 1700). Genzmer keeps the theme simple yet with great virtuosity and original harmony. All parts are written in a linear fashion. The four variations observe almost in a classical manner the principle of increasing differentiation and acceleration of therhythm.Variation 1 uses crotchets and quavers as well as semiquaver triplets whereas Variation 2 uses semiquavers throughout and Variation 3 the somewhat faster semiquaver triplets. Variation 4 stays on this fast rhythmic level with semiquavers and semiquaver triplets. A rewarding piece for the 'Jugend musiziert' competition as well as for advanced lessons.
14.50 GBP - vendu par Musicroom GB |
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| There Is No Rose Of Such
Virtue Chorale SATB Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...(+)
There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
5.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Dominick Argento:
Farewell This World!:
TTBB: Vocal Score Chorale TTBB [Vocal Score] Boosey and Hawkes
from Te Deum (Verba Domini cum verbis populi)-The anonymous Middle English text ...(+)
from Te Deum (Verba Domini cum verbis populi)-The anonymous Middle English text is a beautiful poignant contemplation of mortality and Argento's setting of it casts a quiet haunting spell. The men's chorus is occasionally joined by an insistent single chime note. The complete major work Te Deum (979-0-051-32380-7) was performed at the 2017 National ACDA Conference in Minneapolis.
2.50 GBP - vendu par Musicroom GB |
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| Andrew Cusworth: Adam Lay
Ybounden: SAB: Vocal
Score Chorale 3 parties SAB [Partition] Novello & Co Ltd.
Andrew Cusworth's Adam Lay Ibounden is a work for Unaccompanied SAB Choir a set...(+)
Andrew Cusworth's Adam Lay Ibounden is a work for Unaccompanied SAB Choir a setting of an anonymous 15th century English text. A performance lasts around 1 and a half minutes. This short setting of a well-known text is only 34 bars long but is nevertheless an attractive piece for choirs of sopranos altos and baritones. Each voice is allocated the tune which provides an effective setting appropriate to sing after the traditional first lesson at a service of Nine Lessons and Carols. - Sunday by Sunday
2.25 GBP - vendu par Musicroom GB |
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| Denis Stevens: Alleluya
Psallat: Soprano: Vocal
Score TTT(SSS):: [Vocal Score] - Intermédiaire Novello & Co Ltd.
Anonymous 13th century text edited with an English translation by Denis Steven...(+)
Anonymous 13th century text edited with an English translation by Denis Stevens. For Three Tenors or Three Sopranos.
3.25 GBP - vendu par Musicroom GB |
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| Stephen Tanner: A Babe Is
Born: SATB: Vocal Score Chorale SATB [Vocal Score] Hal Leonard
An anonymous 15th century English text forms the lyric framework for this stirri...(+)
An anonymous 15th century English text forms the lyric framework for this stirring work that features mixed meters and bold melodic lines. Very much in the mainstream of the British choral tradition this short accompanied piecemakes a fine concert opener. Duration: ca. 1:30
11.25 GBP - vendu par Musicroom GB |
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| Benjamin Dale: Cradle
Song: Soprano & SATB:
Vocal Score SATB/SOP::SATB, Soprano [Vocal Score] Novello & Co Ltd.
Cradle Song is a composition by Benjamin Dale scored for double SATB Choir with...(+)
Cradle Song is a composition by Benjamin Dale scored for double SATB Choir with a Soprano Solo. A carol the song features words by an anonymous author taken from the Oxford Book of English Verse.
3.25 GBP - vendu par Musicroom GB |
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