Essential Cuban Conga Rhythms. Par CRUZ TOMAS. II vise à deux catégories distinctes de lecteurs : les joueurs 1) intermédiaires qui sont prêts pour un éventail plus large de rythmes pour étudier et utiliser dans des situations de jeu direct - et congueros 2) expérimentés qui ont digéré Volume I et maintenant tenter de comprendre les racines de la cubaine moderne conga style. Après avoir assimilé le matériel dans le Volume I, l'étudiant doit être capable de jouer base Son Montuno, Salsa, Chachachá et Boléro. Volume II passe à la rumba, Iyesá, 6/8, Changüí, Afro, Mozambique, Pilón, Songo, Merengue, Bomba, Cumbia et autres rythmes qu'un conguero professionnel sera censé savoir. Chaque rythmique est accompagné d'un article qui reflète sur son histoire et son rôle dans la big picture de musique latine et offrant des recommandations écoute. Comme le Volume I, il utilise la méthode de DVD étape par étape. Un appendice spécial de 8 pages explique le sujet souvent infuriatingly complexe de ' clave ' avec un niveau sans précédent de clarté et de perspicacité. / Niveau : Intermédiaire / Latin American - Methods / Méthode / Conga

This book is great for keyboardists who have learned the basics of jazz harmony and improvisation. It introduces the modes of the major scale, chord extensions, making the changes, using chromatic and guide tones, chord substitution, 'rhythm changes,' the blues, altered dominant chords, and more. Continuing the format of Beginning Jazz Keyboard, new concepts are accompanied by etudes and songs for practice. Packed with harmony and improvisation ideas, Intermediate Jazz Keyboard is essential for any serious student of jazz keyboard. Companion MP3 audio demonstration tracks are included and can be streamed online or downloaded. / Clavier

INTERMEDIATE/ADVANCED. THIS SET FEATURES THE MUSIC AND PERFORMANCES OF SAMUELS' CARIBBEAN JAZZ PROJECT. A TOTALLY AUTHENTIC LATIN JAZZ FUSION SET - SOUNDS AWESOME! RHYTHM SECTION: DAVE SAMUELS (VIBES) STEVE KAHN (G) DARIO ESKENAZI (P) RUBEN RODRIGUEZ/OSCAR STAGNARO (B) MARK WALKER/ROBIE AMEEN (D) RICHIE FLORES (PERCUSSION) INCLUDES: # ONE STEP AHEAD # PACO AND DAVE # IVORY COAST # ONE FOR TOM # RAIN FOREST # LATIN QUARTER # JAMBOREE # SADIE'S DANCE # TURNABOUT # ARTHUR'S DANCE

Hands & Feet-'This book is designed for the intermediate/advanced drummer to improve musical technical control and reading ability and presents several rhythmic styles such as funk jazz and Latin. I'm not trying to educate you on the 'correct' Cuban or Brazilian grooves but have used this music as an inspiration for different phrashings and concepts. In the notes you can find book recommendations to explore the styles fully.Please feel free to use the material creatively like repeating bars when you feel like it. You can also use the pieces for advanced sight reading but I suggest that you take time to look carefully at the dynamics and stickings. All the stickings are basedon a right handed player (please reverse them if you are left handed).The basic concept is to have rhythmic compositions with basic classical notation and technique that you can play on a drumset or on a practice pad with your feet stompin' at the floor. The first part is snare and bassdrum with hi-hat foot suggestions. Later in the book hi-hat (with stick) and snarerim are added.The advantage of these concepts is that playing through these etudes is very closely related to what is going on in modern music. Especially important for players in Jazz Rock and Latin but also very useful for a classical percussionist who needs solid music training.The last part of this book is a few pages of technique studies and rhythmic concepts that is related to the compositions. The purpose is not to include all basic strokes and principles (there are already many great books for that) but to show you some concepts that I have found useful and special through my years of playing and teaching.'                            Michael Axen

This text covers every possible style appropriate to an intermediate book for brass. It includes music from the 14th century up to the beginning of the 20th century from dozens of countries including original compositions thatmimic many historic styles. The musical selections outside the standard repertoire compare well in quality to the more famous works and have unique elements that increase students' musical vocabulary. Includes: challenging andrewarding music in a comfortable range for students with braces; musical exercises to teach phrasing; and lip slur exercises. The great musical examples make practicing feel effortless and enriching! In addition to classicaletudes a number of jazz etudes are incorporated that represent important styles including Dixieland Swing Bebop Blues and various Latin forms.

This text covers every possible style appropriate to an intermediate book for brass. It includes music from the 14th century up to the beginning of the 20th century from dozens of countries including original compositions thatmimic many historic styles. The musical selections outside the standard repertoire compare well in quality to the more famous works and have unique elements that increase students' musical vocabulary. Includes: challenging andrewarding music in a comfortable range for students with braces; musical exercises to teach phrasing; and lip slur exercises. The great musical examples make practicing feel effortless and enriching! In addition to classicaletudes a number of jazz etudes are incorporated that represent important styles including Dixieland Swing Bebop Blues and various Latin forms.

Par RAE JAMES. Studies in classical, jazz, rock and latin styles Following the success of the recently published volume for saxophone - including its selection for the new Associated Board examinations (grades 1 - 5), this version for clarinet will provide players from grade 1 to intermediate level with their own style 'workouts'. 40 original studies are grouped together in four sections - Classical, Jazz, Rock and Latin - all in player-friendly keys to maximize concentration on STYLE. James Rae includes hints and tips with each piece and a Listening List to support his strong advice that listening to all types of music is essential for acquiring a 'feel' for musical style. Inspiring and fun workouts. / Musique latine / Etude / Clarinette

Standard of Excellence-A curriculum for the instruction of beginning and intermediate jazz ensemble students. For group or individual instruction. Includes studies in rhythm and improvisation in rock swing and latin styles.

Standard of Excellence-A curriculum for the instruction of beginning and intermediate jazz ensemble students. For group or individual instruction. Includes studies in rhythm and improvisation in rock swing and latin styles.

Standard of Excellence-A curriculum for the instruction of beginning and intermediate jazz ensemble students. For group or individual instruction. Includes studies in rhythm and improvisation in rock swing and latin styles.

Par GARCIA GERALD. This collection of classic guitar studies is intended for the intermediate guitarist. As a whole, these etudes emulate the content of Carcassi's famed 25 Etudes, yet in a more contemporary harmonic and rhythmic idiom. These pieces are also distinguished in that they are not only valuable as left and right-hand technical exercises- but also as valid, pleasurable concert repertoire. The first ten etudes 11-20 focus on the use of the a finger in combination with i and m. Etudes 4,7,11,13,15, and 17 also concentrate on left-hand slurs. The final five etudes were composed as - and intended to be performed- as a set with each piece dedicated to a particular Latin American composer. / Niveau : Intermédiaire / Classic - Solos / Etude / Guitare Classique