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4 Contrebasses (1)
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Cor et Tuba (1)
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3 Saxophones (trio) (1)
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Score
150.00
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Score
Divers
[Partition]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36 – in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigratedMendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music. This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version. The full score and vocal score (BA9071-90) include the German and English texts of the oratorio. The vocal score is by Mendelssohn. Urtext edition representing the latest musicological research Includes all numbers from the original version for the first time Vocal texts in German and English Straightforward Piano reduction
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Lieder im Freien zu singen Vol. 1 (MENDELSSOHN-BARTHOLDY FELIX)
8.86
Lieder im Freien zu singen Vol. 1 (MENDELSSOHN-BARTHOLDY FELIX)
Chorale 3 parties
Hal Leonard
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`r...
(+)
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
6.00
Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
45.50
Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestre
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
6.00
Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
6.00
Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestre
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
45.50
Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
Orchestre
[Partition]
Barenreiter
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
(+)
Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Power Of Voice Wedding Edition - Mendelssohn Hochzeitsmarsch (Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
1.95
Power Of Voice Wedding Edition - Mendelssohn Hochzeitsmarsch (Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
Chorale SATB
Peer Musik Verlag
Mendelssohns Hochzeitsmarsch-Die 'Wedding-Edition' aus der Reihe 'Power of Voice...
(+)
Mendelssohns Hochzeitsmarsch-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Hochzeitsmarsch aus 'Ein Sommernachtstraum' op. 61 von Felix Mendelssohn-Bartholdy. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16162G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Felix Mendelssohn Bartholdy: There Shall a Star: Mixed Choir a Cappella: Vocal
12.50
Felix Mendelssohn Bartholdy: There Shall a Star: Mixed Choir a Cappella: Vocal
Chorale SATB
[Vocal Score]
Hal Leonard
from Christus-From Felix Mendelssohn's oratorio Christus this masterwork adapt...
(+)
from Christus-From Felix Mendelssohn's oratorio Christus this masterwork adaptation tastefully presents a classical work for church and academic choirs. This chorus is from one of Mendelssohn's final works which was never completed. The rolling triplet accompaniment pushes the composition forward with wave-like arches supporting the choir in all of its sonorous glory. A smooth contrapuntal style contrasts with dramatic accents and powerful crescendos displaying the confident scripture-based text with appropriate excitement! John Leavitt has provided a new piano accompaniment as well as a new sparkling orchestration that supports the work while staying faithful to the Mendelssohnoriginal.
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Lieder im Freien zu singen Vol. 2 (MENDELSSOHN-BARTHOLDY FELIX)
8.86
Lieder im Freien zu singen Vol. 2 (MENDELSSOHN-BARTHOLDY FELIX)
Chorale 3 parties
Hal Leonard
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`r...
(+)
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella
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Felix Mendelssohn Bartholdy: Cello Works Complete Volumes 1 & 2: Cello:
52.00
Felix Mendelssohn Bartholdy: Cello Works Complete Volumes 1 & 2: Cello:
Violoncelle, Piano
Barenreiter
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for vi...
(+)
For Violoncello and Pianoforte-Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces.Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo.Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumesAlso includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and pianoInformative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pagesSpecial price for both volumes I and II (BA9098)
52.00 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
17.00
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
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Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Vocal Score
17.50
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Vocal Score
Piano, Voix
[Vocal Score]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
17.00
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Einzelstimme(n) - Violoncello]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
17.00
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Parts
Divers
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Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
126.50 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
17.00
Felix Mendelssohn Bartholdy: St. Paul Op.36: SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
[Partie séparée]
Barenreiter
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in ...
(+)
Felix Mendelssohn Bartholdy completed his first oratorio St. Paul Op.36 in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music.This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version.The full score and vocal score (BA9071-90) include the German and English texts of the oratorio.The vocal score is by Mendelssohn.Urtext edition representing the latest musicological researchIncludes all numbers from the original version for the first timeVocal texts in German and EnglishStraightforward Piano reduction
17.00 GBP - vendu par Musicroom GB
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Band 8 (MENDELSSOHN-BARTHOLDY FELIX)
256.40
Band 8 (MENDELSSOHN-BARTHOLDY FELIX)
Divers
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 1: 1816 Bis Juni 1830 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 1: 1816 Bis Juni 1830 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 3 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 3 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 4. (MENDELSSOHN-BARTHOLDY FELIX)
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Band 4. (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 7 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 7 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 2: Juli 1830 Bis Juli 1832 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 2: Juli 1830 Bis Juli 1832 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Felix Mendelssohn Bartholdy: Symphony No.4 In A Op.90 - Italian: Score
65.50
Felix Mendelssohn Bartholdy: Symphony No.4 In A Op.90 - Italian: Score
Orchestre
[Partition]
Barenreiter
In 1832 the Royal Philharmonic Society of London honoured the young German comp...
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In 1832 the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony the ?Italian? based on Mendelssohn?s experiences in Italy in 1830 and 1831. The work was premiered in 1833 conducted by the composer.Today the Italian Symphony has a firm place in the canon of classical masterworks though at its premiere and both the following performances the work was not entirely positively received.Mendelssohn himself was unhappy with it. In 1834 he revised the last three movements but didnot complete this revision. To this day the early version of the ?Italian? is the one played everywhere whilst the revised version has remained to a large extent unknown. Bärenreiter?s critical new edition edited by Christopher Hogwood includes all the performance material for the complete version of 1833 together with the last three movements in the composer?s revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version.- A famous work for the Mendelssohn anniversary year in a new Urtext edition.- With the well-known early version and the composer?s revised version.- Includes an informative foreword in English and German.- With facsimile pages.- Full score & performance material (BA9094) available for sale.
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Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
10.99
Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
Wiener Urtext
With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the a...
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With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the anthology Album-Beethoven which had been initiated by the Viennese publisher Pietro Mechetti and whose proceeds were to be donated for the funding of the Beethoven monument in Bonn. In order to do justice to the high standards of the composer to be honoured Mendelssohn decided in favour of a cycle of variations which clearly stands out from the superficially virtuoso variation style of that time. The new edition of the Wiener Urtext Edition is based on the autograph engraver’s copy and the first prints. In addition the correspondence of Mechetti'seditor Becher with Mendelssohn could be consulted for clarifying problematic textual instances. The notes on interpretation by Peter Roggenkamp cover various aspects – from learning to master the technical demands to practical performance details. The edition is rounded off by a practical and user-friendly notation.
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
4.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
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Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
25.00
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
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Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
2.50
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Psalm Non nobis Domine op. 31: Mixed Choir: Score
39.00
Felix Mendelssohn Bartholdy: Psalm Non nobis Domine op. 31: Mixed Choir: Score
Soli, choeur mixte et accompagnement
Barenreiter
Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' O...
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Nicht unserm Namen Herr-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
39.00 GBP - vendu par Musicroom GB
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