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String Quartet No. 2 (LINJAMA JYRKI)
44.70
String Quartet No. 2 (LINJAMA JYRKI)
String Quartet
Fennica Gehrman
Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (...
(+)
Allerheiligentag Iii. Par LINJAMA JYRKI. Jyrki Linjama's second string quartet (2018) is subtitled Allerheiligentag III. The material for the Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba and violin.The composer tells: “The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle.” The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness./ Répertoire / String Quartet
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Barcarolle Concertante (WERY BENOIT)
26.20
Barcarolle Concertante (WERY BENOIT)
En Français
Harpe, Quatuor à cordes
[Conducteur et Parties séparées]
Lemoine, Henry
Par WERY BENOIT. / classique / Répertoire / Harpe et Quatuor à Cordes
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Form and Postlude (LASH HANNAH)
229.90
Form and Postlude (LASH HANNAH)
Flûte Traversière, Clarinette, Harpe et Quatuor à
[Conducteur et Parties séparées]
Schott Helicon Music Corporation
For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and P...
(+)
For Flute, Clarinet In Bb, Harp, and String Quartet. Par LASH HANNAH. Form and Postlude is a piece in one continuous movement but with a distinct postlude which ends the work. I play throughout with the idea of pacing on many levels: the largest level is the idea of proportion of sections to one another, then harmonic rhythm (in the broad sense), then harmonic rhythm on a more local level, and of course then on the surface of the music there is instrumental texture and how fast the notes go by. Along with this sense of play in terms of the pacing and motion is the idea of color. I love this ensemble, and its palette of color has been part of my DNA, as it were, for many years, because Ravel’s wonderful work Introduction et Allegro is such a cornerstone in the harpist’s repertoire. While composing, I found myself feeling that I was entering into this colorful world that is possible with this combination of instruments, almost as if it were possible to step into a painter’s palette in a real and visceral way, physically interacting with all the different colors. The title Form and Postlude nods to Ravel’s Introduction et Allegro, although my piece lives in its own very distinct space apart from Ravel. – Hannah Lash/ Répertoire / Flûte Traversière, Clarinette, Harpe et Quatuor à
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Quartet in C minor, arr. from Concerto for violin andamp; oboe (BACH JOHANN SEBASTIAN)
25.90
Quartet in C minor, arr. from Concerto for violin andamp; oboe (BACH JOHANN SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
SJ Music
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this str...
(+)
Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this string quartet arrangement of his famous concerto for violin and oboe (BWV 1060) by John Cooley as he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Bach himself made an arrangement of this piece for two solo harpsichords and string orchestra. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this Bach concerto arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s organ Passacaglia and Fugue for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes
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Ludwig van Beethoven: Late String Quartets And Grosse Fuge: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Dover Publications
Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded...
(+)
Opp. 127 130-133 135-Beethoven's late String Quartets are universally regarded as supreme transcendent works - among the greatest and most intimate music in chamber literature. Composed in the last years of the master's life - between 1823 and 1827 - these quartets contain astonishing experiments in thematic development and musical form that laid the foundation for innovations in 20th Century string quartet writing especially in the important works of Bartok and Shostakovich.This volume reprinted from the definitive Breitkopf and Hartel edition includes:String Quartet No.12 In E Flat Op.127String Quartet No.13 In B Flat Op.130String Quartet No.14 In C Sharp MinorOp.131String Quartet No.15 In A Minor Op.132String Quartet No.16 In F Op.135 and theGrosse Fuge In B Flat Op.133This convenient affordable volume is the ideal edition for study in the classroom at home or in the concert hall.
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Pelle Gudmundsen-Holmgreen: Quodlibet: Chamber Ensemble: Parts
22.50
Pelle Gudmundsen-Holmgreen: Quodlibet: Chamber Ensemble: Parts
BAR/STR QUARTET/PF/HARP::Baryton, Quatuor · Cordes, Piano, Harpe
[Partition]
Wilhelm Hansen
Parts for Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet an...
(+)
Parts for Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet and Piano (or Harp) dating from 2009. Written for Leigh Melrose and the Hebrides Ensembleon the occasion of Sir Peter Maxwell Davies’s 75th birthday. The text paraphrases fragments of William Shakespeare: 'Music to Hear'and John Dowland: 'Flow my Tears'.
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Pelle Gudmundsen-Holmgreen: Quodlibet: Chamber Ensemble: Score
19.99
Pelle Gudmundsen-Holmgreen: Quodlibet: Chamber Ensemble: Score
BAR/STR QUARTET/PF/HARP::Baryton, Quatuor · Cordes, Piano, Harpe
[Partition]
Wilhelm Hansen
Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet and Piano (o...
(+)
Pelle Gudmundsen-Holmgreen's Quodlibet for Baritone String Quartet and Piano (or Harp) dating from 2009. Written for Leigh Melrose and the Hebrides Ensembleon the occasion of Sir Peter Maxwell Davies’s 75th birthday. The text paraphrases fragments of William Shakespeare: 'Music to Hear'and John Dowland: 'Flow my Tears'.
19.99 GBP - vendu par Musicroom GB
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Geoffrey Burgon: Minterne Dances: Ensemble: Score and Parts
49.99
Geoffrey Burgon: Minterne Dances: Ensemble: Score and Parts
FLT/CLT/HARP/STR QUARTET::Fl?te Traversi?re, Clarinette, Harpe, Quatuor · Cordes
[Partition]
Chester
For Flute Clarinet Harp and String Quartet.Commissioned by the Summer Music So...
(+)
For Flute Clarinet Harp and String Quartet.Commissioned by the Summer Music Society of Dorset 2009.Geoffrey Burgon’s Minterne Dances was given its first performance by the Mobius Ensemble on 26th September 2009at Minterne House Dorset.
49.99 GBP - vendu par Musicroom GB
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Patrick Hawes: Song Of Songs (Chamber Version): Chamber Ensemble: Score and
39.99
Patrick Hawes: Song Of Songs (Chamber Version): Chamber Ensemble: Score and
CHAM/SOP/CHOR/HARP/STR QUARTET/DB::Musique De Chambre, Soprano, Chorale, Harpe, Quatuor Ã? Cordes, Contrebasse
[Partition]
Novello & Co Ltd.
Song Of Songs was first written in 2009 and arranged for chamber ensemble in 20...
(+)
Song Of Songs was first written in 2009 and arranged for chamber ensemble in 2010. The lyrics were by Andrew Hawes and the chamber version was scored for solo Soprano SATB chorus String Quintet and Harp. It is written in six movements each inspired by a section of text from the Old Testament Book of the same name.Patrick Hawes (b. 1958) is a contemporary British composer. He has been building a reputation as one of the foremost composers working in the UK today a position which was cemented when he was appointed as Classic FM’s Composer in Residence for 2006-2007.
39.99 GBP - vendu par Musicroom GB
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Quartettsatz in C minor (ORFF CARL)
59.30
Quartettsatz in C minor (ORFF CARL)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
for String Quartet. Par ORFF CARL. Like the Quartettsatz of 1914 (ED 7816), Quar...
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for String Quartet. Par ORFF CARL. Like the Quartettsatz of 1914 (ED 7816), Quartettsatz in c-Moll of 1921, premièred by the Henschel Quartet at the Orff Centre in Munich in 2007, testifies to Orff’s early struggles towards the classical-Romantic tradition. Originally left unfinished as a fragment in C sharp minor, the first version has now been reconstructed (in C minor) from a source that only survived as a copy with autograph corrections. It is interesting to see a new tonal language appearing quite suddenly (and notated without bar lines in the first version) in the coda./ Répertoire / Quatuor à Cordes
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String Quartet F sharp minor op. 28 (SENFTER JOHANNA)
67.80
String Quartet F sharp minor op. 28 (SENFTER JOHANNA)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim con...
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Par SENFTER JOHANNA. The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leipzig, first privately, then in his composition class at the conservatoire and valued her 'extraordinary compositional talent'. The strict teacher more and more became a committed promoter of the works by Johanna Senfter. For a period of 50 years, the composer concerned herself with the string quartet genre, from Quartet No. 1 in D minor Op. 4, composed shortly after the turn of the century, to the sixth and last Quartet in C minor Op. 115 which was performed for the first time in 1960, one year before her death. The Quartet in F sharp minor Op. 28 is her second quartet which was premiered in Darmstadt on 5 November 1922. In this work, as in later works, Senfter combined traditional form models – here Baroque movements like gavotte, saraband, gigue – with expressive, late Romantic musical language. The work, consisting of six short movements, may without doubt be regarded as a valuable addition to the quartet repertoire./ Répertoire / 2 Violons, Alto et Violoncelle
67.80 EUR - vendu par LMI-partitions
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Season of Carols: String Quartet: Score & Parts
29.99
Season of Carols: String Quartet: Score & Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Hal Leonard
String Quartet-A collection of 12 traditional carols for easy string quartet (Gr...
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String Quartet-A collection of 12 traditional carols for easy string quartet (Grade 2) from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come. Eachcarol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily on High? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including The DreydlSong Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 00842195 Solo Cello and Piano String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
29.99 GBP - vendu par Musicroom GB
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