A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

Par HADERMANN JAN. Refraction is a work that uses the entire band and all the colours it can possibly produce. As the title suggests, it was inspired the fascinating physical phenomenon known as refraction. Just like light is split and disbursed into all its colours, the main theme is split into little motives. As the individual motives are disbursed throughout the band, different sections become more prominent, only to recede into the general texture again. The work concludes with the fusion of all these elements in a monumental climax of movement, sound and colour. / Niveau : 5 / Pièce de concert / Répertoire / Concert Band ou Harmonie

Guide du débutant avec instructions détaillées. Par JOHNSON CHAD. La Guitare / Le Ukulélé pour les enfants est une méthode facile et ludique pour apprendre plus rapidement que jamais. Des chansons Pop telles que « Yellow Submarine », « Hokey Pokey », « I?m a Believer », « Surfin? U.S.A. », « This Land Is Your Land » et « Hound Dog » motiveront les jeunes, tandis qu?une mise en page simple et claire les incitera à se concentrer sur un seul concept à la fois. Cet ouvrage convient à la guitare électrique comme à la guitare acoustique ou au ukulélé. Il peut également être employé avec un professeur ou un parent, même si ce dernier ne possède aucune connaissance musicale. / Date parution : 2021-11-03/ Méthode / Ukulélé

25 Pièces Ludiques Pour Piano, À Jouer En Cours et En Concert. Par HEUMANN HANS-GUNTER. Des pièces faciles et pop pour piano - Motivent les enfants à jouer du piano - Jouables dès la première ou la deuxième année de pratique Lassé-e de jouer La Lettre à Elise ? Plutôt envie de bateaux pirates, de maisons hantées et de fusées ? Dans sa nouvelle édition de Spielplatz Klavier en deux volumes, l'auteur à succès Hans-Günter Heumann rassemble de nouvelles pièces originales pour piano, qui peuvent être apprises rapidement et explorent tous les styles de musique, ce qui plaira aux jeunes pianistes ! Des pièces comme Auf dem Piratenschiff, Rock-Rakete ou encore Hello, Mr. Mozart stimulent l'imagination et encouragent à la découverte du nouveau répertoire. Cet ouvrage est donc un complément idéal à toute méthode de piano. L'amusement est garanti ! Tandis que le volume 1 (ED 22980) contient des pièces très faciles, qui peuvent être apprises dès la première année de pratique, le volume 2 est un peu plus difficile. Mais il reste néanmoins tout à fait abordable, afin que les enfants ne perdent pas leur motivation et puissent rapidement faire l'expérience de leurs progrès./ Recueil / Piano

Par BLACKWELL KATHY / BLACKWELL DAVID. Dans cette collection, vous trouverez les accompagnements au piano fun et accessible pour les chansons de Noël 32 bien connues et des pièces dans le temps de Noël Flûte livre mélodie. Indispensable pour les enseignants et les parents musicales, ce livre aidera à motiver tous les flûtistes jeunes à mesure qu'ils apprennent à jouer./ Recueil / Piano

Par . The ukulele is becoming more and more popular, and more and more guitarists are getting involved with the 4-stringed little sister of the guitar. Especially for this group, the alternative tuning of the ukulele with a low G-string ('low G') is interesting, because not only the range is enriched, but also the feeling of playing with a low string is very reminiscent of a guitar. The melody-chord playing in this songbook uses techniques of classical guitar as well as folk guitar and combines chords with the song melody to create rousing arrangements, all of which have proven themselves in lessons and have been written by the experienced author and pedagogue Patrick Steinbach to be easy to moderately difficult. / Date parution : 2023-09-13/ Recueil / Ukulélé Sol Grave

Programme note Tre Magdalene strofer / Three Magdalena Stanzas  (1991/1994) for piano solo. Paraphrase over '3 Magdalena Songs' to texts (in Danish) by Hanne Groes:  I. PRIVATION  II. DEPARTURE  III. MEETING  Rosalind Bevan was really the originator of this piece since she urged me to write a piano version of my “Magdalena Songs” (to Hanne Groes texts in Danish) which she so often had accompanied.  Moved by Rosalind's interest in the two contrasting songs (Kaldedrømme (´Calling Dreams) “Sent Møde (´LateMeeting) I wrote this little suite of Magdalena Stanzas for the piano. As the titles suggest the arche-typical 'longing for fulfilment'-motive (or ´longing´ and ´fullfilment´) is in focus.  Less obvious is it that the two tunes supplement each other (as the famous 'Rubin vase-and-profiles'-complementarity manifest visually). But they do!  Per Nørgård     

When the Second World War began the British March King Kenneth J. Alford (pseudonym for Major F. J. Ricketts R.M.) was increasingly in bad health and had composed relatively little music recently. As Hitler's armies marched victoriously across Europe Britain was soon alone facing the Nazi peril. Alford's great contribution to the war effort was the composition of two of his great masterpieces ARMY OF THE NILE celebrating the first Allied victories over the Germans in North Africa and EAGLE SQUADRON. The latter of these marches celebrates American airmen who travelled to England during the early years of the war (before the entry of the United States into the conflict) tovolunteer for service with the Royal Air Force serving with great distinction during the Battle of Britain. Alford skillfully weaves a number of well-known tunes into the fabric of the music including the Royal Air Force March and The Star-Spangled Banner while also including a reference to the Siegfried motive from Wagner's Ring of the Nibelung. Mark Rogers' edition of this classic march includes a handsome full score and concert size set of parts.

Fg. Par GERNOT WOLFGANG. ...clever, finely-crafted, interesting modern work for the bassoon (...) Wolfgang's style is fundamentally atonal, but highly developmental, utilizing very interesting melodic and rhythmic motives to bind the music together. The influences of jazz and rock are clearly audible, and the entire structure has a wonderful sense of finesse and completion. (...) If you are looking for a tough-but-fun composition for your next performance, this neat work will fill the bill very well. I recommend it strongly to all you brave bassoonists out there looking for a nifty challenge. (Double Reed, Vol. 31.No. 2) ...This little sketch for bassoon, which highlights both its energetic and its lyrical capabilities, is quite delightful. Even multiphonics are used imaginatively and to musically sensible effect, rather than displaying their more common function as exercises in ugliness. ...' (Walter Simmons, Fanfare Magazine, August 2008)/ Répertoire / Basson

Par JANACEK LEOS. With his third opera Jenufa Leoš Janácek succeeded in making his breakthrough as an operatic composer. Since the premiere of this moving story about the fate of the sexton and her stepdaughter Jenufa at the Brno National Theatre in 1904, it has become one of the composer's most frequently performed works. Janácek was the first to succeed in transforming everyday speech directly into music. His method of using speech-melodic motives is clearly distinctive. It is known that the composer preserved everyday conversations in the form of little musical sketches: 'Jotting down genuine speech melody is, as it were, music's life class,' he said/ Répertoire / Opéra

The ukulele is becoming more and more popular, and more and more guitarists are getting involved with the 4-stringed little sister of the guitar.Especially for this group, the alternative tuning of the ukulele with a low G-string ( low G ) is interesting, because not only the range is enriched, but also the feeling of playing with a low string is very reminiscent of a guitar.The melody-chord playing in this songbook uses techniques of classical guitar as well as folk guitar and combines chords with the song melody to create rousing arrangements, all of which have proven themselves in lessons and have been written by the experienced author and pedagogue Patrick Steinbach to be easy to moderately difficult.PrefaceVorwortAin´t NobodyAngieBlue Suede ShoesCalifornicationCandle In The WindCan You Feel The Love TonightChild In TimeDon?t Worry Be HappyDust In The WindEleanor RigbyFields Of GoldHallelujahHeart Of GoldHe´s A PirateHey JudeHey There, DelilahKnocking On Heaven?s DoorIn The SummertimeLady In BlackLet It beLocomotive BreathMad WorldNights In White SatinNothing Else MattersRock Around The ClockSailingSound Of SilenceStreets Of LondonTears In HeavenTequilaAbout The Songs / Über die SongsChord Diagrams / Grifftabelle / Guitare tablatures / Schott

Ten Little Pieces. Par PUETZ EDUARD. 10 pièces faciles pour jeunes violoncellistes (points. emplacement), de motiver par titre imaginative et l'inclusion d'éléments pop et de jazz. Eduard Pütz (1911-2000) a étudié la composition à la Musikhochschule de Cologne. Sa préoccupation particulière était l'a Überwind/ Recueil / Violoncelle et Piano