/ Saxophone Alto Ou Baryton / 28 pages / niveau : Facile - Elémentaire / Partition + Cd

Edvard Grieg (1843-1907), compositeur le plus célèbre de Norvège, a écrit beaucoup de musique qui vaut vraiment la peine de jouer, et écouter! Jouer Grieg propose une sélection d'oeuvres connues et moins connues ou des thèmes. Comme la plupart d'entre eux étaient à l'origine écrit pour des instruments autres que celle pour laquelle ils sont destinés dans ce volume, des choses telles que des tempi ont été soigneusement adapté à partir des pièces d'origine, ou des morceaux ont été raccourcis, afin d'assurer la jouabilité. / Saxophone Alto / 28 pages / niveau : Elémentaire / Partition + Cd

Music Medals Saxophone Ensemble Pieces are five volumes of enjoyable and accessible repertoire for the developing ensemble progressively graded Copper Bronze Silver Gold and Platinum. They contain original pieces and imaginative arrangements for duets trios and quartets forming a smashing collection of fun pieces and arrangements in various styles to provide much needed diversity and enjoyment. This exciting range is suitable for lessons concerts or as Part of a Music Medal and forms ideal group-teaching material for the development of ensemble playing. For E-flat or B-flat saxophones.

Die beliebte Reihe Flöten-Hits für coole Kids bietet leichte Arrangements für 1-2 Sopran-Blockflöten inklusive CD zum Mitspielen. Die Stücke machen Kindern Spaß, motivieren zum Spielen und sind daher eine ideale Ergänzung für den modernen Unterricht. Im 13. Band u.a. mit dabei: Happy (P. Williams), Atemlos (H. Fischer), Hey Brother (Avicii), Auf uns (A. Bourani), When The Beat Drops Out (M. Roudette), Non parler francais (Joely and Oliver) u.v.m. / 1 Ou 2 Flûtes A Bec Soprano

Cette passionnante contient des dispositions faciles pour les flûte solo de chansons pop bien connus / Saxophone / 44 pages / niveau : Elémentaire / Partition

15 tunes that reflect the breadth and diversity of jazz from the great African-American tradition to the vibrant and multicultural sounds of jazz today. Arrangements by jazz arrangers are carefully researched and designed to accommodate teacher and pupil alike. An approach that encourages playing by ear. Includes â??Minus-oneâ?? rhythm-section tracks and full performances recorded by top jazz musicians. Written-out piano score and sections for improvised solos with notated guideline pitches to get you started. Background information including suggestions for further listening.

D'abord publié dans les années 30 et encore se poursuit toujours ! Tuteurs classiques de Otto Langey notamment utiles diagrammes et illustrations, doigté de graphiques et de nombreuses études et exemples de répertoire standard, ainsi que des exercices dans le travail de l'ornementation et passage pour le joueur plus avancé. / Saxophone Alto

Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone - over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo./ Répertoire / Saxophone Soprano et Percussions

Internationally renowned authors musicians and recording artists Frank Villafranca and Andrew D. Gordon have composed a collection of grooves and melodies in the Smooth Jazz Genre creating an exciting supplemental jazz study series for beginner intermediate and advanced jazz students and musicians. The smooth jazz grooves in this 46 page book feature a variety of contemporary rhythm section styles including RandB Jazz Funk Top 40 Rock Gospel Hip Hop and Latin. These stylistic influences are frequently associated with smooth jazz. Popular artists in this genre include The Super Groovers David Sanborn Eric Marienthal Kenny G Dave Koz David Benoit Tom Scott Gerald Albright Candy Dulfer Wilton Felder Boney James Chris Botti Chuck Mangione Sade George Benson Peter White Lee Ritenour Earl Klugh Larry Carlton Jeff Lorber Brian Culbertson George Duke Joe Sample Spyro Gyra Pat Metheny Four Play The Yellow Jackets and The Rippingtons. On each of the 20 tracks the groove is separated into 3 melodic ideas. Each melodic idea (example or riff) is played first by the saxophone with the groove followed by just the rhythm section groove without sax. The 1st example is usually the easiest the 2nd slightly harder and the 3rd the most difficult.  

In 1790, during the lifetime of Mozart and Haydn, Ernst Ludwig Gerber wrote of Ko?eluch in his famous handbook for musicians, 'without opposition, by young and old, (?) generally the best-loved composer alive today?. His works display 'liveliness and grace, the noblest of melodies with the purest of harmonies, and a pleasing organisation of rhythm and modulation.? Until now, pianists have had little chance to acquaint themselves with the complete range of Ko?eluch's sonatas since very few modern editions were available. For the first time, this new complete edition by Christopher Hogwood presents all of Ko?eluch's sonatas for keyboard solo. The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication. Volume IV will contain those sonatas that are found only in hand-written sources.- First complete edition of the sonatas for keyboard by Leopold Ko?eluch- Fills a gap in Czech and Middle-European Classical repertoire- Suitable for amateurs as well as professionals- ideal for teaching purposes- Includes a detailed introduction (Eng/Czech/Ger), critical commentary (Eng) and facsimile pages from the sources / Piano