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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in ...
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Vol. 10/II - Edizione critica a cura di Alessandro Borin-David Bryant (testi in italiano e inglese). Par GABRIELI ANDREA. Vol. 10 of the Complete Works, articulated in two parts, contains the music found exclusively in manuscript and printed anthologies compiled prior to the great sixteenth-century Venetian composer?s death in 1585. Broadly speaking, Gabrieli?s contributions to collective anthologies fall into the following categories: 1) celebratory compositions, in several cases conceived as individual contributions to madrigal cycles by various composers in honour of more or less prominent Venetian or other personalities; 2) compositions originating in social and cultural circles close to Gabrieli; products of the composer?s habitual interaction with patrons, poets and musicians in mid sixteenth-century Venice, these compositions are published in anthologies containing similar works by other composers in Gabrieli?s milieu; 3) individual madrigals inserted in generic multi-author anthologies. Vol. 10/I features eight compositions on texts in Latin, Italian and ?stradioto? dialect (a linguistic concoction in which words of Greek origin appear against a background of simulated Venetian dialect). These include Gabrieli?s contribution to a Corona of nine sonnets by various composers on the death of Annibale Caro, the celebrated man-of-letters whose production comprises a highly successful Italian translation of Virgil?s Aeneid. The entire Corona is edited in the Complete Works. Gabrieli?s presence in multi-author anthologies follows a predictable pattern. The young composer?s earliest madrigals appear in editions of music by well-established authors (Vincenzo Ruffo, Cipriano de Rore) or collective anthologies edited by enterprising local musicians or other cultural figures (Giulio Bonagiunta, a singer at St Mark?s; the Venetian poet, actor and musician Antonio Molino). These give way to anthologies of music by highly celebrated composers, to which Gabrieli, his reputation now secure, accedes by invitation; and, beginning in 1583, non-Italian publications (increasingly common in the years following the composer?s death). / Date parution : 2022-04-26/ Recueil / Orchestre
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Kachian Chris - Composer's Desk Reference For The Classic Guitar - Guitar
15.10
Kachian Chris - Composer's Desk Reference For The Classic Guitar - Guitar
Guitare
Guitare classique
[Livre]
Mel Bay
Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number ...
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Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 76 Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: - Experienced composers with a concern for writing idiomatically for the guitar. - Guitarists who are commissioning a work from a composer who has never written for the instrument. - Libraries that wish to add this essential sourcebook to their music reference section. The very structure of the book reflects the composer's own intuition by addressing such questions as: - How is the guitar constructed? - What does successful guitar music look like? - How is the guitar played? - How does the guitarist interpret music and express emotion? - Which musical elements and gestures are most effective? - How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
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Various See Internal Text For Pieces And Composers: Organ: Single Sheet
Orgue
[ ]
Novello & Co Ltd.
Various See Internal Text For Pieces And Composers
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
9.95
Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Instrumental Album
Hautbois, Piano (duo)
[Reduction]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus ...
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Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Piano reduction. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda [D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was aworthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He was born around 1700 in Bohemia and worked in the 1730s as concertmaster at the court in Mainz where he died in 1732. Besides two Oboe concertos he composed a concerti à 4 for three wind instruments and BC.
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Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Score and Parts
19.95
Matthäus Nikolaus Stulick: Oboe Concerto in C minor: Oboe: Score and Parts
Hautbois et Orchestre
[Partition]
Spartan Press
Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus...
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Concerto In C Minor for Oboe Strings and Basso Continuo composed by Matthäus Nikolaus Stulick [or Georg Friedrich Händel or Johann David Heinichen]. Additional parts are available from the publisher separately quickly and cheaply. A 'Piano Reduction' for Oboe and Piano is available separately. There are three versions of this concerto with different assignments: Source A: In the library Schwerin [D-SWl] as „de Sing. Stulick' [Mus.5337]. Source B: In the collection Rheda[D-RH] as „Del Sing. Heinichen' [Ms 389]. Source C: In the univesity library Upsala [S-Uu]als „Dell Sing. Hendell' [i hs. 19:28]. The distribution of a baroque composition under various composers names was not uncommon and usually meant that it was a worthy work of high compositional quality. This Concerto for Oboe Strings and Basso continuo can serve in any case as evidence for this thesis. The question which of the three composers mentioned was the creator of the concert can not be answered conclusively. Two arguments suggest however that Matthäus Nikolaus Stulick (c.1700-1732) is the most likely of the three candidates: - The Schwerin manuscript [Source A] that names Stulick as the composer is the best by far; it contains far fewer errors and inconsistencies than the other two. - The designation of a work by a foreign composer name makes only sense if an unknown composer publishes under a name of a much more prominent composer not vice versa. Why should a work of Handel or at his time well-known Heinichen be played under the name of someone less known? We do not know much about the life of Matthäus Nikolaus Stulick. He
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Unbeaten Tracks (Cello And Piano)
14.70
Unbeaten Tracks (Cello And Piano)
Violoncelle, Piano
[Partition]
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Facile
Faber Music Limited
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and P...
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Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and Piano, comprises eight contemporary graded pieces grades 4 and 7 in standard. These contemporary eight pieces in this volume are written in an array of musical styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire for players of intermediate level upwards. Handy Biopics collect small details about various composers giving an insight into the inspiration and mood of the music. The solo cello part is also included on a separate insert. / Niveau : Assez Facile / Date parution : 2000-08-17/ Recueil / Violoncelle et Piano
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H.S. Yong: Guidelines on Identifying Music Scores: Theory
6.50
H.S. Yong: Guidelines on Identifying Music Scores: Theory
Formation musicale - Solfège
Faber Music Limited
Guidelines On Identifying Music Scores Grade 6 To 8 is tailor-made to meet the r...
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Guidelines On Identifying Music Scores Grade 6 To 8 is tailor-made to meet the requirements of candidates in answering Questions 4 and 5 of the Grade 6 to 8 exams.It is also suitable for certain sections of the ABRSM Aural Awareness Paper. An ideal book for guidance in identifying and understanding the music of the various composers throughout the periods of musical history. A cross-reference of composers listed under countries can be found at the back of the book.
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Dreaming - Variation On The Chiacona Of Giuseppe Colombi
14.20
Dreaming - Variation On The Chiacona Of Giuseppe Colombi
Violoncelle
Chester
Scored for solo Cello, Dreaming is Kaija Saariaho's contribution to the set of t...
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Scored for solo Cello, Dreaming is Kaija Saariaho's contribution to the set of thirty-two works by various composers written for the collection Mystery Variations in 2011. The piece is preceded by a statement of the famous Chiacona by 17th century composer Giuseppe Colombi, upon which it is based. / Violoncelle
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Antonín Dvo?ák: Stabat Mater Op. 58: SATB: Vocal Score
17.99
Antonín Dvo?ák: Stabat Mater Op. 58: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
Among all Stabat Maters ever set to music by various composers over the centurie...
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Among all Stabat Maters ever set to music by various composers over the centuries this one holds a special place as the most symphonic one and as the one that was the most clearly written by a classical orchestral composer. Arranged for Soli SATB Chorus and Piano reduction.
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Alan Jones: A Romantic Sketchbook for Piano Book II: Piano: Instrumental
9.50
Alan Jones: A Romantic Sketchbook for Piano Book II: Piano: Instrumental
Piano seul
-
Facile
ABRSM Publishing
Thirty-seven easy pieces for Piano by various composers written 1830-1950. The ...
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Thirty-seven easy pieces for Piano by various composers written 1830-1950. The pieces in this album are suitable for Grades 3-4 and have been selected to provide a variety of tempi styles and moods. With a composer background with each piece and includeing works by Brahms Grieg Kabelevsky and Bridge this is a fabulous volume of satisying pieces to add to your repertoire.
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John McCabe: Sonata (Homage to Tippett - Study No.12): Piano: Instrumental Work
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John McCabe: Sonata (Homage to Tippett - Study No.12): Piano: Instrumental Work
Piano seul
[Conducteur]
Novello & Co Ltd.
Commissioned by the BBC for Ashley Wass one of Radio 3's New Generation Artists...
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Commissioned by the BBC for Ashley Wass one of Radio 3's New Generation Artists and first performed at a Proms Chamber Music Concert on 31st August 2009.'The series of concert pieces (ranging from 5 to 16 minutes) that I have called Studies started with the intention of exploring either pianistic or compositional topics but has since No 7 a homage to Dukas also reflected my love of the music of various composers. Tippett?s piano music some of which I have played many times has always fascinated me for its examination of an enormous range of keyboard sonorities and technique and for its lyrical poetry and the energy and dynamism so typical of its composer. Inthis study I have combined my tribute to him (during which I refer to two of his works) with an exploration of sonata form for many years I resisted the idea of writing a Piano Sonata (note the capital letters) thinking sonata form itself was not for me but I suddenly felt I could write a single-movement work thinking of the examples of Hoddinott Scriabin and Tippett himself which would impinge closely on sonata form. Thus the opening vigorous section recurs as a kind of recapitulation to close the work and between those two parts are a slow ?movement? and then a lightly scored scherzo. The actual ending itself vanishes into the distance in a little phrase which gets quicker and quieter until it is hardly heard.'????????????????John McCabe
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A Music Reader For Piano I: Piano: Instrumental Tutor
12.30
A Music Reader For Piano I: Piano: Instrumental Tutor
Piano seul
PWM (Polskie Wydawnictwo Muzyczne)
The ''Music Reader'' has been conceived as a kind of music magazine for junior m...
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The ''Music Reader'' has been conceived as a kind of music magazine for junior music schools. Its aim is to provide children with a valuable music material and the collecting together of works by various composers of different epochs in one volume will make it easier for a teacher to select a repertory which would have to be assembled from different not always available collections. In addition the Music Reader as its title suggests might provide useful material for sight-reading practice. All the pieces in the Music Reader have been checked against urtext editions or the most recent critical editions. The editing in itself has also been modernized in order to make the text as transparent as possible. The editor's performance directions regarding tempo dynamics articulation and so on have been placed in brackets in order to differentiate them from the composer's marks while added slurs are pecked. In this way both teacher and student will be able to distinguish the original marks from those added by the editor which - of course - are less binding.
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Dionisio Aguado: 35 Etudes: Guitar: Instrumental Tutor
11.99
Dionisio Aguado: 35 Etudes: Guitar: Instrumental Tutor
Guitare
Zen-On
Recorder Quartets by beginner players by various composers. Compiled and edited ...
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Recorder Quartets by beginner players by various composers. Compiled and edited by Fumio Kitamika.
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Quartets for Recorder: Recorder Ensemble: Score
15.99
Quartets for Recorder: Recorder Ensemble: Score
Quatuor de Flûtes à bec
Zen-On
for Beginners-Recorder Quartets by beginner players by various composers. Compil...
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for Beginners-Recorder Quartets by beginner players by various composers. Compiled and edited by Fumio Kitamika. Contents: - Anon.: Pavane - T. Morley: Nancie - H.L. Hassler: Von dey Geburt Christi - J.H. Schmelzer: Pastorella - Anon.: A Toy - G. Farnaby: The Old Spagnoletta - Anon.: Pavana - H. Isaac: Carmen - H.L. Hassler: All Lust und Freud - J. Dowland Can she excuse - Wath if I never speed - J.J. Fux: Menuet - G. Mainerio:Ungarscha and Saltarello - La Parma and Saltarello - Ballo Anglese and Saltarello - J. des Prés: Mille regretz - C. Jannequin: Il estoit une fillette - E. Widmann: Mutterlein mein uie soll ich thon' - M. Praetorius: Ein feste Burg ist unser Gott - J.S. Bach: Choral (Matthäus Passion/Kantate 147/Motette 'Jesu meine Freude'/Kantate 140) - Anon.: Amarilli mijn schone - J.del Encina: Cucú Cucú - P. Pernández: Cucú Cucú - Anon.: Dindirin dindirin - P. Phalèse: Gaillarde francoise - J. Schultz: Intrada - S. Scheidt: Courant Dolorosa - J.H. Schein: Allemanden und Triplas - E. Widmann: Däntze und Galliarden - M. Praetorius: Bransle and Courante
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Printemps Musical
18.00
Printemps Musical
En Français
Piano seul
[Partition]
Lemoine, Henry
Piano solo / Divers compositeurs , Various composers
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Querflötenmusik Aus 3 Jahrh.
36.20
Querflötenmusik Aus 3 Jahrh.
Flûte traversière et Piano
[Partition]
Breitkopf & Härtel
This impressive anthology combines over three hundred years of Flute music from ...
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This impressive anthology combines over three hundred years of Flute music from various composers. A perfect addition for any Flute enthusiasts collection. This title is included in the 2018-2021 ABRSM Flute Syllabus (Grades 4, 5, 7 and 8) / Répertoire d'Examen / Recueil / Flûte Traversière et Piano
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Les Grands Airs d'Opéra - Volume 2
14.70
Les Grands Airs d'Opéra - Volume 2
En Français
Piano seul
[Partition]
-
Facile
Lemoine, Henry
Piano solo / Divers compositeurs , Various composers / Version facile / Arra...
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Piano solo / Divers compositeurs , Various composers / Version facile / Arrangement : Hans Günther Heumann
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Alison Hedger: Sing Song: Piano Vocal Guitar: Classroom Musical
10.99
Alison Hedger: Sing Song: Piano Vocal Guitar: Classroom Musical
Piano, Voix et Guitare
[Partition]
Golden Apple Productions
A collection of 25 new Christmas songs by various composers for use in primary s...
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A collection of 25 new Christmas songs by various composers for use in primary schools youth choirs and Sunday schools. Ideal for Christmas concerts and Nativity plays or sung in class for the fun of it! There is ample music tocreate a tailor-made nativity. Script available in student book.
10.99 GBP - vendu par Musicroom GB
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Classical Piano Pieces Volume 1: Piano: Score
Zen-On
Classical Piano Pieces Volume 1 is a collection of pieces from various composers...
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Classical Piano Pieces Volume 1 is a collection of pieces from various composers for the Piano.
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Reskin Charles - Easy Trumpet Outings - Trompette
30.00
Reskin Charles - Easy Trumpet Outings - Trompette
Bim
Charles Reskin Easy Trumpet Outings 12 Etudes & 11 Duets for trumpet Level: eas...
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Charles Reskin Easy Trumpet Outings 12 Etudes & 11 Duets for trumpet Level: easy / intermediate Language: English, French, German Series Bim Junior Series Presentation Combines stimulation and entertainment The Trumpet Outings series are conceived to familiarize trumpet players of all levels with a large musical horizont. These books provide original etudes and duets inspired by various composers and styles which mark out music history: from Renaissance to Debussy, from Mozart to Carlos Jobim, via Schoenberg, Steve Reich, Jazz, Celts and other folk music.
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Notes from Other Pens: Piano: Instrumental Album
2.75
Notes from Other Pens: Piano: Instrumental Album
Piano seul
Hal Leonard
Seven piano solos by various composers compiled and edited by John Thompson. A l...
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Seven piano solos by various composers compiled and edited by John Thompson. A lesson analysis of each piece is given by Thompson providing an insight on his personal teaching style.
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Piano Anthology Vol.1
24.99
Piano Anthology Vol.1
Piano seul
Ricordi
Compositions de: Carter Burwell Carli Comando Ludovico Einaudi Philip Glass Elt...
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Compositions de: Carter Burwell Carli Comando Ludovico Einaudi Philip Glass Elton John David H. Lanz Wim Mertens Ennio Morricone Michael Nyman Astor Piazzolla Erik Satie Yann Tiersen John Williams Compositeur : Various Composers Édition musicale : Ricordi Instrumentation : Piano Type de produit : Recueil ISMN : 9790215108714
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Baroque Pieces: Descant Recorder: Score and Parts
Flûte A Bec Soprano Et Guitare
Zen-on
Famous Baroque Pieces by Various Composers for Soprano Recorder and Keyboard. Co...
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Famous Baroque Pieces by Various Composers for Soprano Recorder and Keyboard. Compiled and edited by Ichiro Tada. Contents: - C.P.E. Bach: Menuet I und II - J.S. Bach: Aria di Giovannini - Marche - Aria - Auf auf! Die rechte Zeit ist hier - Ihr Gestirn ihr hohen Lüfte - Menuet - Polonaise - A. Corelli: Preludio - Adagio - J.C.F. Fischer: Bourrée - Menuet - G.F. Händel: Allegro - Sarabande - Menuet - Hornpipe - Conclusion - J. Krieger: Bourrée - J. Kuhnau: Menuet - J. Mattheson: Menuet - M. Marais: Romance - H. Purcell: Air - Minuet - Song Tune - J.-P. Rameau: 1er Rigaudon - 2me Rigaudon - Double due 2me Rigaudon - D. Scarlatti: Sonata - G.P. Telemann: Fantasia - Fantasie
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Alison Hedger: Sing Song: Piano Vocal Guitar: Script
5.50
Alison Hedger: Sing Song: Piano Vocal Guitar: Script
Voix d'Enfants
[Script]
Golden Apple Productions
A collection of 25 new Christmas songs by various composers for use in primary s...
(+)
A collection of 25 new Christmas songs by various composers for use in primary schools youth choirs and Sunday schools. Ideal for Christmas concerts and Nativity plays or sung in class for the fun of it!
5.50 GBP - vendu par Musicroom GB
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En Stock
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Musique en Liberté - Volume 2
En Français
Piano seul
[Partition]
Lemoine, Henry
Piano solo / Divers compositeurs , Various composers
13.00 EUR - vendu par Note4Piano
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Famous Baroque Pieces: Treble Recorder: Score and Parts
Flûte à bec, Guitare (duo)
Zen-on
Famous Baroque Pieces by various composers for Alto Recorder and Keyboard. Compl...
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Famous Baroque Pieces by various composers for Alto Recorder and Keyboard. Complied and edited by Ichiro Tada.
20.99 GBP - vendu par Musicroom GB
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