A Piano piece in E flat major with the simple title ‘Lied’ (song) was Felix Mendelssohn’s surprise present to his sister Fanny on her birthday on 14 November 1828. Shortly afterwards she referred to the work as ‘Song without Words’ and probably coined the phrase under which her brother’s lyrical Piano pieces numbering nearly 50 are known today. The present edition contains in addition to the 48 well-known ‘Songs without Words’ a number of individual compositions which because of their title or character seem to fit the classification ‘Song withoutWords'. These and the above mentioned first example of 1828 are united in this essential compilation of works in a genre favoured by the composer. An enriching addition to the Piano repertoire of interest for teaching as well as for recital purposes.

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

Ten of Mendelssohn?s ?Songs without Words? expertly arranged by top clarinettists Thea King and Alan Frank building on the song-like qualities of the original piano pieces the variety of content in Mendelssohn?s eight volumes are reflected in this volume an ideal source for familiar recital material.

Centennial Edition-Les Paul In His Own Words celebrates the life of the legendary guitarist Les Paul who passed away in 2009 at the age of 94. This book capturing Les Paul's own reflections on his remarkable inventions and Guitar playing was published as a high-end collector's edition. In 2015 Les Paul reached his centennial and Backbeat Books is pleased to celebrate the legend once more in the first-ever paperback edition of Les Paul In His Own Words making his fascinating story available to a wide range of readers. This book is the definitive work on the recording and Electric Guitar pioneer whose prodigious talents andrelentless work ethic single-handedly launched a new era in American popular music. This authentic account of Les Paul's life is packed with words of wisdom and experience from one of the most important contributors to modern music.

Préface par Alexis Galpérine Avant-propos d'Henri DutilleuxIntroduction de Philippe Hersant ' We are the words- we are the music- we are the thing itself ', En reprenant cette pensée de Virginia Woolf dans son chef d'oeuvre Chants de l'Âme, Olivier Greif (1950-2000) posait la question du lien unissant l'homme au monde et à la création artistique, À leur tour, les mots et la musique lui rendent hommage par l'intermédiaire de ses amis et de ses proches qui, dans cet ouvrage, dessinent le portrait de ce génie musical du XXe siècle,Plus de dix années après la disparition soudaine de ce créateur exceptionnel, We are the words collecte pensées, récits et anecdotes nous permettant de découvrir ou de se souvenir d'Olivier Greif, au travers des mots de grands noms de la musique contemporaine français comme Henri Dutilleux, Marc Minkowski, Jean-Claude Casadesus, Emmanuelle Bertrand et Pascal Amoyel,We are the words, le premier ouvrage consacré à la production musicale et la vie d'Olivier Greif, transcrit les entretiens effectués dans le cadre du coffret de douze DVD de la collection ' Les Incontournables ', écrite et réalisée par Anne-Bramard Blagny et Julia Blagny : une série de documentaires mettant en lumière l'oeuvre d'un compositeur incompris de son époque, mais dont les spécialistes savent que l'histoire retiendra Olivier Greif comme un des grands maîtres de la musique française de la deuxième moitié du XXe siècle,Fougueuse, impulsive, enivrante, profonde et libre de contraintes, la musique singulière d'Olivier nous plonge dans la sensibilité exacerbée d'un homme à l'apparente candeur, mais hautement préoccupé par la mort, À l'image de ses oeuvres, ces entretiens se veulent le reflet des différentes facettes de la vie d'un compositeur à la fois mystique et friand de sucreries,,,Il aura suffi d'un concert hommage à l'Abbaye de La Prée pour qu'Anne Bramard-Blagny, réalisatrice de documentaires dijonnaise, se prenne d'une affection passionnée pour la musique d'Olivier Greif et choisisse de lui rendre hommage, Avec plus de 150 documentaires à leur actif, les productions ABB Reportages mettent en lumière la production culturelle et scientifique de personnalités bourguignonnes dont, l'oeuvre, trop souvent méconnue, est digne de plus grand intérêt,  Ont contribué à l'ouvrage : Anne Bramard-Blagny, Marie-Claude Pascal, Laure Broulard, Etienne Yver, Alexis Galpérine, Paul Blagny, Thibaut Lily, Olivier Haquette Ainsi que : Pascal Amoyel, Patricia Aubertin, Henri Barda, Emmanuelle Bertrand, René Bosc, Brigitte François-Sappey, Jean-Jacques Greif, Andréa Hill, Patrick Langot, Benoît Menut, Stéphanie Moraly, Yves Petit de Voize, Gaëtane Prouvost, Marylis et François Raoul-Duval et Etienne Yver Le livre d'entretiens en DVD de la collection 'Les incontournables', Olivier Greif, (Diapason d'Or), est disponible sur le site internet de ABB Reportages à l'adresse suivante : http://www,abbreportages,fr / Livre

Chant, Piano, Guitare (grilles d'accords) / Contenu : Baby Can I Hold You Father And Son I Hope You Dance I Love It When We Do If Tomorrow Never Comes Last Thing On My Mind Life Is A Rollercoaster Lost For Words Lovin' Each Day She Believes (In Me) Somebody Else The Long Goodbye The Way You Make Me Feel This Is Your Song We've Got Tonight When You Say Nothing At All Words / Nb de Pages : 104 Langue : Anglais

Par VON SCHAUROTH DELPHINE. Six Songs Without Words by Delphine von Schauroth, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. German pianist and composer Delphine von Schauroth was a contemporary of Felix Mendelssohn and also the dedicatee of his famous Piano Concerto No. 1 in G minor. Her Six Songs Without Words were originally composed for piano solo, however, because of the nature of them, it is easy to see how a flute melody can be extracted from each of them. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

At the end of the 18th century the town of Cádiz in southern Spain provided the backdrop for a Passion to mark Christ?s hour of death; its focal point was the reading and interpretation of Christ?s last words. Haydn wascommissioned to write short meditative music to be played alternately with the readings. Haydn composed a work for orchestra. Due to its success the publisher commissioned Haydn to make an arrangement for string quartet. As thewind instruments double the strings for the most part only a few changes had to be made to the string parts. Here is the Henle Urtext Edition of Joseph Haydn's The Seven Last Words of Christ arranged for StringQuartet based upon on the musical text of the Haydn Complete Edition.

Par MUTTER HINSE. Hinse Mutter's Songs Without Words for flute and piano are calm and meditative, yet at times haunting. Hinse Mutter's Songs Without Words for flute and piano are calm and meditative, yet at times haunting./ Répertoire / Flûte Traversière et Piano

The last words of famous people whether real or invented exert a strange fascination. Breaking with the tradition that a song cycle is a setting of poetry Timothy Bowers has chosen the last words of fourteen famous (in one case infamous) characters from history and two comic/ironic epitaphs by Byron as his texts. Each collection provides a short (c 7’) concert work with settings ranging from fifteen seconds to five minutes duration.Book 1 is for Soprano and Piano. Two poets (Gertrude Stein and Emily Dickenson) followed by two martyrs - St Joan of Arc and Anne Boleyn.

Words to all 1 099 songs-This combined edition includes the words for ALL 1101 songs BOTH from the source 1 AND the source 2.

Edition no.:BA9695 ISMN:9790006536580 Volume / Series:Bärenreiters Cello Collection Editor:Sassmannshaus, Christoph Instrumentation of the work:Violoncello, Piano Product format:Piano reduction, Part(s), Teaching material Includes the following individual parts:Violoncello, Piano Binding:Stapled Pages / Format:32/64 S. - 30,0 x 23,0 cm In the line with the series Bärenreiter's Concert Pieces which comprises editions geared towards young violinists, we are now publishing a separate collection for young cellists playing their first concerts. This edition contains 18 easy-to-learn concert pieces from the Baroque, Classical and Romantic periods including Dvorák?s Humoresque , Mendelssohn Bartholdy?s Song without Words , Fauré?s Berceuse and The Swan by Camille Saint-Saëns. The editor is Christoph Sassmannshaus, the grandson of the founder of The Sassmannshaus tradition , Egon Sassmannshaus. - Pieces for solo cello with piano accompaniment - Easy to medium difficulty - Ideal repertoire for cellists who have completed Early Start on the Cello, volumes 3 and 4 (BA 8998, BA 8999) A selection: Simonetti, Madrigal / Beethoven, Minuet / Dvorák, Humoresque / Wolf, Wiegenlied / Goltermann, Notturno / Klengel, Sarabande / Mendelssohn Bartholdy, Song without Words / Fauré, Sicilienne / Saint-Saëns, The Swan