Here available are these outstanding a cappella collections. Volume 2 songs include The Lion Sleeps Tonight Blue Moon It's So Hard to Say Goodbye to Yesterday Sixty Minute Man It's Alright Stand By Me and more.Also includes notes for SSAA and TTBB performances.

Sing in the Barbershop Quartet Volume 3-These great collections let men sing four-part a cappella harmony with a professionally recorded barbershop quartet. The books include TTBB parts and the CDs feature full performances. Just turn on the CD open the book pick your part and sing along.

Par SOLANO JUAN. A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the second of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again. A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Concha Piquer, Manolo Escobar and Rafael Farina. His popular and best-loved songs include A Tu Vera, El Porompompero and Almoneda. This title is the second of two volumes, beautifully presented, that will help you to enjoy these wonderful songs again and again. / Niveau : 4 / Pop & rock / Recueil / Piano, Chant et Guitare

Johannes Brahms:The Works for one Instrument and PianoJohannes Brahms' compositions for one instrument and piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.The New Urtext EditionsBärenreiter's pioneering new scholarly-critical editions of Brahms' works for one instrument and piano are edited by a team of musicologists who are also performers. They offer today's musicians not just a reliable musical text based on all known sources, but also a comprehensive approach to the works, which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter's Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo, rubato, rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. Last but not least characteristics of Brahms' own piano playing as well as that of his circle and contemporaries are discussed.The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim's pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms' associate Franz Kneisel. A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major), Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle.Bärenreiter's new Brahms complex also importantly brings two neglected works back into the player's hands, namely the splendid versions of the op. 120 sonatas, originally written for viola or clarinet and piano. Brahms' arrangements for violin and piano unaccountably disappeared from the standard repertoire early in the 20th century. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.- A pioneering set of Urtext editions- String editions include an Urtext solo part and a second part with fingering as well as performance markings- Each edition offers a preface on performance practice aspects pertaining to the respective works- A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms' chamber music / Violon Et Piano

This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by 'The Big Three' of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and other artists. Popular tunes include Maple Leaf Rag, The Entertainer, and Tiger Rag. Novices of all ages will delight in these simplified arrangements of carefully selected pieces. The editor provides suggested fingerings and comments on each piece that include background on the composers and tips for performance.

Eine kleine Nachtmusik' '... written with ease, but skillfully refined' 'Eine kleine NachtMusick' is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing 'Don Giovanni', a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart's output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart's original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages ' in high-quality colour printing, each trimmed individually ' are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. 'The fact that it's all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.' (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary 'Facsimile of the autograph score KV 525 'Introduction: 'I. 1787: The work. Its background, genesis, significance and impact 'II. The Autograph. Its clear, its twisted paths 'Notes and References 'Einführung: 'I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung 'II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade 'Anmerkungen 'Watermark No. 55 'Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm

These duets trios and quartets are designed specially for saxophone pupils taught in groups and make ideal supplementary pieces when working towards the ABRSM's Music Medals. Pieces are graded by difficulty as follows: copper bronze silver gold platinum. Each line of music is labelled to show level of difficulty. One piece has specific parts for E Flat and B Flat saxophones but the rest can be played on either. A second pull-out copy is included. The three duets featured include a Bronze level piece a Gold level and a Platinum; the trio selection starts out with a Copper difficulty a Gold and a Platinum/Gold. The quartet is one of the trickier with two parts atPlatinum level and two at Gold.

Soon Hee Newbold explores the colorful traditions of Spanish festivals in her latest symphonic work. From their fascinating dances to the infamous bull fights these festivals will come to life right in your concert hall. Effects include a guitar-like pizzicato (strumming) and col legno (to imitate castanets). A tango section has solos for all parts and the festive ending leads to a furious finish. Sure to be a favorite! Duration: approx. 4:30

Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include ?A Million Dreams? (The Greatest Showman), ?Shotgun? (George Ezra), ?Havana? (Camila Cabello), ?How Far I?ll Go? (Moana), ?Star Wars: Main Theme? (John Williams) and more. Demonstration, backing tracks, and piano accompaniment PDFs are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard./ Recueil / Violin

Par . Boost your performance with these songs, all specially arranged for students at Grade 2 level. Songs include 'A Million Dreams' (The Greatest Showman), 'Happy' (Pharrell Williams), 'Havana' (Camila Cabello), 'How Far I'll Go' (Moana), 'Into the Unknown' (Frozen 2) and more. Demonstration, backing tracks, and piano accompaniment PDFs are included in the price of this book and can be streamed or downloaded using the unique code found inside. This edition includes PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Date parution : 2022-07-20/ Recueil / Flute Solo

Now available through Hal Leonard are these outstanding a cappella collections. Volume 1 songs include: Good Old Acappella; Under the Boardwalk; In the Still of the Night; Only You; Zombie Jamboree; Silhouettes; Longest Time; Up On the Roof; Na Na Hey Hey Kiss Him Goodbye; Goodnight Sweetheart Goodnight. Also contains notes for SSAA and TTBB performances. Available: SATB.

Edition de Reinhard Goebel
Nearly all of the music from the seventeenth-century court at Dresden was unfortunately lost when Frederick II of Prussia bombarded the city in 1756. Fragments of the repertoire, however, have been preserved in the libraries of the courts of Protestant northern Europe, which were connected to Dresden by friendship or familial ties. Some of these works are presented here as they have been performed and recorded by the ensemble Musica Antiqua Koln, directed by Reinhard Goebel. The editions include both scores and parts.
Dresden Sonatas 3 presents two works for three violins, two violas, and basso continuo by Johann Wilhelm Furchheim (ca. 1635?82), as well as the Rondeau in C Major by Johann Joseph Fux (1660?1741), which features violino piccolo and bassoon, with an accompanying ensemble of violin, two violas, and basso continuo.