The Novello Book of Classic Anthems brings together some of the finest sacred choruses ever written. The collection includes miniature gems including Edward Elgar’s Ave verum corpus Henry Purcell’s Thou knowest Lord the secrets of our hearts and Thomas Attwood’s Come Holy Ghost and established choral favourites such as Handel’s Hallelujah Chorus Henry Balfour Gardiner’s Evening Hymn and Samuel Sebastian Wesley’s Blessed be the God and Father. It also covers a number of dramatic extended anthems suitable for both church choirs and choral societies such as Edward Naylor’s Vox dicentis: clama John Stainer’s I saw the Lord and Wesley’s Ascribe unto the Lord and twentieth-century classics such as William Harris’s Bring us O Lord God Patrick Hadley’s My beloved spake and Edgar Bainton’s And I saw a new heaven. All the pieces have been re-engraved and some such as Haydn’s The heavens are telling and Brahms’s How lovely are thy dwellings have newly arranged accompaniments specifically designed for the Organ. This collection of nineteen anthems covers a wide range of moods and festivals and offers a delightful concert programme in itself as well as an essential addition to any choir’s library.

An anthem suitable for Easter with words by Edmund Spenser (1552-1599). Musical Times series number 1391.

A sacred cantata recalling some of the incidents in the last days of the Saviour's life on earth. Scored for tenor and baritone soli and SATB chorus interspersed with hymns to be sung by the congregation.Words written and arranged by Shapcott Wensley. Revised by Michael Pilkington.

NFMC 2016-2020 Piano Hymn Event Primary D Selection-This series of sacred solos includes favorite hymns gospel songs spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Selections with two verses are arranged so that the second verse is in a different key. Level 3 includes: All Hail the Power of Jesus' Name - Amazing Grace - Ave Maria - Blessed Assurance - Blest Be the Tie That Binds - Come Ye Thankful People Come - Fairest Lord Jesus - God of Our Fathers - Holy Holy Holy - Lead On O King Eternal - Lonesome Road - My Heart EverFaithful - Stand Up Stand Up for Jesus - Sweet Hour of Prayer - This Is My Father's World.

The Marlborough Canticles were first performed by Marlborough College Choir at St George’s Chapel Windsor in April 1996. A work that combines beautiful lyrical melodies with gentle swaying dance rhythms to tremendous effect. Arranged for SATB (Divisi) with Organ Accompaniment.

Jazz Piano Solos Series Volume 47-This wonderful title takes 33 hymns and reimagines them for jazz Piano in Piano solo arrangements including chord symbols.Some of the Hymns included in this work are Abide with Me All Hail the Power of Jesus' Name Amazing Grace Be Thou My Vision Blessed Assurance Fairest Lord Jesus Holy Holy Holy How Firm a Foundation It Is Well with My Soul Just a Closer Walk with Thee A Mighty Fortress Is Our God Nearer My God to Thee The Old Rugged Cross Onward Christian Soldiers Rock of Ages Stand Up Stand Up for Jesus What a Friend We Have in Jesus and more.

(in C with Orchestra)-Malotte's setting of The Lord's Prayer has been lovingly adapted for SAB chorus in the key of C by Janet Klevberg Day.This heart-warming version is the perfect choice whatever the service or occasion.

How Can I Keep From Singing? (SAB)-Emily Crocker's arrangement of How Can I Keep From Singing? by Rev. Robert Lowry is a moving and inspiring song of celebration for unaccompanied SAB chorus.

This anthem was specially written for a Sunday-School act of worship which took place in St Alban's Abbey Refectory on Good Friday 1989. It can be accompanied with an organ or a piano.

For SSA & Organ-Written for SS choir and organ. Dedicated to Charlotte Frye and the Choristers of Saint Paul’s Church Fairfield.

This beautifully presented edition from Novello offers a full Mass setting alongside a Motet both for SATB chorus by Tomas Luis De Victoria. Regarded by many as one of the greatest composers of Spanish renaissance polyphony this Mass setting is rich in his characteristic tonalities and the textures of the sacred choral tradition. Alongside this is the original Motet upon which the Mass setting is based. Both are transcribed and edited by Andrew Parker.The pairing of the two works offers an exciting and fascinating performance opportunity with the devout grandeur of the Mass set against the modesty of the original Motet.

Lo! Christ The Lord Is Born is actually the second coming of this carol. Elgar and his wife sent the work out as a part-song Grete Malverne on a Rock in 1897 as their Christmas card. The poet Shapcott Wensley librettist of The Banner of St George set his words to the tune and it was published as this carol in 1909.

No. 1 of Two Hymns of Praise-A tremendous celebratory work arranged by John Rutter for Mixed Choir and Brass Ensemble. Now Thank We All Our God starts with a triumphant fanfare introduction and is a majestic and inspiring piece. It is based on Ecclesiasticus 50:22-24 a 17th Century text by Martin Rinkart and it is believed that it was written for a celebration service to mark the end of the Thirty Years War in 1648. This is the complete Set of Parts for Brass ensemble consisting of 4 Trumpets in B Flat and C 2 Horns 2 Trombones Bass Trombone Percussion and Timpani.